Marvel markets sexism with Avengers T-shirts

Just saw Marvel’s sexist T-shirts on the Huffington Post (there’s some link to Reel Girl but I can’t find it?)

Marvel’s T-shirt for boys.

original

Marvel’s T for girls.

girls

Argh!

This sexism, by the way, goes beyond the specific imagery of a superhero. “Be a hero” translates to “act, take risks, make choices. “I need a hero” means “I’m a minor character. I’m passive, and I wait.”

See the difference?

The insidious problem with this stereotyped gender casting is that women are constantly sidelined and marginalized, remarkably, in the roles they play in their own lives. Females are cast in the supporting role, defined by their relationships as girlfriend, wife, mother, or helper. This sexist narrative has been going on for a long, long time, and we keep recycling it. I just saw this Virginia Woolf quote Tweeted by Bitchflicks:

And I tried to remember any case in the course of my reading where two women are represented as friends…They are now and then mothers and daughters. But almost without exception they are shown in their relation to men. It was strange to think that all the great women of fiction were, until Jane Austen’s day, not only seen by the other sex, but seen only in relation to the other sex. And how small a part of a woman’s life is that.

 

How small a part! But who would ever guess from looking at how women are depicted in the media– movies, TV, books, advertising– in 2013? Ironically, and this is what is so fucked up and twisted, females get to exist, get to play a part at all when they are sexualized and marginalized.

“Avengers” has the classic Minority Feisty ratio of 5 male superheroes to one female. As artist Kevin Bolk illustrates, the lone female is highlighted by her ass.

avengers

What is the solution to this sexism? Be a hero. Women, write your own stories. Make your own art. No one else can do it for us.

Update Here’s a comment from Nick:

The solution is not only for women to write their own stories, but for men to understand why this is sexist. There is a dearth of great female superheroes, and when they exist, they usually suffer from the Women In Refrigerators trope, where they die or lose their powers not doing something heroic, but assassinated while cooking in their kitchen, sometimes horrifically placed in the refrigerator, where the trope’s namesake comes from.

The solution has to be EVERYWHERE. Men and women alike should write compelling female superheroes. Some men don’t understand why Women in Refrigerators or Damsel in Distress tropes are inherently sexist, so education on this is also key.

For my part, I read up on feminist blogs like ReelGirl and watch Anita Sarkeesian videos (and the reaction videos, because she is very one-sided). I try to avoid making the same mistakes as other writers when dealing with women. I don’t ever assume I can write a compelling female character, I always question myself and I always push myself to do better.

I think that’s another good answer to this problem – each of us individually pushing the status quo.

And my response:

Hi Nick,

Totally agree the solution has to be everywhere. Thanks for this comment and for the thought and research you put into writing female characters.

Margot

 

Obviously, it’s a sexist world out there, and when women make art, it’s often ignored or marginalized. It would help if women were running the major Hollywood studios or had the funds to bankroll those studios, not to mention lead the prestigious organizations and comprise the boards that give awards to “great” artists.

That said, women need to keep writing and creating. Making art is risky and dangerous, engaging in the process is being a hero. Persevering is especially challenging when your work gets dismissed and rejected because stories about women aren’t valued. But, even with all of this against us, women must put our stories and visions out there. I really believe this is the only way we’ll ever achieve full gender equality.

Here are a couple posts I wrote on the issue of women making art: What if Van Gogh took Prozac? and Why aren’t there more women artists?

Update Miss Representation started a petition against these shirts. I signed and hope you do too.

Kids want to see heroic, female protagonists

Yesterday, I posted about A Mighty Girl’s news that kids’ underwear with female superheroes on it sold out. I also posted about a dad shopping with his 5 year old daughter who complained about the lack of cool female characters on clothing.

SPIDER-GIRL_69

He bought his daughter boy underwear. A commenter expressed the same frustration: her daughter is fan of Spider-Man and she started a petition to get girl underwear designs integrated with boy underwear. I signed this and I hope you do too, but I want to recognize the deeper issue here and make sure this info isn’t misconstrued into: See, girls like boy characters, so let’s just keep making them and let girls go missing.

All kids want cool characters. They want to see exciting narratives where heroes take risks, make choices, and act.

Why is there no Spider-Girl movie and 5 movies about Spider-Man? Where is Spider-Woman? Why are there 7 Batman movies while Batgirl, like Supergirl, is practically invisible? And why, for God’s sake, are we still waiting for a major release of a Wonder Woman movie in theaters? Not to mention multiple sequels?

I read this on Pigtail Pals Facebook page, Melissa Wardy’s talk with her daughter, the Original Pigtail Pal.

“Mom? Every time I watch that Spider Man movie I can see there are no girls in it. I get really mad! I just don’t get why there can’t be more girls in it.” -7yo Original Pigtail Pal Amelia, girl and Spider Man fan
“I think it is really important that you noticed that. There should be and easily could be more girls in it. How could we change that?” -Me
“Oh. Oh ho ho. We’ll just show them what girl super heroes look like.” -OPP
“Maybe that could help them have more balance with girls.” -Me
“Yeah, they need more bad ass girls.” -OPP
“Uh no, I said ‘balance’.” -Me
“I know. I said ‘bad ass’.” -OPP

Hollywood and Target, are you listening?

 

Superhero chicklit? Lipstick covers infiltrate comics

The horrific epidemic in the publishing world of mutating great female writers (like Virgina Woolf and Sylvia Plath) and great heroines (like Anne of Green Gables) into “chick lit” as a desperate attempt to attract female readers is infecting Marvel and DC Comics.

Wired.com reports:

Today, Marvel Entertainment announced a new partnership with Hyperion Books — like Marvel, a Disney subsidiary — to publish The She-Hulk Diaries and Rogue Touch, two novels described as featuring ‘strong, smart heroines seeking happiness and love while battling cosmic evil.’ Yes, it’s time for superhero chick-lit.

Here’s the art Wired used in its post:

she-hulk-cover-3_4_r536_c534

When I saw this, I wondered if Wired created the image as a parody. Then I saw the same art on a USA Today post, and the photo is credited to Hyperion/ Marvel. Also, notice any similarity between the She-Hulk art and the new 50th anniversary cover of The Bell Jar?

belljar

That’s right, if you want to sell to women, put make-up on the cover. That’s what we girls care about. Looks like a compelling read full of complex characters and exciting drama!

Wired reports:

The move could potentially be part of a response to the realization that Marvel had no female-led comics as of this time last year

Huh? Who “realized” there were no females? How did that great epiphany happen? (I can’t wait for everyone to “realize” that girls have gone missing from children’s movies.) Was it a Marvel insight? They were all in a meeting and one of the artists slapped his hand to his forehead, shouting, “Whoa dudes, we forgot the women!”

Baffled, I went to that link to see if I could find out more. The ComicsAlliance.com report is  actually dated Dec 8, 2011:

Both Marvel and DC Comics have been at the center of concerns and controversies recently regarding women in comics, both in terms of the way they are represented on the page and in the offices of the Big Two comics publishers.

 

While DC Comics has quite a few ongoing titles devoted to female characters (Batgirl, Batwoman, Birds of Prey, Catwoman Wonder Woman, Supergirl, Voodoo), there are very few women actually involved in creating them, an issue that has infused criticism of the company’s relaunch since the beginning, and was recently compounded by the news that writer Gail Simone is leaving Firestorm.

 

This post made me wonder what it feels like to be a female artist at Marvel or DC and marvel (ha ha) at how challenging it must be for women to get their own narratives out on the page in that kind of environment. It’s already risky for any artist to put her vision out in the world. Can you imagine trying to achieve that there? Talk about the opposite of support.

ComicsAlliance goes on:

Marvel Comics, meanwhile, seems to have the opposite problem; with the recent cancellation of X-23, there are no female-led ongoings in the Marvel Universe (with the possible exception of the 12-issue miniseries The Fearless) but significantly more women working in creative and editorial roles. The two companies illustrate two different but interrelated problems: the lack of women playing major roles in the comics, and the lack of women playing major roles in creating them. While neither situation is ideal, what are the implications of both problems, and which has a bigger impact on the comics that are created or the audience they reach?

 

I don’t see these as “opposite problems,” or even “different” or “interrelated.”
Here’s the problem in a nutshell. Marvel and DC, are you listening because right now, I’m going to save you millions of dollars in consulting fees and identify the root of your problem for you in just 4 words: NO WOMEN IN POWER. Every time you make a hire, think up a character, or draw an image, ask yourself this simple question: woman in power, yes or no? FYI, this image would be a no.
she-hulk-cover-3_4_r536_c534

Thank you to Cynthia Rodgers, AKA Theamat for the link to the Wired story. I’ll leave you with Theamat’s drawing of Reel Girl.

reelgirl2.gif

 

 

 

It’s a bird, it’s a plane, it’s…Reel Girl!

Finally, Reel Girl is here! Her mission: to liberate the imaginations of children and grown-ups everywhere.

reelgirl2.gif

This blog’s new banner was drawn by the artist, Cynthia Rodgers, AKA Theamat. I first saw her work on the internet when I came across the fabulous “If I don’t get pants, nobody gets pants.”

wonderwoman

Theamat created Reel Girl’s face from these images of my daughters. Before taking the pics, I asked them to imagine they were up against something powerful; it was up to them to save the world.

In creating Reel Girl, Theamat used Lucy’s intense eyes,

photo

Alice’s speck of a smile,

serious

 

and Rose’s wild curls.

curls

 

Who has courage to gender flip a classic hero: Rolling Stone or Disney?

Yesterday, I posted about the excellent and amazing Disney made for TV movie: “Avalon High.” The story is about the reincarnation of heroes and villains from the King Arthur legend of Medieval times to a contemporary high school in the U.S. The protagonist of the show, Allie– brave, smart, strong, and kind– turns out to be…King Arthur. With that gender flip, this Disney movie shows girls and boys that females can be heroic and at the center of the action.

Then, I got this comment from Lesley:

SPOILER SPOILER
In the book, the Allie character is NOT King Arthur, but the Lady of the Lake, who gives Arthur the powerful Excalibur. Will is Arthur. The twist is that there are hints she is Elaine (her character is called “Ellie” in the book) the weepy victim of unrequited love dumped by Lancelot. So, she turns out to be a crucial element in Will’s development as king but she doesn’t become king herself.

My daughter Callie and I both loved this movie for the same reasons you did, and we were crowing with delight at the changed ending!

As I wrote back to Leslie, I am totally shocked. I can’t think of another time– tell me if you can– where a kid’s book has been changed by the kid’s film (not grown up film) to be more feminist.

I am amazed Disney did this. Really. And also, Meg Cabot, the writer: WTF? Lady of the Lake? She is not cool, powerful, or that important in the story. If you are seeking remnants of evidence of female power, she will do, but obviously, King Arthur is the central figure in the legend. The best line of the movie is when Mordred says to Allie something like: “You? I thought maybe you could be Lady of the Lake, but Arthur?”

The translation of that quote goes way beyond the specific characters of Arthur and Lady of the Lake: Mordred is saying that a girl can’t be a hero and Allie shows that villain how wrong he is. I love how that is done here, through the characters and action, and not in the usual, boring way where the bad guy says something to the effect of– ew, you’re a girl. That, to me, kind of reinforces sexism: we’re all supposed to get the insult is wrong but too often, we don’t see it in the story beyond a moral/ ethical issue. Here, we get it: Don’t underestimate me. I won’t underestimate myself either.

It’s interesting because right after we saw the movie, I went to Amazon to buy my daughter the book, and I didn’t buy it. I wasn’t sure exactly why I didn’t want to. The cover didn’t grab me. I know, don’t judge a book by its cover, but  Meg Cabot’s other books looked very pink and seemed to be about girls who were mostly interested in boys. Of course, that could easily be the marketing department who designs the cover. Maybe I thought I needed to do more research, and I didn’t have time right then. Whatever the reason, I didn’t click “buy.” Thank goodness Lesley commented because if I got that book, I would have been so pissed and disappointed. Though Lesley is more considerate than me with her spoiler alert, I feel it is my duty to warn you : )

I NEVER thought I would say this but KUDOS TO DISNEY. I am quite curious to know the story behind this adaptation. And also, Hollywood: Are you listening? Here is an example of how to use some imagination and innovation– 2 things you are, after all, supposed to be known for, supposed to encourage– to remake a classic without girls going missing. This gender flip is not about “girls being boys” or “girls acting like boys” or any other ridiculous justification to keep girls on the sidelines because that’s just where they belong as we recycle the same narratives, generation after generation.

After I read Lesley’s comment, I saw something quite incredible posted by Sara on Reel Girl’s FB page. Here is the new Rolling Stone cover, and quoting Vulture: “Why is Tina Fey Lois Lane?”

tinalois

Why is Tina Fey riding bitch? This same old image of the male driving, the girl along for the ride is ubiquitous in the imaginary world. Why did Rolling Stone put Tina Fey, one of the most successful women in the world, in that position?

Vulture writes:

Tina Fey co-hosted the Golden Globes to universal praise. Her seven-season critical darling 30 Rock — which is still really damn funny — is ending in two weeks. She has seven Emmys, two Golden Globes, three Producers Guild awards, four SAG awards, and a Mark Twain prize. She’s synonymous with contemporary humor. Out of curiosity, Rolling Stone, what would it take for her to be Superman on the cover?
Do you see how fucked up it is for women to continually contort themselves into the sidekick? The distortion is not in the gender flip, in the rare times it is actually made, but in continually keeping women secondary to men. Our cultural imaginary (to borrow a phrase from Lucy Irigaray) is so warped that Tina Fey is cast in the sidekick/ girlfriend role here. If Tina Fey isn’t a superhero, I don’t know who is.
The real world and the imaginary world are endlessly intertwined. What is happening to Tina Fey, on Rolling Stone, happens every day to all women everywhere in the world: Move over lady, a man wants to fly.
Who would have thought that Rolling Stone magazine would be so pathetically conventional and a Disney made for TV movie could be so radical?

 

 

Muscle bound superheroes not bad for kids like skinny Barbies

I get a lot of comments on Reel Girl about how muscly superheroes promote idealized, unattainable body types for males in the same way that skinny, big-breasted Barbies do for females.

I’ve written about how rigid gender boxes are bad for everyone. They are limiting and repressive. That said, the toys and narratives around muscle-bound superheroes aren’t anything close to damaging the way the beauty based toys of girlworld are.

Muscles symbolize strength and power. Superman does not spend his time, in toys or narratives, brushing his hair, putting on make up, or gazing at himself in the mirror. Superman doesn’t come with a plastic comb or even plastic a gym set. Superman has muscles because he, like all supeheroes, is known for what he does, not for how he appears.

As a kid– or as an adult– what would you rather be valued for: your actions or your appearance? Which would make you feel inspired and which would make you feel insecure? Would you prefer that your heroic actions, bravery, courage, and your accomplishments helped to make you attractive to the opposite sex, or your weight and your outfit?

The related topic that comes up on Reel Girl is violence. Games marketed to boys are violent and that’s bad.

I don’t like gore; I don’t like how movies and toys marketed to boys predominantly feature war and battles. Toys should be marketed to all kids and have diverse themes and characters. But violence in imaginary play isn’t bad; it’s natural.

Good art evokes emotions in the reader, the observer, or the listener. All kids– and adults– experience intense emotions. Our internal, emotional world is dramatic. Art depicts that internal world, in part, though narratives and dramatic play. A child is ordered to share a toy and she may collapse in tears on the floor. She feels like her world is caving in. A narrative or a game will actually show the world caving in. You may feel like you had “the wind knocked out of you,” or feel like you are “being attacked.” Art shows that. Not only does art make emotional experience visible, but to be effective, it has to do so in a way that is universal. That is why, in art, you’ve got to raise the stakes. For example, for me, cleaning my closet is a monumental task. I approach it with fear and when I’m done, I feel as if I’ve scaled Mount Everest. But if I were to write a story about cleaning my closet, most of my readers would be bored to tears. Art creates a dramatic metaphor around an emotion that everyone can relate to. Instead of cleaning a closet, there is the Greek myth of Psyche sorting seeds.

People feel like the walls are caving in on them for different reasons, but every human experiences that feeling at one time or another.

As far as “boys make sticks into guns, girls make trucks into beds for their dolls,” I just think that’s bullshit. There are so many ways– books, toys, movies, TV, parents, teachers, doctors, and dentists– kidworld encourages and validates “boy” behavior or “girl” behavior. Wouldn’t it be great if all kids were allowed to be human?

Muscles, muscles, ass, muscles and why poses matter

“Look at the girl, she’s sticking her butt out!” said my daughter. She showed me this photo in a costumes catalog we just received in the mail.

(Sorry about the flash glare.) Technically, its her hip, but the point is the same: emphasis, pelvis.

Imagine the males standing like that. What do these poses communicate?

I’ve blogged quite a bit about sexism in superheroes and ass emphasis. This post on the Avengers has gotten about 700 shares. Check out the great art if you haven’t seen it yet. Why do poses for superheroes matter? Because heroes are heroes!

What are our kids being taught to idolize in females? Weird twitches?

And of course, sexist posing isn’t limited to the fantasy world. Look at this photo in this month’s Vanity Fair, a profile of MSNBC hosts Mika Brzezinski and Joe Scarborough (via Miss Representation/ Salon.)

Did you read that part about hosts on a news channel? Imagine these poses reversed. She’s up front. He’s in back, showing leg. What would your kids think about men and women if they saw this photo?

Salon writes:

the image tells the familiar story of a man who commands the attention of others and a woman who seeks only the attention of that man.

You’d think Catwoman would want to seek something more.

Gender-fluid piece in NYT insulting to girls and women

The New York Times piece on gender-fluid kids reinforces so many stereotypes, I’ve got to go through them.

Let’s start with sentence #1:

The night before Susan and Rob allowed their son to go to preschool in a dress, they sent an e-mail to parents of his classmates. Alex, they wrote, “has been gender-fluid for as long as we can remember, and at the moment he is equally passionate about and identified with soccer players and princesses, superheroes and ballerinas (not to mention lava and unicorns, dinosaurs and glitter rainbows).”

Here, the writer, Ruth Padawer, sets up a series of stereotyped binary/ boy-girl opposites: soccer players and princesses, superheroes and ballerinas, lava and unicorns, dinosaurs and glitter rainbows. I waited for her to explore any reasons why our culture promotes this symbology. Unfortunately, I waited for the whole article.

Why are princesses considered to be the epitome of femininity? Could it, perhaps, have little do with with genes and everything to do with the fact that perpetuating the image of a passive, “pretty” female  is popular in a patriarchal culture? Just maybe?

A few more sentences down:

Some days at home he wears dresses, paints his fingernails and plays with dolls; other days, he roughhouses, rams his toys together or pretends to be Spider-Man.

Most kids on Planet Earth would paint their fingernails if they weren’t told and shown by grown-ups that it’s a “girl thing.” Nail polish has nothing to do with penises or vulvas or genes, or even anything as deep and profound as “”gender fluidity.” To kids, nail polish is art play, brushes and paint. That’s it. Oh, right, art is for girls. Unless you’re a famous artist whose paintings sell for the most possible amount of money. Then art is for boys.

On an email that Alex’s parents sent to his school:

Of course, had Alex been a girl who sometimes dressed or played in boyish ways, no e-mail to parents would have been necessary; no one would raise an eyebrow at a girl who likes throwing a football or wearing a Spider-Man T-shirt.

What? Does this writer have young daughters? Has Padawer heard about the boy’s baseball team from Our Lady of Sorrows that recently forfeited rather than play a girl? Or what about Katie, the girl who was bullied just because she brought her Star Wars lunch box, a “boy thing,” to school?  Does Padawer know Katie’s experience isn’t unusual? How rare it is to find a girl today who isn’t concerned that a Spider-Man shirt (or any superhero shirt or outfit) is boyish and that she’ll be teased if she wears it? My whole blog, Reel Girl, is about that “raised eyebrow.” Has Padawer seen summer’s blockbuster movie “The Avengers” with just one female to five male superheroes? The typical female/ male ratio? Or how “The Avengers” movie poster features the female’s ass? Think that might have something to do with why females care more than males about how their asses are going to look?  You can see the poster here along with the pantless Wonder Woman. Does Padawer get or care that our kids are surrounded by these kinds of images in movies and toys and diapers and posters every day? How can Padawer practically leave sexism out of a New York Times piece 8 pages long on gender?

First sentence of paragraph 3: (Yes, we’re only there.)

There have always been people who defy gender norms.

No way! You’re kidding me. Like women who wanted to vote? Women who didn’t faint in the street?

Moving on to page 2:

Gender-nonconforming behavior of girls, however, is rarely studied, in part because departures from traditional femininity are so pervasive and accepted.

Um, wrong again. Been to a clothing store for little kids recently? Ever tried to buy a onesie for a girl with a female pilot on it? Or a female doing anything adventurous? Check out Pigtail Pals, one of the few companies that dares to stray from “pervasive and accepted” femininity. One of the few. And we’re talking toddlers here.

The studies that do exist indicate that tomboys are somewhat more likely than gender-typical girls to become bisexual, lesbian or male-identified, but most become heterosexual women.

Is the writer really writing a piece on gender fluid kids and using the word “tomboy” without irony?

Next page:

Still, it was hard not to wonder what Alex meant when he said he felt like a “boy” or a “girl.” When he acted in stereotypically “girl” ways, was it because he liked “girl” things, so figured he must be a girl? Or did he feel in those moments “like a girl” (whatever that feels like) and then consolidate that identity by choosing toys, clothes and movements culturally ascribed to girls?

Hard not to wonder. Exactly! Finally, the writer wonders. But, not for long. Here’s the next sentence:

Whatever the reasoning, was his obsession with particular clothes really any different than that of legions of young girls who insist on dresses even when they’re impractical?

Once again, I’ve got to ask: Does Padawer have a young daughter? Legions of young girls “insist on dresses” because like all kids, they want attention. Sadly, girls get a tremendous amount of attention from grown-ups for how they look. Today, my three year old daughter wanted to wear a princess dress to preschool, because she knew that if she did, the parents and teachers would say, “Wow, you’re so pretty! I love your dress.” And if it’s not a girl’s dress everyone focuses on, it could be her hair, or perhaps her shoes which are probably glittery or shiny or have giant flowers on them because that’s what they sell at Target and Stride Rite. Unfortunately, focusing on appearance is how most adults today make small talk with three year old girls.

The next two graphs are the best in the article so I will paste them in full, though notice the use of “tomboy” again with no irony.

Whatever biology’s influence, expressions of masculinity and femininity are culturally and historically specific. In the 19th century, both boys and girls often wore dresses and long hair until they were 7. Colors weren’t gendered consistently. At times pink was considered a strong, and therefore masculine, color, while blue was considered delicate. Children’s clothes for both sexes included lace, ruffles, flowers and kittens. That started to change in the early 20th century, writes Jo Paoletti, a professor of American studies at the University of Maryland and author of “Pink and Blue: Telling the Boys From the Girls in America.” By then, some psychologists were arguing that boys who identified too closely with their mothers would become homosexuals. At the same time, suffragists were pushing for women’s advancement. In response to these threatening social shifts, clothes changed to differentiate boys from their mothers and from girls in general. By the 1940s, dainty trimming had been purged from boys’ clothing. So had much of the color spectrum.

Women, meanwhile, took to wearing pants, working outside the home and playing a wider array of sports. Domains once exclusively masculine became more neutral territory, especially for prepubescent girls, and the idea of a girl behaving “like a boy” lost its stigma. A 1998 study in the academic journal Sex Roles suggests just how ordinary it has become for girls to exist in the middle space: it found that 46 percent of senior citizens, 69 percent of baby boomers and 77 percent of Gen-X women reported having been tomboys.

The piece is riddled with more gender assumptions that aren’t questioned.

When Jose was a toddler, his father, Anthony, accepted his son’s gender fluidity, even agreeing to play “beauty shop.”

But why is beauty shop feminine? We all know beauty toys and products are marketed to girls, but why? Here’s that Avengers ass poster again. In a male dominated world, women are valued primarily for their appearance. They are taught to focus on how they look and that if they do so they can get power and prestige. Appearance is the area where girls are trained to channel their ambition and competition. Oh, sorry, girls aren’t competitive or ambitious. That’s a boy thing.

On gender fluid child, P.J., the author writes:

Most of the time, he chooses pants that are pink or purple.

Wait a minute, didn’t she write a few pages back about Jo Poletti’s book Pink and Blue? Remember, pink used to be a “boy” color; it’s only recently that it’s perceived as a “girl” color?

Here might be the most fucked up quote:

When a boy wants to act like a girl, it subconsciously shakes our foundation, because why would someone want to be the lesser gender?

When Miss Representation posted that on its Facebook page  above the link to the the article, angry commenters immediately began to respond:

i am NOT the lesser gender!
why can’t people see how insulting that is? i mean, who would *openly* call a race or ability or sexual orientation “lesser” and not largely be considered a bigot?

It was that comment that inspired me to write this post, because the whole piece is insulting to girls and women. I hope it’s insulting to boys and men as well.

Read my email to the New York Times editor here.

Read my response to comments on this post here.