After massive protest, Disney pulls new Merida from site

Exciting news! Today, Rebecca Hains, blogger and media studies professor, reports:

“As of today, Disney has quietly pulled the 2D image of Merida from its website, replacing it with the original Pixar version. Perhaps we’ll be spared an onslaught of sexy Merida merchandise yet.”

YAY! Check out the link, it’s true! BRAVE Merida is back.

I guess Disney was right to be so terrified of creating a strong, BRAVE, female protagonist (along with Pixar studios which hadn’t had ANY female protags before “Brave.”) It looks like Merida could be turning Disney’s franchise on it’s head. That’s pretty damn heroic.

Another mistake Disney made with “Brave?” They hired a female director. They fired her, but it was too late. Brenda Chapman wrote “Brave” based on her daughter. She was furious with the character’s transformation and wrote publicly about Disney’s terrible mistake.

Of the debacle Hains writes:

That’s right: Although Merida was created by a woman as a role model for girls, the male-dominated consumer product division at Disney has ignored the character’s intended benefits for young girls, sexualizing her for profit. Compared with her film counterpart, this new Merida is slimmer and bustier. She wears makeup, and her hair’s characteristic wildness is gone: It has been volumized and restyled with a texture more traditionally “pretty.” Furthermore, she is missing her signature bow, arrow, and quiver; instead, she wears a fashionable sash around her sparkly, off-the-shoulder gown. (As Peggy Orenstein noted when she broke the news of the redesign, “Moms tell me all the time that their preschool daughters are pitching fits and destroying their t-shirts because ‘princesses don’t cover their shoulders.’” I’ve heard the same from parents, as well.)

Is the sexualized  image of Merida gone for good? Has Disney learned a lesson? Or will that lesson be: No more strong female characters leading a film! No more female directors writing about their daughters! Keep the females weak and quiet!

It’s up to you. This could be a turning point. Parents, please use your voice and your wallet to keep strong, heroic females showing up in narratives and images marketed to your kids. Right now, girls are missing from children’s media and when they do appear, they’re sexualized. This is normal. Not healthy, but tragically, perfectly normal.

Yesterday, Melissa Wardy posted this image on her Pigtail Pals Facebook page, reminding us Merida’s new image was not created in a vacuum.

pigtails

Objectifying and sexualizing girls is dangerous. A first step to abuse is always dehumanizing the victim. Propaganda, in the form of images and narratives, effectively dehumanizes on a mass scale.

Images/ narratives of Jews circa 1938

nazibook

Africans circa 1931

tin_tin_in_congo11

Females circa 2013

bratzwallpaper-source_4cj

 

It’s easy to look back on history and wonder: How did people ever put up with that? I’d never buy into it, not to mention expose my child to it. But what are you participating in right now that is completely accepted, not to mention celebrated, by our culture?

Be part of the solution. Demand narratives with strong female characters for your kids.

Update: New Merida may be off Disney’s site but she’s showing up all over the place including Target. Below is Target’s web page.

meridatarget

 

 

 

Disney destroys Brave’s Merida with sexy makeover #NotBuyingIt

From the Mary Sue:

“On May 11th Brave‘s Merida will be officially crowned as the 11th Disney Princess, the impact of which is that Disney will be selling more stuff with her on it, I guess? Anyway. Along with the “coronation ceremony,” to be held at Walt Disney World, Merida’s gotten a new redesign…”

A great summary from Toward the Stars:

towardthestars

Here’s one of my favorite pre-botox, pre-makeover Merida expressions.

merida_

Pithy analysis from Peggy Orenstein on the eventual fate of way too many of Disney’s female characters:

Because, in the end, it wasn’t about being brave after all. It was about being pretty…I’m especially creeped out by Belle who appears to have had major surgery… In addition to everything else, they’re pushing the brown girls slowly but surely to the edges…

I’ve always said that it’s not about the movies. It’s about the bait-and-switch that happens in the merchandise, and the way the characters have evolved and proliferated off-screen. Maybe the problem is partly that these characters are designed in Hollywood, where real women are altering their appearance so regularly that animators, and certainly studio execs, think it’s normal.

The disease of homogeneous, anorexic, botoxed, generic females has spread worldwide, through these kinds of images. Did you see the Reddit story about the Korean beauty queens: “Has plastic surgery made these beauty queens all look the same? Koreans complain about pageant clones.” Talk about creepy.

beautyqueens

One commenter wrote:

‘The surgery takes away their individuality and uniqueness and its sad. Most are beautiful without it but telling them that their Korean ethnic features are in fact lovely is as effective as screaming at a brick wall.

‘They wont believe you because they’ve been brainwashed to think westernization of their features is superior, I don’t think they want to look white, but a mix of white and Asian and definitely less Korean.’

This is how one “beauty” queen describes herself:

The student revealed her plastic surgery secret after photos emerged of her looking very different at school, but she said she hadn’t misled anyone.

But she defended her crown telling the Korean media: ‘I never said I was born beautiful.’

 

So sad because this generic look has absolutely nothing to do with “beauty” and everything to do with power, Westernization, capitalism, and status. TV host Stephen Colbert explained it well when he jokingly asked teen writer/ phenom Tavi Gevinson: “But if girls feel good about themselves, how will we sell them things they don’t need?”

How indeed? I was a huge Merida fan, as were my kids, and I bought my three young daughters several figures, books, and posters featuring her because she was cool. Here’s a framed poster over my four year old daughter’s bed so she can see her when she goes to sleep at night, along with her favorite Merida book.

Mposter

Like Merida, my daughter, Rose, has wild, curly hair that she hates to have brushed.

rose

I hope my daughter never feels that she has to look generic and homogeneous in order to be “beautiful.” I hope she always knows that her beauty comes from her spirit. That’s not some meaningless cliche. There’s nothing “attractive” about frozen-faced clones. Disney’s new, madeover Merida has absolutely nothing to offer my kids. I won’t be buying ANY merchandise with this awful, new image.

Reel Girl rates the new Merida ***SSS*** for major stereotyping.

Please Tweet @Disney We want Merida brave, not botoxed. New, madeover Merida is bad for kids #NotBuyingIt

 

 

Little LEGO men are harassing me? WTF?

As if LEGO, with its idiotic, dumbed down LEGO for girls, its pet-shops and hot tubs, isn’t offensive enough, now this? A worker calling out, “Hey babe!” Are you kidding me?

LEGO

Please Tweet: Hey @LEGO_Group, these stickers teach kids that #streetharassment is OK. I’m #NotBuyingIt

(via Miss Representation)

Viral Dove ad created mostly by men

Turns out, the Dove ad was created mostly by men including the director, creatives, DP, editor, and some producers. Interesting when today, women make up only 3% of advertising’s creative directors.

Here are the credits:

CREDITS
Client: Dove
Agency: Ogilvy & Mather Brazil
Chief Creative Officer: Anselmo Ramos
Executive Creative Director: Roberto Fernandez /Paco Conde
AD: Diego Machado
CW: Hugo Veiga
Sketch Artist: Gil Zamora
Producer: Veronica Beach
Junior Producer: Renata Neumann
Business Manager: Libby Fine
CEO: Luis Fernando Musa
Group Account Director: Valeria Barone
Account Director: Ricardo Honegger

Production Company: Paranoid US
Director: John X Carey
Executive Producer: Jamie Miller / Claude Letessier
Line Producer: Stan Sawicki
Director of Photography: Ed David

—Long Version
Executive Producer: Jamie Miller / Claude Letessier
Producer: Stan Sawicki
Editor: Phillip Owens
Music: Subtractive
Sound mix: Lime Studio
Composer: Keith Kenniff
Mixer: Sam Casas
Executive Producer: Jessica Locke
Production Sound: Tim O’Malley
Color Grading: Company 3
Colorist: Sean Coleman

—Short Version and Cinema
Editorial Company: Rock Paper Scissor
Executive Producer: Carol Lynn Weaver
Editor: Paul Kumpata
Assistant Editor: Niles Howard
Online: A52
Executive Producer: Megan Meloth
Producer: Jamie McBriety
Music: Subtractive
Composer: Keith Kenniff
Sound mix: Lime Studio
Mixer: Sam Casas
Executive Producer: Jessica Locke
Production Sound: Tim O’Malley
Color Grading: Company 3
Colorist: Sean Coleman

I love Melissa Duge Spiers’s post: “Thoughts that come with Dove’s footsteps” on Reel Girl and count myself among those unimpressed by the ad. I blogged about Dove’s pseudo-feminism a year ago, when the company released a study and promoted stats that “only 11% of girls feel beautiful.” Then, I wrote a parody: “New study reports only 10% of boys feel beautiful.” A headline you won’t see, because when it comes to males “beauty” just isn’t that important.

Thoughts that come with Dove’s footsteps by Melissa Duge Spiers, guest post

Perhaps I am the wrong person to open this discussion, because I was raised in a house where being beautiful (if you were a girl) was everything – I was dragged from under my bed as a 6-year-old, kicking and screaming, so that my “ugly” straight hair could be permed.  I was the only pre-teen I knew who was forced to wear makeup.  And I existed on air-popped popcorn throughout high school because I dreaded being withdrawn from school and put on a liquid diet until I lost weight like a friend of mine.  I grew up to make my living for a while from my looks, modeling and acting.  So it would be silly to claim I don’t carry some baggage about beauty, and I won’t even try. 

makeup_set

But I’m going to throw my hat into the ring anyway on the latest movement to redefine beauty, to make it more inclusive, to tell every woman she’s beautiful (yes, Dove, that’s you…and so many more).  I hate it.  I absolutely detest it.  Why?  Because even the most well-intentioned, politically correct, supportive, inclusive statements and movements can still be boiled down to this:  beauty is all important. 

The traditional wisdom – from my grandmother’s era – was a terse “if you’re not beautiful, cultivate a great personality, be the smartest, wittiest person in the world, be charming, develop great talents.”   This seems outrageously offensive in today’s era, yes?  It puts beauty in a removed and superior category which excuses the lucky ‘owners’ from doing anything else on that list (plus it reinforces the tired dichotomy of smart/witty/talented vs. beautiful).  As much as we sincerely applaud the use of larger-sized models and real women in these new campaigns, the honest truth is: nothing has changed.  We are still saying beauty is the defining item in women’s lives.  We’re just screaming for an expanded definition.    

If you take out the words “beautiful” and “ugly” in the widely celebrated, empowering “Everyone’s Beautiful!” campaigns and you substitute  the words “white” and “black” or “straight” and “gay” you begin to see how thoroughly stupid it is to waste time trying to define (or redefine) “beauty.”  Go ahead, try it:  “Everyone’s white! You’re white just as you are!” Or  “We just need to redefine straight to include all humans! Everyone’s straight!” 

It suddenly seems ridiculous (not to mention condescending), doesn’t it? These well-intentioned feel-good anthems really just posit beautiful (or white or straight) as the goal, as the “best” option, as the ultimate compliment/inclusion/approval.  Think I’m exaggerating? I can guarantee that someone in response to this article will think the most insulting, awful comment they can summon is “you’re just a jealous, fat, ugly dyke!”  But it’s not just those haters – it’s the advertisers, it’s the lawmakers, it’s the population, it’s each and every one of us.  We all keep thinking that telling women and girls they’re beautiful is the answer, as long as we adjust the definition to include everyone.  But we’re all still holding it up as the holy grail, the pinnacle of achievement, the most important thing they can be. 

curlingiron

You know, my mother thought straight hair was disgustingly ugly (a fact she will still tell anyone to this day).  As a child, did I wish she would open her beauty boundaries, recalibrate her metric, until it included my stick-straight strands?  That would have saved me a lot of tears and chemical burns on my scalp, sure, but really I just remember fervently wishing she would stop focusing on my damned hair so I could go outside and swing on the monkey bars.  Did my young friend wish her parents would say “honey, a few extra pounds are beautiful!” Not at all.  She felt nearly the same shame and humiliation whether they praised her weight loss or put her on a diet.  She simply didn’t want them or anyone else to discuss her body, in any way, good or bad – it was mortifying.  She just wanted to be riding her horse.

Each one of us – me, you, Dove, everyone – needs to stop trying to expand our precious definitions  (“beauty is valued, so we need to make sure everyone feels beautiful!”) and figure out why (and if) they’re important to define at all.  Everyone should be accepted and given equal consideration and rights, even if we’re not all straight, we’re not all white, and we’re not all beautiful.   Who cares? Let’s  cultivate our talents, our charm, our smarts, our personalities.  And then let’s run out and swing on the monkey bars.

 “Thoughts that come with dove’s footsteps guide the world.” – Friedrich Nietzsche

Melissa Duge Spiers is a writer whose work has appeared in Adventure Sports Journal, Vermont Sports, and The Monterey Herald, among other publications. She is working on her first novel. A graduate of Barnard College, she lives in Santa Cruz, CA with her husband and four children.

Read Melissa Duge Spiers previous posts on Reel Girl: “ChapStick sticks it to women” and “No comment! A commentary on the ChapStick story.”

 

 

Marvel markets sexism with Avengers T-shirts

Just saw Marvel’s sexist T-shirts on the Huffington Post (there’s some link to Reel Girl but I can’t find it?)

Marvel’s T-shirt for boys.

original

Marvel’s T for girls.

girls

Argh!

This sexism, by the way, goes beyond the specific imagery of a superhero. “Be a hero” translates to “act, take risks, make choices. “I need a hero” means “I’m a minor character. I’m passive, and I wait.”

See the difference?

The insidious problem with this stereotyped gender casting is that women are constantly sidelined and marginalized, remarkably, in the roles they play in their own lives. Females are cast in the supporting role, defined by their relationships as girlfriend, wife, mother, or helper. This sexist narrative has been going on for a long, long time, and we keep recycling it. I just saw this Virginia Woolf quote Tweeted by Bitchflicks:

And I tried to remember any case in the course of my reading where two women are represented as friends…They are now and then mothers and daughters. But almost without exception they are shown in their relation to men. It was strange to think that all the great women of fiction were, until Jane Austen’s day, not only seen by the other sex, but seen only in relation to the other sex. And how small a part of a woman’s life is that.

 

How small a part! But who would ever guess from looking at how women are depicted in the media– movies, TV, books, advertising– in 2013? Ironically, and this is what is so fucked up and twisted, females get to exist, get to play a part at all when they are sexualized and marginalized.

“Avengers” has the classic Minority Feisty ratio of 5 male superheroes to one female. As artist Kevin Bolk illustrates, the lone female is highlighted by her ass.

avengers

What is the solution to this sexism? Be a hero. Women, write your own stories. Make your own art. No one else can do it for us.

Update Here’s a comment from Nick:

The solution is not only for women to write their own stories, but for men to understand why this is sexist. There is a dearth of great female superheroes, and when they exist, they usually suffer from the Women In Refrigerators trope, where they die or lose their powers not doing something heroic, but assassinated while cooking in their kitchen, sometimes horrifically placed in the refrigerator, where the trope’s namesake comes from.

The solution has to be EVERYWHERE. Men and women alike should write compelling female superheroes. Some men don’t understand why Women in Refrigerators or Damsel in Distress tropes are inherently sexist, so education on this is also key.

For my part, I read up on feminist blogs like ReelGirl and watch Anita Sarkeesian videos (and the reaction videos, because she is very one-sided). I try to avoid making the same mistakes as other writers when dealing with women. I don’t ever assume I can write a compelling female character, I always question myself and I always push myself to do better.

I think that’s another good answer to this problem – each of us individually pushing the status quo.

And my response:

Hi Nick,

Totally agree the solution has to be everywhere. Thanks for this comment and for the thought and research you put into writing female characters.

Margot

 

Obviously, it’s a sexist world out there, and when women make art, it’s often ignored or marginalized. It would help if women were running the major Hollywood studios or had the funds to bankroll those studios, not to mention lead the prestigious organizations and comprise the boards that give awards to “great” artists.

That said, women need to keep writing and creating. Making art is risky and dangerous, engaging in the process is being a hero. Persevering is especially challenging when your work gets dismissed and rejected because stories about women aren’t valued. But, even with all of this against us, women must put our stories and visions out there. I really believe this is the only way we’ll ever achieve full gender equality.

Here are a couple posts I wrote on the issue of women making art: What if Van Gogh took Prozac? and Why aren’t there more women artists?

Update Miss Representation started a petition against these shirts. I signed and hope you do too.

Mr. President, the race for California attorney general isn’t a beauty contest

President Obama,

Today, when you endorsed California attorney general, Kamala Harris, at her fundraiser, you said:

“You have to be careful to, first of all, say she is brilliant and she is dedicated and she is tough, and she is exactly what you’d want in anybody who is administering the law, and making sure that everybody is getting a fair shake.  She also happens to be by far the best-looking attorney general in the country — Kamala Harris is here.”

kamala_harris_ll_130404_wblog

I know you didn’t mean anything offensive by calling California attorney general, Kamala Harris, the “best-looking Attorney General in the country.” You probably thought you were being humorous or complimentary. You weren’t. Referring to Harris’s looks in support of her campaign shows how out of touch you are with the situation that women in America are in.

Women in America are constantly valued for how we look and not for what we do. This prejudice is something every female in America of every age has to deal with on some level every single day. For the President of the United States to refer to the attorney general’s looks is not a trivial thing. I wish it were.

Kamala Harris is California’s first female attorney general. The first one. Why do you have to call the first female AG the “best-looking?” It’s not funny. Not only are you the president, you’re the father of two daughters. You’re telling America and your own kids that you value Harris because of the way she looks. Would you ever consider introducing a male candidate as the “best-looking?” How men look is basically irrelevant when evaluating their performance. Unfortunately, the same is not true for women. Harris, the women of America, and your daughters deserve more respect and an equal playing field. When you called Harris “best-looking” today, you took that away from her. When Americans hear your words, they, too, will look at Harris and evaluate her appearance. If our daughters– and I have 3– hear you, they’ll get training to do the same thing. That training already exists everywhere around them. The last thing our children need is to hear their President focusing on the looks of a high ranking, female politician.

You need to understand this. It’s important. Women put you in office for a second term. Yet, it’s startling to me how few women you’ve appointed to power positions in your Administration. Your cabinet has more men playing starring roles than a Hollywood blockbuster movie.

obama2

Women make up 50% of the population yet we’re drastically under-represented in our U.S. government. In 2013, women are just 18% of the United States Congress. Throughout our history, only four women have held the office of Supreme Court Justice. There has never been a female President of the United States. Do you think a female president would introduce a female politician as “best-looking?” Or would she ever introduce a male politician that way, for that matter?

Right now, the U.S. has only five female governors, a low for this century. Harris has the chance be the first female governor of California. To get her there, it doesn’t help to have the U.S. President reduce the race for California attorney general to another beauty contest. That’s bad for women and bad for America.

Thanks for listening,

Margot Magowan

P.S. I’m crafting a summer reading list for you. I know you love books and some of these may help you understand this issue better.

 

Feminism, class, and the problem of privilege: Gloria Feldt responds to Reel Girl

In defense of Sheryl Sandberg’s much maligned Lean In, I compared the book to No Excuses by former President of Planned Parenthood, Gloria Feldt. That book, which I read a couple years ago, has a similar thesis. It focuses on strategies that can help women succeed in the workplace, and it debuted with no feminist uproar.

Feldt responded to Reel Girl’s post:

Thanks for making the comparison between my book and Sheryl’s. You hit the nail on the head in many ways. I’d just like to say for the record that since my goal is to move women forward toward parity in top leadership positions, I’m thrilled that a woman like Sheryl in a powerful corporate position is so willing to say these things.

She and I have discussed that there is a need to be able to work in the system and to change it. I tend to come down more on the side of changing the system, but then movement building has been my career.

And I’m doing it again with Take The Lead (www.taketheleadwomen.com) if anyone wants to check it out and possibly hop on board to help us reach leadership gender parity by 2025.

sandbergl

Here is my comment back to Gloria.

Dear Gloria,

Thank you for your comment to Reel Girl. I’m grateful for your long career in helping women and happy that you wrote No Excuses which I learned so much from. I appreciate your support of Sheryl Sandberg’s book, though in some ways, your email perpetuates a misconception about “sides” that I want to address. You write:

 I tend to come down more on the side of changing the system, but then movement building has been my career.

 

There are no sides here. Women can’t change the sexist system if they the lack basic skills do so. This may not seem like a huge deal in your comment, but this schism is presented and replicated all over the media when discussing Sandberg’s book, just last Sunday again on “60 Minutes,” and it can be distorting.

In 1998, When I was 28, I cofounded the Woodhull Institute for Ethical Leadership to address this lack of skills and also, the class divide in feminism. So many young women, including me, had big dreams, but little idea as to the practical tools of how to achieve them. It was like we’d missed out on a basic training course that the men had taken.

Woodhull’s mission was to train women ages 22 – 35 in the skills they too often lacked. We saw this age period as crucial for women to lay the ground work for successful careers, a time where they needed support and training that they weren’t getting. There weren’t non-profits that focused on career development of this demographic, so we created Woodhull.

Modules at Woodhull included: media training, negotiation, advocacy, how to get published, financial literacy, how to write a business plan, and public speaking. Every Woodhull module included a component on ethics. There’s no point in becoming a leader if you can’t be an ethical one, give back, help people, and do your part to change the world for the better.

Woodhull also provided graduates with an on-going support network and mentorship. Woodhull graduates include Lateefah Simon, who went on to become a MacArthur Genius, Jennifer Siebel Newsom, who went on to co-found Miss Representation, and Courtney Martin, who went on to publish  Perfect Girls, Starving Daughters, among many other Woodhull success stories.

Woodhull ran into challenges raising money. Foundations wanted to give money to non-profits that served 100% inner city/ low income women. Even when 2/3 of Woodhull constituents came from inner city/ low income and were scholarshipped, foundations weren’t interested in that ratio. Woodhull didn’t want to adapt to funders, because part of the reason Woodhull was founded was to bridge the class divide. Women who came to Woodhull valued that diversity. Many said they had no other place to address class differences and similarities openly and to learn from each other. Again and again, we witnessed that young women, across the board, whether from the richest or poorest families, didn’t know basic financial literacy or had difficulty receiving applause without flinching.

Then and now, I’ve got to wonder: When women with access to money and power aren’t achieving, how does that affect all women? Where are women in power? Why are they so invisible? How can we change that? What happens when a rare woman gets to the top, writes a book about her view from up there, and gets attacked for it? As Gloria Steinem wrote, “Only in women is success viewed as a barrier to giving advice.”

You don’t get much more privileged by birth in America than me. My great-grandfather was Charles Merrill, the founder of Merrill Lynch. He was an early investor in Safeway stores, and my grandfather became CEO of that company, building it into the world’s largest supermarket chain. My father was also a CEO of Safeway until he left the company to buy the San Francisco Giants. I think that part of the reason I became a feminist so early is because in the world that I grew up in, the gender disparity was huge. Sometimes it seemed like all of the men were running the world and all of the women were dieting.

Following my college graduation, many of the privileged men I had grown up with went on to start their own companies, open restaurants, publish novels, and produce films. Most of the women I knew, who were smart, creative, and had a sincere desire to have a positive impact on society, took low-paying, low status jobs for big corporations or non-profits.

What I also noticed in these women, and not the men, and an issue that you address in No Excuses, was a profound ambivalence towards success and power, basically what it means to be successful and powerful as a woman in America. For all of these reasons, I founded Woodhull.

The class divide among women, whether it manifests as the stay-at-home vs working mommy wars or feminists against Sheryl Sandberg, is the major challenge keeping women from achieving parity. Even the foundation and non-profit worlds systemically reinforce this fatal gap. If women can’t bridge the class divide, we’ll stay stuck, but if we can overcome it, nothing will stop us.

I can’t wait to check out www.taketheleadwomen.com

Best,

Margot Magowan

M & Ms sells sexism to kids

When tobacco companies used a cartoon camel to sell cigarettes to kids, the U.S. government stepped in to stop the manipulation.

joecamel

When M & Ms uses extreme gender stereotypes to sell sexism to kids, it’s supposed to be funny. Here’s the back cover of the 2013 swimsuit issue of Sports Illustrated.

swimsuit

If M & Ms used a marketing campaign based on racial stereotypes, would we think it was funny? Apparently not. There’s an uproar about SI using people of color from all around the world as fashion props. That’s offensive and gross and so is this: Ms. Green getting stalked ha ha ha.

coconut-mms1

The first anti-stalking law wasn’t passed until 1990 and the crime is still only slowly gaining recognition and credibility as a serious infraction. Stalking hurts females: 4 out of 5 victims are women. Obviously, M & Ms still thinks a dangerous situation is a joke.

Here’s Ms. Green “working the polls.”

mmgreen

 

Here is Ms. Green at Party City, where my daughter and I went shopping for her birthday celebration.

partycty

When I went on M & Ms Facebook page to complain, I saw this picture of Red.

red

Wow. Talk about gender stereotypes. Not even “Mr.” Red?

Please Tweet: “M & Ms Stop selling sexism to kids #NotBuyingIt”

Please go to M & Ms Facebook page and ask them to stop selling sexual stereotypes to children.

Why isn’t Pebbles on the Cocoa Pebbles?

I was always kind of bored by the Flintstones when I was a kid, but the episodes where Pebbles came on were my favorite. As were the episodes with Tabitha, Samantha’s daughter on Bewitched. Probably because I was a kid and a girl and I liked seeing a kid and a girl on TV. Remember Pebbles? Fred and Wilma’s kid?

Well, guess what: She’s gone missing from her eponymous cereal. No kidding. It’s all Fred and Barney. Do you know how hard it is for a girl to get a cereal named after her? And then no picture? WTF?

I know what you’re thinking. Cocoa Pebbles is bad for you anyway. Who cares? But this is fucked up. Kids study these boxes.

The only female represented on all four sides of this box is one small picture of Wilma. She’s not in the games or activities section either. She’s not doing anything remotely fun or cool. Unlike Fred and Barney, she’s not driving  a car. I suppose women in the Stone Age couldn’t drive.

What’s Wilma doing in her little pictture? She’s pouring milk above a caption that reads: “Are your kids getting enough Vitamin D?”   See her there above the advertisement for no less than four products starring with Fred? I guess the moms are supposed to relate, but what about the kids? The female kids.

Why is Pebbles missing? Where has she gone?

Cereal boxes are yet another way the media tells kids: males are important, females are invisible.

And let’s not forget that the Flintstones is derived from The Honeymooners. All these shows, all these narratives about women and men and the roles they are supposed to play are in life are showing up to teach our kids in 2012.

Read more about gendering cereal.