Can’t get past the hair

On the blog, Girl w/Pen! Natalie Wilson writes about sexism and racism in Disney’s “Tangled:”

Renee of Womanist Musings points out, the glorifying of blonde hair – yet again – is problematic. She writes:

“As a Black woman, I know all to well how complicated the issue of hair can be.  Looking at the above image [of Tangled’s Rapunzel], I found that I could not see beyond her long blond hair and blue eyes.  I believe that this will also become the focal point of many girls of colour.  The standard of long flowing blond hair as the epitome of femininity necessarily excludes and challenges the idea that WOC are feminine, desired, and some cases loved and therefore, while Disney is creating an image of Rapunzel that we are accustomed to, her rebirth in a modern day context is problematic, because her body represents the celebration of White femininity.

The fact that Tangled is coming on the heels of the first African American princess is indeed problematic.  It makes Princess Tiana seem like an impotent token, with Rapunzel appearing to reset the standard of what princess means and even more precisely what womanhood means.”

I watched “Tangled” with my sister, both of us brunettes, and when we heard the line about how Rapunzel’s hair, if cut, loses its magic and turns brown, we looked at each other and started cracking up.

There is some other reference in the movie to “browness.” Does anyone remember what it is? Flynn takes Rapunzel into a bar full of drunken men, and he says something, or someone says something like: “It seems very brown in here” or it “smells brown.” Please tell me if you know what I’m talking about.

It is notable to, as Girl W/ Pen! refers to, that the princess death sentence is coming right after the first African-American young royal finally made her way to the animated screen. There’s lots of talk about ending the only cartoon vehicle that repeatedly allowed girls be stars, but not so much discussion about the racism involved in the timing of this decision. Also, I keep hearing that adjusted for inflation dollars, “The Princess and the Frog” did just as well as “The Little Mermaid.” If this is true, I don’t get why Disney execs claim the film was such a failure.

Again, I don’t want to be defending princesses here. I don’t like them. But I don’t like the way they’re being used to get rid of starring girls roles all together.

Natalie Wilson writes the cast of “Tangled” isn’t quite all white. On Rapunzel’s wicked mother:

Notably, Mother Gothel, Rapunzel’s evil abductress, has dark hair and eyes and non-Caucasian features.

According to Christian Blaulvelt of Entertainment Weekly, Mother Gothel is a dark, dark character. I mean, she’s a baby snatcher.” Ah yes, and she is dark in more ways than one – her dark skin, hair, and clothing contrasting with the golden whiteness of Rapunzel.

Alan Menken, the musical composer for the film, similarly notes that “Mother Gothel is a scary piece of work. Nothing she is doing is for the good of Rapunzel at all. It’s all for herself” Emphasizing her manipulative relationship with Rapunzel, Menken admits, “I was concerned when writing it. Like, will there be a rash of children trying to kill their parents after they’ve seen the movie?” Wow – how about worrying if there will be a rash of children who will see DARK-SKINNED mothers (and non-wedded ones) as evil and sinister?

In addition to carrying on Disney’s tradition of problematic representations of race, the film also keeps with the tradition of framing females beauty obsession as evil and “creepy” (Flyn’s words) rather than as understandable in a world of Disneyfied feminine norms. A mirror worshipper to rival the evil queen in Snow White, Gothel is presented as a passive-aggressive nightmare — she is the tyrannical single mother that is so overbearing Rapunzel must beg for the opportunity to leave the tower.

I always ask my daughter when we’re watching these movies: where are the moms? Belle in “Beauty in the Beast,” no mom. “Ariel” in The Little Mermaid, no mom. “Jasmine” in Aladdin, no mom.

Women’s mags apologize and miss the point

Two women’s magazine’s recently issued profuse apologies for offending their readers, totally missing the point with their mea culpas.

Maura Kelly, a blogger for Marie Claire, wrote about the TV show “Mike and Molly,” which features a couple who met at an Overeaters Anonymous meeting. Kelly didn’t like having to look at fat people; she doesn’t think they should be on television. She wrote:

'Healthy model'? from Marie Claire's web sitewww.marieclaire.com Typical photo from Marie Claire’s web site 

I think I’d be grossed out if I had to watch two characters with rolls and rolls of fat kissing each other … because I’d be grossed out if I had to watch them doing anything. To be brutally honest, even in real life, I find it aesthetically displeasing to watch a very, very fat person simply walk across a room – just like I’d find it distressing if I saw a very drunk person stumbling across a bar or a heroine addict slumping in a chair.

When she was flooded with emails she wrote:

I would really like to apologize for the insensitive things I’ve said in this post. Believe it or not, I never wanted anyone to feel bullied or ashamed after reading this, and I sorely regret that it upset people so much…I was talking about a TV show that features people who are not simply a little overweight, but appear to be morbidly obese. (Morbid obesity is defined as 100 percent more than their ideal weight.) And for whatever it’s worth, I feel just as uncomfortable when I see an anorexic person as I do when I see someone who is morbidly obese…

OK Kelly, first of all, you work for a site that glorifies extremely skinny women; I have a hard time believing anorexia makes you uncomfortable. But say it does, let me explain something: criticizing women for being too thin doesn’t mean it’s okay to criticize them for being too fat. In fact, it’s actually the exact same thing! The issue here is judging women’s bodies– and human character in general– based on appearances. You’re assuming there’s some perfect body type and you can tell if its been reached just by looking. Guess what? You can’t! A person may look like she’s at a ‘perfect’ weight but she could be bulimic, a smoker, a cocaine addict. Plenty of thin people are unhealthy and plenty of fat people exercise and are disease free. Your apology should not be about attacking fat people but for acting as if it’s perfectly okay to judge a book by it’s cover. Most kindergartners learn that’s an inaccurate way to look at life.

Temptress LeAnn Rimeswww.popeater.com Temptress LeAnn Rimes 

Next up: Valerie Latona, Editor-in-Chief of Shape Magazine who aplogized for putting LeeAnn Rimes on the cover. Her readers were upset about it and she was very sorry; she didn’t mean to glorify a “husband stealer.” Are you serious? Is this the year 2010? Men are not helpless creatures, objects capable of being stolen by wicked women. Affairs are symptoms, not causes. Marriages are complex and mysterious. No one just walks away from a happy one for anybody. Demonizing women for tempting men is an age old stereotype based on fear of female sexual power. I wish Latona had responded to her readers that labeling and shaming LeeAnn Rimes is reductive to women and men.

Wouldn’t it be great if the media aspired to recognize women and men for the complex and varied creatures they are instead of reducing them to two-dimensional cartoon characters?

In defense of candy

Across America, there’s a movement afoot. The New York Times reports that candy may not be as bad for you– or your kids– as you may think:

Russian Hill's The Candy Store

“I don’t think candy is bad for you,” said Rachel Johnson, a nutrition professor at the University of Vermont who was the lead author of the American Heart Association’s comprehensive 2009 review of the scientific literature on sugar and cardiovascular health.

Johnson’s allies in her quest to redeem candy from its bad reputation include Candy Professor blogger Samira Kawash. She started her blog after a playdate gone bad: at snacktime, she brought out some candy for her three year old, and the other mom freaked out; her kid had never tasted sugar.

“It was clear to me that there was an irrational equation of candy and danger in that house,” Dr. Kawash said…From that train of thought, the Candy Professor blog was born. In her writing there, Dr. Kawash dives deep into the American relationship with candy, finding irrational and interesting ideas everywhere. The big idea behind Candy Professor is that candy carries so much moral and ethical baggage that people view it as fundamentally different – in a bad way – from other kinds of food…”At least candy is honest about what it is,” she said.

I’ve had many experiences like Kawash’s, where other parents have gotten nervous because my kids are allowed to eat candy. Not only are they allowed to eat it, they get to eat it whenever they want! And they decide how much to eat! My kids (ages 7 – 4) have food shelves they can reach on their own with candy on them. And yes, sometimes they eat gummy bears for breakfast or Reeses right before dinner, or oreos with their dinner.

But guess what– candy isn’t a big deal to them. My seven year old’s absolute favorite food is Korean sushi. And seaweed.  She has close friends who are Korean and that’s the food they get but she doesn’t, the unavailable “treat” that fascinates her.

My kids don’t overeat sugar. On Halloween, they won’t be freaking out because they have bags of candy. There won’t be tears and fights and struggles for control, because candy isn’t forbidden and, as much as possible, I don’t control what they eat.

Inside Russian Hill's The Candy Store

My kids have lots of “healthy” foods on their shelves too including nuts, carrots, sliced apples, hummus, kidney beans– my 4 year old’s favorite because she thinks they’re smiles. Hopefully I’ll get to the Korean Market that sells kimbap and add that to the home menu.

If parents would calm down about sugar, their kids would too. I think the best thing parents can do– especially parents of girls who get so many negative messages about food, hunger, and weight– is to relax around eating.

These aren’t my own ideas by the way. After I had my second daughter, I read an amazing book: “Preventing Childhood Eating Problems” by Jane Hirshmann and Lela Zaphiropoulus. I read it because I had an eating disorder and the way I finally got better– after years of ineffective therapy and programs and nutritionists, most which repeatedly told me I had a “disease” I’d live with forever– was to stop listening to “experts” and start listening to my body. I hope my kids are learning the same skills much earlier by tuning into themselves, and not me, to tell them what or how much to eat. You can read more about how I learned to do that and how I raise my kids here.

San Franciscans will be happy to know we have some powerful local allies in the movement to rehabilitate candy. Brian Campbell, co-owner of Russian Hill’s fabulous The Candy Store along with his wife, Diane, agrees that candy is an “honest food.”

“Candy doesn’t pretend to be something it isn’t,” Campbell says, “unlike several of the highly-processed foods that line the aisles of supposed health food stores like Whole Foods.”

“Many people confuse corn syrup and high-fructose corn syrup. Very few candies use high-fructose corn syrup, which is mainly used by the processed food industry as a cheap alternative to sugar.”

Campbell warns that, “Candy is often demonized because it’s mostly sugar and therefore is seen as a contributing factor to our national obesity ‘epidemic’. However, as noted in the article, the vast majority of our country’s sugar consumption comes from other sources, such as sodas. There are other countries, such as Sweden, that consume far more candy per capita than the U.S. – and you don’t hear much about the Swedish obesity epidemic.”

Now get yourself over to The Candy Store on Vallejo and Polk in Russian Hill, the best sweet shop in the city!

ReelGirl Star of the Week: Willow Smith

Girls and hair, girls and hair, girls and hair! Toys marketed to girls– more often than not– involve hair. Very long hair. Barbie, of course, is well known for her waxy blond locks. Strawberry Shortcake and her friends Plum Puddin’ and Lemon Meringue wear stiff rectangles of hair that stretch to their knees. Even toys that don’t make you think about hair, say horses, get transformed into “My Little Pony” with girls shown on TV brushing their animals’ flowing manes and curly, pink tails.

Rapunzel Braiding Friends hair Braider

The latest addition to the plethora of hair based toys is Disney’s Rapunzel doll, sorry, I mean “The Braiding Friends Hair Braider” that “lets your little lady easily braid the Rapunzel doll’s hair.” This toy goes with the new Rapunzel movie, now called “Tangled” because the guys who run Hollywood decided they didn’t want to award a female character the title role. The abundance of toys marketed to girls and focused on grooming relentlessly reinforces that what’s important for them isn’t what their bodies can do, but how they appear.

This is why I was excited to see that Willow Smith, the nine year old daughter of actors Jada and Will, has a new video out called “I Whip my Hair.”

Yes, it’s abut hair. But sometimes the most effective way to create change is to make use of our current obsessions in order to alter them. This video is about what hair can do, not how it looks; which of course translates to what’s important is what Willow can do, not how she looks. Willow dances around her school, swinging her hair, obviously enjoying not only her singing and dancing skills, but the way it feels to move her body. She is also enjoying being looked at, not in an objectified way but she is celebrating being a dancer and singer and yes, being a star. In the video, she is admired by both boys and girls watching her– no small accomplishment for a girl when men too often decide it’s bad marketing to put her in the title of a movie.

Watching Willow jump around her school, past the rows of lockers is reminiscent of the well known Briney Spears catholic school girl video where she’s got her shirt tied up, baring her midriff in the cliched sexual fantasy. Ten years later, I feel like we’ve made some progress. Willow isn’t wearing sexualized clothing. She is wearing some make up– including what looks like white mascara and rhinestones– but she looks like she’s having fun with it, playing with costumes, not made up in a serious, creepy Jon Benet Ramsey way.

Willow Smith

Not only that, but Willow is a girl of color enjoying her hair– sadly, a radical statement. Even girls restricted to decorating their locks on TV usually aren’t wearing cornrows. Chris Rock did an excellent documentary called “Good Hair” about black women, girls and the ingrained, internalized racism, passed on from moms to daughters. Rock’s film is funny and analytical, but Willow uses a different tactic. By putting out a video that gets over 7 million YouTube hits in one week, instead of complaining about our culture, she changes it.

Feminsiting.com’s Lori Adelman comments reports on the video:

What many may not know is the meaning behind “Whip My Hair”. In a recent interview with MTV, Willow Smith explained the inspiration behind her lyrics:

” ‘Whip My Hair’ means don’t be afraid to be yourself, and don’t let anybody tell you that that’s wrong. Because the best thing is you.”…Willow has a message for you, too, buried in the chorus between exuberant if repetitive directives to “whip your hair back and forth”: “Don’t let haters keep me off my grind/ keep my head up/ I know I’ll be fine.”

Willow Smith is ReelGirl’s Star of the Week.

Check out her video here.

When Oprah called, SF non-profit answered

About-Face is a San Francisco based non-profit whose mission “is to equip women and girls with tools to understand and resist harmful media messages that affect self-esteem and body image.” About-Face has received all kinds of recognition for its great work. Most recently, as you can witness all around San Francisco, teenage girls in About-Face’s programs led a project to put “static-cling” stickers on dressing room mirrors with empowering messages such as “YOU: absolutely no Photoshopping necessary.” This effort is going national and was just featured in O The Oprah Magazine.

Jennifer Berger, Exceutive Director of About-Facewww.sfgate.com 

Jennifer Berger, Executive Director of About-Face, “Quit Playing Barbie” shirt available at About-Face

Jennifer Berger is the Executive Director. This is my interview with her:

What is the main challenge for About-Face right now?

There’s awareness of media’s impact on girls and women’s sense of self-worth and some notable positive examples, but not enough action to really create change. And somehow most people seem to think that sexism is over. We can hear about celebrities who admit that they have had eating disorders, or that they feel pressure about their weight or appearance, but they aren’t going so far as encouraging an improvement of the system itself. And Lane Bryant’s lingerie commercial does something positive for women of size and challenges fatphobia. But that needs to be more than a one-off campaign here and there. About-Face is leading the charge in terms of actually changing culture. Awareness is awesome: action is better.

I blogged about Lane Bryant — I was happy to see another body image on TV and shocked that network executives were so offended by real breasts that they censored that commercial, but I was not so psyched about the whole idea that larger women can be exploited on TV too! Yay! Getting women of all sizes in the Victoria’s Secret show is not a goal of mine. I don’t get the whole fat women beauty contest thing, like Mo’Nique hosted a few years ago. I don’t think that’s empowering.

I have to agree with you. This need for women (and now men) to compete against each other around beauty is so ancient but so useless right now. I would like to see us all walk around, with both men and women finding beauty in each other’s diverse shapes and sizes. Another vision is for us to simply not be so concerned about outer beauty as a culture.

I love how About-Face is action based. Instead of just criticizing and reacting, About-Face is actually doing something to create change. What are some of your projects?

Our Gallery of Offenders, where we give addresses and tips on writing productive complaint letters, is the most visited part of our web site. It’s really interesting to look at and fun to put together.

Activism is at the heart of About-Face, so our major method of creating change is our Take Action groups, where we inspire and enable teenagers to take action in their own ways. The girls come up with all of the ideas for their action, and we help them make it happen. One group created these awesome static-cling decals for fitting rooms and then slapped them up all over San Francisco. There’s a great video on our web site.

Of course, that kind of brazen activism isn’t for everyone, and we introduce the idea of media-literacy and critical analysis in classrooms all school year long. This past school year, we worked with 1,200 young women and young men in schools and we’ve seen some fantastic results.

Panasonic ad from About-Face's Gallery of WinnersPanasonic ad from About-Face’s Gallery of Winners 

About-Face was recently mentioned in O The Oprah Magazine. What do you think of Oprah’s public battles with her weight and numerous talk shows on the topic?

As we all know, Oprah has had a problem with her feelings about her weight for years and years, probably brought on by the intense media scrutiny she experienced earlier in her career. She’s a woman whose natural weight is probably on the heavier side, but she’s in the spotlight constantly, so she feels the pressure so intensely. Every time there was a fashion designer on with models, she’d make a comment about how she could never fit into those clothes. It made it OK for women everywhere to hate their bodies because Oprah did.

Last year, in a show in January 2009, I think it all came to a head when she announced on her show that she had “fallen off the wagon” as far as controlling her weight. It was like she said, “I’ve been so bad, and if you’ve been bad too, you can understand, right?” Personally, I sat on the couch and cried while watching that show. Here was the most powerful woman in our culture, arguably, saying she STILL wasn’t good enough. And the cover of her magazine showed the current Oprah standing next to the skinny Oprah. It was like she smacked herself in the face!

But in a recent show in mid-May and in her magazine, she interviewed Geneen Roth, author of the book Women, Food, and God, and seemed to have a revelatory breakthrough around weight. Oprah blew me away when she said, “What I realize when I look at that cover is that I publicly shamed myself. And in that cover, what I was saying is that the thin me deserves all the praise and the accolades. The thin me deserves to be loved, but the fat me does not…It’s your own self-loathing that does that.”

I have hope for Oprah and her own healing. I support her all the way, but I would love to see her also help shape our culture in a way that incites us to accept ourselves as we are.

Ad for Element skateboard's from About-Face's gallery of WinnersAd for Element skateboard’s from About-Face’s Gallery of Winners 

What do you think about Michelle Obama’s childhood obesity campaign?

Yeah, I’m glad you asked that, because I worry that my answer to the previous question sounds like I think health is not important. The concerns around the “obesity epidemic” are around health, and we are concerned about health, too. But physical health only comes from mental health. Self-acceptance leads to healthier behaviors, because you love yourself more and treat yourself with respect.

Our message is to encourage girls and women to see themselves from the inside out, not from the outside in. That is, eat and exercise healthily because you have respect for yourself and your body, not because you want to get thin or avoid being fat.

Did you see, a few weeks ago, the Sunday New York Times cover story on obese moms delivering unhealthy babies? I was thinking: that’s just what overweight women need to hear– you’re bad moms too!

I’m not an expert on OB/GYN issues, but when we see a statement like this, from the New York Times article, we should pick it apart and be fully informed:

“And medical evidence suggests that obesity might be contributing to record-high rates of Caesarean sections and leading to more birth defects and deaths for mothers and babies.”

And unfortunately, there could be some avoidance of fat women happening among doctors. I have heard more than one OB/GYN say to me directly that they don’t want to deal with an obese woman. Could the doctors be deciding to do C-sections because they don’t want to “deal” with a woman’s body that is unwieldy for the medical staff? That’s just a guess on my part, but my point is that we need to look at all sides of this issue and really challenge our own beliefs.

Perez Hilton no expert on ‘ladies’

Perez Hilton justified the crotch shot he posted to his Twitter feed of Miley Cyrus, claiming he was trying to teach her to act like a lady.

Derek Blasberg's Classywww.amazon.com 

Perez isn’t the only guy around instructing women on how to behave. Derek Blasberg, a 27 year old from Missouri, recently came out with a modern manners how-to, just for the gentler sex: Classy: Exceptional Advice for the Extremely Modern Lady.

When I saw this at a bookstore, I thought it was a joke. Alas no, Blasberg sold his wisdom to a publisher, and it’s fast on it’s way to becoming a best-seller. In the intro Blasberg writes: “I can categorize the young women I’ve met through my trials and travails into two groups: ladies and tramps.”

It’s 2010– can we please stop recycling this age old virgin/ whore dichotomy? And while we’re at it, stop slut-shaming Miley Cyrus already, criticizing her clothing, her dancing, and her song lyrics in an endless 24 hour media cycle. Cyrus doesn’t need the media telling her how to behave anymore than women need advice from Blasberg on how to be classy.

No woman, in her twenties no less, would ever get way with writing a condescending tome like Blasberg’s and be recognized as some kind of witty authority on how a man can act like a man. But maybe she ought to. Here’s something for her first chapter: Don’t take and publish crotch shots. It’s not gentlemanly.

Keep mean girls out of office

How immature can Carly Fiorina get? She sounds like my six year old daughter on a bad day.

The Daily Beast reports:

Carly Fiorina, doing what she can to set back the cause of women in politics: The California Republican nominee for the Senate refused to apologize to Senator Barbara Boxer after she was caught on camera mocking her hair. Asked about the incident by Greta Van Susteren, Fiorina said, “I was quoting a friend of mine. My goodness, my hair’s been talked about by a million people, you know? It sort of goes with the territory.” She then brought up her battle with cancer, saying, “Especially when you don’t have any. As you remember, I started out with none.”

Carly FiorinaCarly Fiorina 

So Fiorina’s friend said the hair comment first and that makes it OK?

Then Fiorina says that she’s been made fun of before, so she’s allowed to make fun of other people? Um, Carly: two wrongs don’t make a right.

Next: It “goes with the territory?” Meaning it’s just fine to make fun of women in power for the way they look? After all, everybody does it.

The point of getting women into power positions is to change that dynamic, not perpetuate it. (Not to mention lead, not follow.)

And finally, Fiorina attempts to switch the issue in a bid for sympathy, playing the cancer card.

Maybe I’ll invite Fiorina over for a playdate, hoping some better manners rub off on her. But I won’t be voting for her for California senator. Who wants mean girls in political office?

Best breasts get best roles in Hollywood

At first, it seems like just good news. Sunday’s New York Times reports that actresses with too much plastic surgery are losing parts in favor of more natural looking women.

In small but significant numbers, filmmakers and casting executives are beginning to re-examine Hollywood’s attitude toward breast implants, Botox, collagen-injected lips and all manner of plastic surgery.

Television executives at Fox Broadcasting, for example, say they have begun recruiting more natural looking actors from Australia and Britain because the amply endowed, freakishly young-looking crowd that shows up for auditions in Los Angeles suffers from too much sameness.”I think everyone either looks like a drag queen or a stripper,” said Marcia Shulman, who oversees casting for Fox’s scripted shows…

…Moviemakers prefer actresses with natural breasts for costume dramas and period films. So much so that when the Walt Disney Company recently advertised for extras for the new “Pirates” film, the casting call specified that only women with real breasts need apply. “

Without a doubt, it’s better for women if Hollywood is truly trending natural as opposed to favoring and rewarding rewarding pastic surgery victims like 23 year old Frankenwoman Heidi Montag (who was widely reported to have had 10 procedures in one day.)

But still, there’s something smug and disturbing about this NY Times article and the Hollywood casting agents quoted in it. Actresses are being advertised for and then cast based on their breasts. No one mentions that the underlying, unfortunate issue here isn’t really what kind of breasts happen to be stylish, fake or natural (and I’m not sure “costume” dramas and period pieces qualify as “in”), but Hollywood’s unrelenting focus on female body parts. Movies are a visual form, of course looks matter. But the literal dissection, “trendiness,” and evaluation of women’s bodies is unsettling. Whatever happened to talent?