Fellows from conservative think tanks hold conference on rape “hysteria”

The conservative Independent Women’s Forum held a conference last week called “Rape Culture and Sexual Assault.”

I’m going to go through the press release, beginning with the opening:

The White House has embraced the statistic that 1 in 5 women is sexually assaulted while in college…

 

Embraced is not the verb I would use. Do you know how hard it’s been and how many years we have been working to get the U.S. government to acknowledge that violence against women is epidemic is the USA?

The White House has released its “first ever report” on the issue and are using it to push their policy agenda…

 

Think the IWF put “first ever report” in scare quotes because it’s such a silly concept or because it’s so shocking that its taken until 2014 for the U.S. government to take note that its most honored educational institutions are not protecting female students?

“Push their policy agenda”? Which is…um… human rights for women?

But many question the validity of the White House’s one-in-five statistic, even as those who challenge this figure are silenced as being uncaring about women…

 

Would that “silencing” be referring to George Will who questioned the stat in the Washington Post in his syndicated column that runs in newspapers all over this country, where he also called rape survivors “a coveted status that confers privilege”? About the stat, Will wrote:

The statistics are: One in five women is sexually assaulted while in college, and only 12 percent of assaults are reported. Simple arithmetic demonstrates that if the 12 percent reporting rate is correct, the 20 percent assault rate is preposterous. Mark Perry of the American Enterprise Institute notes, for example, that in the four years 2009 to 2012 there were 98 reported sexual assaults at Ohio State. That would be 12 percent of 817 total out of a female student population of approximately 28,000, for a sexual assault rate of approximately 2.9 percent — too high but nowhere near 20 percent.

 

To which Jezebel responded:

Rape is underreported, here is how many women reported being raped, therefore rape is overreported. These reports are flawed! Can’t you tell by these flawed reports? Your honor, I rest my case.

 

Who reads Jezebel by the way? Same influential, power-playing crowd who reads Reel Girl? Unlike Will, Jezebel hasn’t won a Pulitzer yet, but I’m sure it’ll receive that international honored any day now. Continuing with this theme of “silencing,” a feminist responded to Will’s column, writing in the Huffington Post:

At its most basic level, as a scholar who has studied violence against women for 20 years, I’m struck that neither I nor any of my colleagues who have devoted decades to producing the best research on these issues has ever had the opportunity to tell the story in this way in such a prestigious outlet as The Washington Post. Instead we are relegated to the back pages of online outlets like The Huffington Post and Slate.com. Don’t get me wrong, I’m incredibly grateful that my voice can be heard in these outlets, but I’m also painfully aware that millions more people, and especially people (men) with privilege, read The Washington Post than The Huffington Post blog pages…

 

But back to the IWF press release. Next line:

The IWF takes any accusation of sexual assault very seriously. But we are concerned that there is a potentially harmful hysteria developing about this issue. Where does this come from? Where is it going? And who will be harmed?

In 2014, we are still using the word hysteria around women’s issues? Hysteria, in case you don’t know, comes from the Greek word “hyster” for womb, the “ancient” belief being that women are crazy because they have wombs. A better word for America’s response to rape might be apathy.

So who is on the IWF panel? If you watch news channels or read news media,  you know these “experts” and the prestigious think tanks they’re affiliated with: Christina Hoff Summers is an author and Fellow of the America Enterprise Institute; Stuart Taylor is an author and a Fellow at the Brookings Institute; Cathy Young is a columnist for Newsday;  Andrea Bottner is a lawyer and a former director of the Office of International Women’s Issues for the Bush Administration. It’s great to know that Bush put someone in the USA in charge of international women’s issues who believes in rape hysteria.

 

Straight Talk Panel on “Rape Culture” and Sexual Assault – See more at: http://iwf.org/media/2794316/#sthash.GOGH0pTl.dpuf

Pregnancy is a medical condition, birth control is preventative health care

Pregnancy is a medical condition. I had an emergency c-section with my first child, not a rare end to a pregnancy in the USA. Pregnancy related diseases include ectopic pregnancies (also life-risking), blood clots, urinary tract infections, thrush, severe back pain, and the list goes on.

How is it that the Supreme Court of the USA decided today that businesses do not have to cover health care for women? Freedom of religion? Seriously? So why do Christian Scientist parents get prosecuted by our courts for not taking their children to get treatment? Why isn’t that “choice” freedom of religion?

Why is it OK for religions to decree that women cannot have health care but it is not OK for them to demand that gay employees or black employees don’t get health care? Female bodies are different than male bodies and require different medical treatment. Why is it OK to deny one gender the medical treatment that their bodies require? Is the reason that sex is optional, therefore the medical condition of pregnancy is optional, therefore preventative health care is not required by law? Putting aside the situation of rape (which is just “rape hysteria” anyway, right) are we saying that medical conditions created by optional behavior should not receive health care? So if I choose to go skiing and break my leg, I shouldn’t get my health care paid for by my employer? If I choose to go on a hike and get bit by a tic, my employer should not be required to pay for treatment for my lyme disease?

I am ashamed to be an American today.

 

What’s wrong with this passage from ‘The Lost Hero’ by Rick Riordan?

This morning I was reading The Lost Hero by Rick Riordan out loud to my 7 year old daughter.

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Like her sister before her, she is obsessed with Riordan’s series. I, too, am a huge fan. The pacing is perfect. The characters are smart, funny, and brave. The writing is great. But I’ve got a an issue with the books. As I always blog on Reel Girl, if the pattern in The Lost Hero were in just one book, or even half the books, it would not be a problem for me, or for my kids, or for kids in general. My problem is the repetition of the same old, same old in narrative after narrative after narrative. Read this passage and see if you can tell me what my objection to Riordan is:

“There’s four of us,” Hedge whispered urgently. “And only one of him.”

“Did you miss the fact that he’s thirty feet tall?” Leo asked.

“Okay,” Hedge said. “So, you, me and Jason distract him. Piper sneaks around and frees her dad.”

They all looked at Jason.

“What?” Jason said. “I’m not the leader.”

“Yes,” Piper said. “You are.”

They’d never really talked about it but no one disagreed, not even Hedge. Coming this far had been a team effort, but when it came to a life-and-death decision, Leo knew Jason was the one to ask. Even if he had no memory, Jason had a kind of balance to him. You could just tell he’d been in battles before, and he knew how to keep his cool.  Leo wasn’t exactly the trusting type but he trusted Jason with his life.

 

‘The privilege, indeed the right, to tell the story’

Who gets to tell the story? Whose voice gets to be heard?

In the Huffington Post, Angela J. Hattery, a professor of gender studies at George Mason University, writes about the columns by George Will and Brad Wilcox about women, sex, and rape in the Washington Post:

 

I’m going to take a different approach and interrogate the simple fact that both columns illustrate yet another way in which privilege works; the privilege to have one’s voice heard and the privilege, indeed the right, to tell the story.

 

At its most basic level, as a scholar who has studied violence against women for 20 years, I’m struck that neither I nor any of my colleagues who have devoted decades to producing the best research on these issues has ever had the opportunity to tell the story in this way in such a prestigious outlet as The Washington Post. Instead we are relegated to the back pages of online outlets like The Huffington Post and Slate.com. Don’t get me wrong, I’m incredibly grateful that my voice can be heard in these outlets, but I’m also painfully aware that millions more people, and especially people (men) with privilege, read The Washington Post than The Huffington Post blog pages…

 

Why, because a key element of privilege is the power to write the narrative and to write it in a way that reinforces the privileges of those who already have it, in this case white, upper middle class, professional men.

 

I write a blog about gender and children’s media. I started my blog because as soon as I had one daughter, and then two more, I was shocked and disgusted by how gendered their world was. Every day, being a mother, I continue to be amazed that this kind of gender segregation and stereotyping exists in a world created for children. I continue to be amazed that progressive and educated parents, in San Francisco no less, seem to be almost oblivious to the sexism focused on their children.

Today, I was at a house with a game room for kids. In the room were several arcade games from the 80s. I snapped some photos of all of the females I found on the games:

Simpson’s pinball:

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More Simpsons pinball:

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Ms. Pacman

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Donkey Kong:

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What is the story that is getting told here? Again and again and again?

Children learn through images, text, experience, and repetition. Brains get wired up when we’re little and those paths get harder and harder to change. Just one example: the other day my husband told my children that America’s diversity is a consequence of so many people settling here. My  children freaked out that he said “consequence” because, to my children, “consequence” is a negative word, it’s basically used like “punishment.” My husband and I talked about my kids’ reaction and decided that they were right, “consequence” is a negative word. “Outcome” is a more neutral word. But the point is that our language is charged, images are charged, and narratives are charged. The very best hope we can offer kids is diversity of stories, not repeating these same images and words over and over and over. It limits us, and it limits a new generation.

When and how are we going to untangle our reality from those who have been telling the story for so many thousands of years?

George Will has no authority to write about rape in the Washington Post. That he does, that this is “normal” and accepted in 2014 speaks to how terribly backwards we are in America when it comes to women and equality.

 

 

Pepperidge Farm introduces Princess Goldfish, gendering kids’ food reaches new low

They’re new, they’re pink, and they’re perfect for your daughters! Princess Goldfish are finally here. Just got this Tweet from Josy Daras:

did you know they’ve gendered GOLDFISH? My son wanted them, so here they are.

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I love that her son wanted them. Can you fucking deal with this– gendered goldfish? We have sunk to a new low. Barely. Here’s what I blogged in March 2012:

Hey Goldfish Snack Crackers, girls aren’t a minority

My daughter is home sick today. She’s lying on the couch, watching TV, and eating Parmesan Goldfish. An ad for Goldfish crackers came on. She thought that coincidence was pretty hilarious. She held up one of her crackers and said, “Hi!” to the Goldfish on TV. Then she looked at down at the package. “Who are mine?” she wanted to know.

 

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They are: Xtreme, Gilbert, Brooke, and Finn.

I know what you’re thinking: Xtreme must be female, right? Or maybe Finn? Pepperidge Farm would never put 3 males and 1 female on a package. So, I went to Wikipedia. Check out these character descriptions:

  • Finn– A cheddar flavored goldfish that wears sunglasses (though not in the commercials).
  • Gilbert– A pretzel goldfish that tends to be a worrier.
  • Brooke– The beautiful and intelligent parmesan flavored goldfish and the only female member of the goldfish club until both Candace and Coral showed up.
  • Xtreme– A flavor-blasted fish who enjoys doing crazy stunts. His real (and embarrassing) name is Fumbleton.
  • Swimmington Von Stuffington III Esquire– Xtreme’s snobby older brother.
  • IQ– A honey graham fish who wears eyeglasses lives in the vacuum and befriends Gilbert and helps him escape out of the vacuum.
  • Candace– A pink fish who wears a red bow on her head and has a small blue star on her tail fin. She has a crush on Gilbert. Candace is also the winner of the “Finn’s New Friend” contest.
  • Coral– A chocolate graham and fun-spirited fish with a Southern accent who currently befriends the club. She is possibly somewhat of a tomboy.

When I created this blog, I wrote that I was going to rate kids media and toys. I never considered blogging about sexism in food. Reese’s Puffs, Special K, M & Ms, and Goldfish have, unfortunately, changed my mind.

My daughter and I made up different names and stories for the Goldfish, of course. But don’t start telling me it’s a free country, and we can just make up anything we like. I’m a creative person, and I struggle with this. Give me something to work with here, Pepperidge Farm! I’m also, like most moms, busy. Can’t I just read the damn names off the bag?

It would be so much easier to foster creativity in kids (and the adults that they will become) if we weren’t mired with the same old, same old ridiculous, gender-stereotyped narratives at every turn.

 

A year later, I posted this:

M &Ms, Goldfish, cereal boxes, and the Minority Feisty

Posted on

I know you probably think I’ve gone over the deep end with all the vitriol I’ve expressed towards M & Ms for presenting its female characters as a high heeled, kissy-lipped minority.

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But the problem here is that this same old image and narrative is everywhere in kidworld. Whose kids eat Goldfish? Here’s our package:

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There it is again: Brooke, the Minority Feisty.

And kids cereal? Even Raj of “Big Bang Theory.” Raj said he’d done the research and there are no female cereal box characters at all.

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What happens to kids when they grow up saturated in a world where everywhere they look, girls go missing?

‘How to Train Your Dragon 2’ and the Minority Feisty phenomenon

Yesterday, my two younger kids and I saw “How to Train Your Dragon 2.”

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The movie was fun, exciting, showed off some spectacular animation, and we all enjoyed it. “HTTYD 2” also followed the same old, same old pattern where there is a male protagonist while the “feisty” females are stuck on the sidelines providing some crucial role to help the male star achieve his quest.

I could list for you the small gains for females in the movie, such as it opens with a race where Astrid, one of the Minority Feisty, wins. I could add that Astrid is not racing her boyfriend and the star of the movie, Hiccup. That in the next scene, Hiccup is seen soaring through the clouds on his male dragon, Toothless, faster, better, much more daring than Astrid and her she-dragon. That Hiccup actually flies himself, dragon-less. I’m not going to list all these baby (“feisty)” steps females are allowed to take in this narrative– telling you those two scenes is enough, because that, right there is the pattern of this movie: females are allowed to be strong, just not as strong or as important as the males. “HTTYD 2” reminded me of a well known interview— at least well know in my feminist/ internet world– with Kevin Smith and “Tower Prep” creator Dini about Cartoon Network, where Dini quotes CN:

We need boys, but we need girls right there, right one step behind the boys” — this is the network talking — “one step behind the boys, not as smart as the boys, not as interesting as the boys, but right there.”

 

This gendered scenario is just what you will see in “HTTYD 2.” Let me add that I really loved the Minority Feisty in this movie. I’m not going to “spoil” it for you, but one female in particular is really great.

I recently got this comment from a 13 yr old on my review of “How to Train Your Dragon.”

Hello! I’m a 13 year old girl who is a huge fan of Harry Potter, and I loved the movie How To Train your Dragon even though the I haven’t read the books-yet. I agree that there should be more female main characters, but the reason that doesn’t happen with popular series like Harry Potter and Percy Jackson is because boys don’t generally read stories about girls. I completely understand and agree that it’s wrong. What I don’t understand is why you seem to dislike amazing stories such as Harry Potter and HTTYD ( at least, that’s the impression I have) simply because the main character is a boy. Isn’t that just as unfair to the boys as people are to the girls? And dream works, I think wouldn’t have changed the gender of hiccup since that would be completely disrespectful of the books. They should have a movie with a female main character, but I think it’s fine if they didn’t do it with how to train your dragon. As far as books go, recent popular series such as divergent and the hunger games do have strong female characters, although they aren’t fantasy.Also, both stories did have strong female characters. Harry wouldn’t have made it past the first book without Hermione and Astrid is anything but a damsel in distress. Thank you for reading this; I simply wished to point out a few things, but I do agree that overall there should be more female main characters in fantasy.

 

I wrote back:

Hi Bluebell,

Thank for you comment, it’s great to hear from teens on Reel Girl.

“What I don’t understand is why you seem to dislike amazing stories such as Harry Potter and HTTYD ( at least, that’s the impression I have) simply because the main character is a boy.”

I love Harry Potter! Love it. If you read my posts on it, you will see how many times I write about how I love the series and admire the author. I also love Lord of the Rings. I haven’t read HTTYD. In spite of my love for these books, I am sick and tired of reading about male protags again and again and again. It really bothers me when people refer to a Minority Feisty in these stories (Hermione, Astrid etc) and act as if that makes the narrative feminist. In too many books for kids, girls are allowed to be powerful only if they are (1) in the minority compared to male charcaters (2) Helping the male protag on his quest. It’ snot tha i don’t like these stories, but the repetitive pattern of gender roles is restrictive and limiting to girls and boys.

Margot

 

Bluebell wrote me one more time:

Thanks for clarifying! It’s good to know that you do like Harry Potter and HTTYD. Also I realized that when I first read this I was thinking about how there are lots of fiction books with strong female main characters, but there aren’t really that many fantasy books like that. And I spend most of my time reading fantasy so I would know. Also I want to be an author when I grow up (well, as soon as possible, really- why wait? ) and I find it easier to write about girls than boys. I guess not too many authors are like that then. Thanks for replying!
Bluebell

 

Once again, my problem is not the individual children’s movies which are often great, but the gendered pattern where males star while females are marginalized or sexualized, stuck in supporting roles on the sidelines, in fantasy world, a world where anything should be possible. Instead, it’s like: Have no fear audiences, “HHTYD 2” is so firmly grounded in the patriarchy model that the villain’s name is Alpha, as in Alpha male, the king of all  dragons.

The Minority Feisty phenomenon in children’s movies– that females are allowed to exist, to be “feisty” but they must not be the protagonist or  be in the minority– is a dangerous one. Parents see Astrid, or Wyldstyle from “The Lego Movie,” Andie and Precious from “The Nut Job,” Penny  from “Mr. Peabody and Sherman,” the list goes on and on and on, and think, “Okay, we’ve got that covered, there’s a strong female or two or three.” But in 2014, 18 children’s movies star males while just 6– a Minority Feisty of them– star females. Females are one half of the kid population, so why do girls go missing? Why are girls presented in fantasy world as if they were a minority?

I recently saw a post in “The Week” about a Minority Feisty in “The Edge of Tomorrow:”

It’s the Female Yoda Phenomenon: A seasoned warrior who has the knowledge and skill to transform the ineffectual everyman into a heroic savior. She is smart, competent, and tough. At her most mundane, she will teach the hero about responsibility and maturity (Knocked Up). At her most powerful, she will use her countless skills to make the male hero into a fighter like herself (Matrix, Edge of Tomorrow).

 

I like the term “Female Yoda Phenomenon” but what’s changed in children’s movies since Katha Pollitt coined “The Smurfette Principle” is that there is often more than one feisty female. In kids’ movies, its not about “one female yoda,” but about repetitively showing females as if they were a minority.

There has been some talk about the gay character in “HTTYD 2.” Am I happy the guy got one line about how there’s “one more reason” he didn’t get married? I guess, but I’d rather the movie just show a gay couple, a gay couple who are married. This is fantasy land, where fire-breathing dragons are best friends with humans, and we can’t imagine a gay, married couple? Or an animated population where we see as many females as males? I’ll remind you of Reel Girl’s tagline: imagining gender equality in the fantasy world. Sadly, it’s much rarer than a unicorn.

Reel Girl rates “How To Train Your Dragon 2” ***H***

 

Producer jokes about female protagonist, my 5 yr old responds to ‘Zelda’ sexism

Yesterday, the Mary Sue reported that “We Might be Getting a Lady-Led Zelda Game” due to the ambiguous comment by creator Eiji Aonuma about the protagonist: “No one explicitly said that that was Link.”

Guess what? Aonuma was just joking! HA HA HA. Isn’t he hilarious? Today, he corrects the dubious misinformation:

“Actually that comment I made jokingly,” he said. “It’s not that I said that it wasn’t Link. It’s that I never said that it was Link. It’s not really the same thing, but I can understand how it could be taken that way.

“It seems like it has kind of taken off where people are saying ‘oh it’s a female character’ and it just kind of grew. But my intent in saying that was humour. You know, you have to show Link when you create a trailer for a Zelda announcement.”

 

Because who would ever think that a game titled “Zelda” and a show titled “Zelda” would actually feature a female protagonist making the moves, taking the risks, and calling the shots at the center of the action? I, myself, made this same mistake when I let my 5 year old daughter watch “Zelda”  because I thought it was a female based spin off of the Mario Brothers. Silly me! Here’s her pissed off reaction:

Here’s the diamond she’s talking about:

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I’m holding out from seeing the show or playing the game, or letting my kids do either again, until Zelda is actually in charge.

Pitt joins Jolie at summit against sexual violence

I’m posting this photo and headline (up above) because it’s inspiring to watch people acting together to make the world a better place.

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I am so grateful that Angelina Jolie gives her star power, her brain power, and her money to help women and girls around the world. I’m also impressed that Pitt has always supported her publicly. He never gives the impression that the conferences he attends are limited “women’s issues” that he condescends to be involved with. These conferences are about human rights. This couple– the images, text, and narratives that accompany them– make clear that women and men can love, support, and inspire each other, working to change the world.

One more thing this photo tells me: Don’t waste your time arguing with the backwards ideas of people like the “educated” and “brilliant” George Will. A while back, I posted parts of and commented on An open letter to privileged people who play devil’s advocate from feminsiting.com. It’s a great post for me, because in the past, I’ve felt obligated to speak to people who drag me backwards. Writer Juliana Britto points out in the post– these are my words– that she doesn’t  have the time to make entertaining cocktail conversation for people about the ideas she cares about just for their entertainment. Talking about these ideas is emotionally draining. If I’m trying to get to Z, I don’t have time to engage with the people that want to keep me at A. Especially when, as Britto points out we’ve heard it all before for thousands of years:

Some might challenge that I am shutting myself off to new ideas and censoring important opportunities for growth.

But these ideas you are forcing me to consider are not new. They stem from centuries of inequality and your desperate desire to keep them relevant is based in the fact that you benefit from their existence. Let it go. You did NOT come up with these racist, misogynistic theories. We’ve heard them before and we are f*cking tired of being asked to consider them, just one. more. time.

 

Here’s to hoping all of us act, do, and give money instead of just talking.

Read the story about Jolie, Pitt, and the summit against sexual violence here.

Angelina Jolie tells BBC ‘Maleficent’s’ wing-cutting scene is ‘metaphor for rape’

Yesterday, in a BBC interview, Angelina Jolie said that the controversial wing-cutting scene in “Maleficent” is a metaphor for rape.

Yahoo reports Jolie’s quote:

“We were very conscious, the writer and I, that it was a metaphor for rape,” Jolie said of the harrowing sequence, in which Maleficent’s wings are stolen as she’s in a drug-induced sleep. “This would be the thing that would make her lose sight.”

Obviously, it’s no coincidence that Jolie is leading the biggest ever global anti-rape summit. Jezebel reports on the summit and Jolie:

UN Special Envoy Jolie has visited victims of wartime sexual violence in Bosnia and in the DNC. Her 2011 directorial debut, In the Land of Blood and Honey, is set during the Bosnian civil war of the late twentieth century. During that conflict, experts estimate that 50,000 women were raped. According to AFP, Jolie was so moved by the plight of survivors there that she worked for two years to make this summit — the largest of its kind to date — a reality.

 

It was while doing media for the summit that Jolie addressed the rape metaphor in “Maleficent.”

Angelina Jolie spoke to BBC Radio’s Woman’s Hour in a live broadcast Tuesday, June 10, where she compared one harrowing scene in Maleficent to rape. Addressing more than 300 government dignitaries at the London-hosted Global Summit to End Sexual Violence in Conflict, UN Special Envoy Jolie was asked about the scene in the fairy tale fantasy film, in which the titular character’s wings are torn off her body by a childhood friend.

Fantasy meets reality meet fantasy. Thank you, Angelina Jolie, once again, for speaking up and taking action to make a difference for women and girls around the world. Hopefully, more female writers, actors, producers, directors, musicians, singers, artists etc will publicly tell their own stories, and the narratives we all experience will open up, diversify, and change. Then, the world we exist in will change as well.

I’m re-posting my last blog on “Maleficent:”

Does ‘Maleficent’ depict matriarchy vs patriarchy or world where gender isn’t destiny?

This is my fifth post on the fabulous ‘Maleficent’ movie which I saw with my three daughters and my husband last Friday. I’m obviously a little obsessed.

If you’ve been following my blogs, I keep arguing, contrary to what almost everyone else seems to believe, that when Stefan cuts off Maleficent’s wings, it’s not necessarily a rape metaphor. I’d like to set one thing straight given the comments I’ve received. Yes, everyone is allowed their own interpretation. My blogs, about how this scene is not rape, I am quite aware come from my own bias that I want to lay out for you here:

(1) I am 45 years old and exhausted with seeing women raped on screen. I just wrote about my fatigue regarding bell hooks’s forum: Are You Still a Slave ? Liberating the Black Female Body with a blog title borrowed from a hooks quote: “If I never see another naked, enslaved, black woman on screen, I’ll be happy.”

(2) I have 3 daughters ages 5, 7, and 10, and I am desperate for them to experience fantasy worlds where gender equality exists. This wish of mine probably goes back to my first point, that I am 45 and sick of seeing the “feminist” trope where the female struggles against the patriarchy. It’s not just that I’ve seen it one million times before, but that in order for my children to see a girl struggling to be taken seriously or be strong or powerful even though she’s a girl, first my kids have to understand sexism. In order to “get” the story, first they have to understand that the world believes girls are less than boys. I would prefer, certainly for little kids, that they be exposed to fantasy worlds where girls and boys are depicted as equal, where girls are not made fun of, put down, or limited because of their gender. I understand how important the narrative of the girl proving she’s “just as good as a boy”  is historically, I’m not asking for it to be obliterated, I’m just asking for more stories where there is gender equality. If we can’t imagine gender equality, we cant create it. At this point, The Hunger Games may be the only fantasy world I’ve read where gender is not an issue.

(3) There are several reasons I believed “Maleficent” depicts a fantasy world where gender isn’t destiny rather than matriarchy vs patriarchy. Everyone is allowed their own interpretation, author’s intention is dead, but it can still be a factor in understanding the movie. I believed that it was both the screenwriter’s and Angelina Jolie’s intention that the conflict in the movie was not male vs female but human vs Fairy. Here are the reasons why:

A. The narrator introduces the movie as one about two worlds, one human and one magical.

B. When Stefan is first introduced, Maleficent is curious about him because he is a human, not because he is a boy.

C. With most of the scenes between them being childhood ones, I experienced the relationship between Stefan and Maleficent as special because it was a friendship between two warring species.

D. This quote from the writer, Linda Woolverton:

I had to figure out what possibly could have happened to her to make her want to hurt an innocent baby. Something that would equal that act. In the animated movie, she had no wings. She just threw her robes open like wings. I thought, ‘Is that it? Did someone take her wings?

Maleficent’s wings defined her as a Fairy. These wings were cut. This violence had nothing to do with her genitals/ rape. Why must we assume that when violence is done to a woman, it must involve her genitals? When Delilah put Samson to sleep in her lap and his hair was cut, was that a rape metaphor? As someone on Reel Girl’s Facebook page commented, the Maleficent scene could be compared to cutting off the hand of a concert pianist or, I might add, cutting off the wings off a Fairy!

E. This quote from Angelina Jolie made me think she wanted “Maleficent” to depict a world where gender isn’t destiny instead of matriarchy vs patriarchy.

“Our movie has all this strength and all this feminism, but, what I think is so nice is that, sometimes, in order to do that you have to make the man an idiot. Instead, we have this very elegant, wonderfully handsome, prince who, in the end, is great. He doesn’t need to be less than to make us more than. We don’t have to simplify or cheapen the men, or to detract from one to make the other better. I think that’s a mistake that’s often made in movies.

 

But, here’s my new news. It’s been one week since I saw “Maleficent,” and now I realize, to my dismay, though I still love this movie, I agree with so many others: “Maleficent” is not a world where gender isn’t destiny but depicts the conflict of matriarchy versus patriarchy. So why my change of heart? Is it that I now agree the wing cutting is clearly a rape metaphor? That the relationship between Stefan and Maleficent is primarily romantic?

No. What’s made me change my perception is I’ve been dwelling on my one earlier disappointment with the movie. The human crowd scenes are populated by all male characters. Please, tell me I missed something, but from my recollection, the king’s army is comprised of all male soldiers. When the king sends his followers to kill Maleficent, wishing for an heir, the circle around him is all male. And when Stefan returns with Maleficent’s wings, the king says something to the effect of, “Take my daughter.” If the king had been surrounded by half women when he sends his minions off to kill, if the army had been half women fighters, if we’d seen Maleficent use her power to strike down women soldiers as well as male ones, this fantasy world would’ve been one where gender doesn’t matter. But we did not see this. Therefore, the movie is clearly about patriarchy vs matriarchy, thus, the rape scene makes perfect sense.

Still, Angelina Jolie may have intended for her movie to depict a world where gender isn’t destiny rather than matriarchy vs patriarchy. But, if this is the case, she should’ve made sure the crowd scenes showed men and women equally. The scene could be primarily males just because of Jolie’s– and the producer’s, writer’s, director’s obviously–  unconscious bias. But this is why author’s intention doesn’t matter, because viewers see things in the story that are there whether the creator “chose” to put them there or not.

The Geena Davis Institute does extensive research on gender bias in children’s films, coming up with two– just two– main ways to make kids’ films show gender equality:

 

Step 1: Go through the projects you’re already working on and change a bunch of the characters’ first names to women’s names. With one stroke you’ve created some colorful unstereotypical female characters that might turn out to be even more interesting now that they’ve had a gender switch. What if the plumber or pilot or construction foreman is a woman? What if the taxi driver or the scheming politician is a woman? What if both police officers that arrive on the scene are women — and it’s not a big deal?

Step 2: When describing a crowd scene, write in the script, “A crowd gathers, which is half female.” That may seem weird, but I promise you, somehow or other on the set that day the crowd will turn out to be 17 percent female otherwise. Maybe first ADs think women don’t gather, I don’t know.

 

It’s sort of like how someone said, I forget who it was, that we won’t have gender equality when female geniuses make it through the glass ceiling, when exceptional women break barriers, but when the mediocre, average ones make it into the power structure, just like all the average white men are up there. It’s all about the crowd scenes.

Alternative title for this post: What happens when an over-educated woman has three daughters and gets stuck watching way too many Disney movies? She blogs.

Update:  I’m getting comments on Reel Girl’s Facebook page asking if I still recommend Maleficent for kids. Yes, absolutely take your children to see this movie, rape metaphor or no. They will not get the metaphor. It’s only disappointing to me because, as I wrote, I would like children to experience fantasy worlds where gender equality exists, and I’ve come to believe that “Maleficent” isn’t one of those worlds. Still, the movie has a great female protagonist (rare in kids’s films) and shows other strong, complex female characters as well. All three of my kids and my husband enjoyed the movie. Read the last post listed below for my full review.

Reel Girl’s posts on “Maleficent:”

What if ‘Maleficent’s’ Stefan had been Stefanie?

‘Maleficent’ beats MacFarlane at the box office (and she didn’t even show her boobs)

‘Maleficent’ is not ‘a woman scorned’ so stop calling her that

Magnificent ‘Maleficent’ is for all the girls who always wanted to fly

Hey, George Will, is ostracization the ‘coveted status’ you’re referring to?

George Will has declared that being a rape survivor is  “a coveted status that confers privilege.”

Who’s George Will, you ask? A raving lunatic scribbling his words on on an asylum wall in some undisclosed location? Nope. He’s a Pulitzer Prize winning journalist with degrees from Oxford and Princeton who’s been called “the most powerful journalist in America.” He’s well known for his patriotic love of baseball. These particular words of his appeared in the Washington Post where he’s a regular columnist. That’s right, in 2014, an educated and “brilliant” man is informing the public that women covet rape.

Salon reports:

There is an abundance of anecdotal and statistical evidence to show that most people never come forward about their experiences of assault, including most college students. According to national data, 60 percent of sexual assaults are never reported to the police. So how does one go from that to a culture in which “victims proliferate”? Current data holds that only 12 percent of assaults on college campuses are reported. It seems like Will believes that hearing from any victims is hearing from too many victims.

As proof that women lie about rape, Will writes:

The statistics are: One in five women is sexually assaulted while in college, and only 12 percent of assaults are reported. Simple arithmetic demonstrates that if the 12 percent reporting rate is correct, the 20 percent assault rate is preposterous. Mark Perry of the American Enterprise Institute notes, for example, that in the four years 2009 to 2012 there were 98 reported sexual assaults at Ohio State. That would be 12 percent of 817 total out of a female student population of approximately 28,000, for a sexual assault rate of approximately 2.9 percent — too high but nowhere near 20 percent.

Jezebel responds to Will’s logic succinctly:

Rape is underreported, here is how many women reported being raped, therefore rape is overreported. These reports are flawed! Can’t you tell by these flawed reports? Your honor, I rest my case.

I am so disgusted. It seems to me like George Will is getting nervous that women are going to start talking and that people might finally be listening.

I’m posting a link to rape survivor Daisy Coleman’s excellent post about what happened to her after she came forward in Maryville. Below this link is I post I wrote for Salon about how desperately we need to celebrate women who tell their stories of rape instead of hiding survivors away.

(Where do you think Coleman is enjoying her “coveted status?” That’s a serious question about her whereabouts, I haven’t heard about her or from her since this, but I’ll start researching where she’s enjoying herself now.)

Thank you, Daisy Coleman, for telling us shame belongs to rapist, not survivor
Posted on October 19, 2013
The Maryville rape has taken a new turn with this post on xoJane:

I’m Daisy Coleman, The Teenager At The Center Of The Maryville Rape Media Storm, And This Is What Really Happened.

Thank you, Daisy Coleman, for telling your own story.

Please read Coleman’s story and share it. And then ask yourself, what happens when women tell the truth about their lives? How could the world change?

Whether a woman tells her story or not is her choice, but how much of a “choice” does she really have? I wrote “The shame of rape” on this topic for Salon. Ten years later, in too much media and public opinion, shame still goes to the wrong person.

When will we learn to honor rape survivors as the heroes that they are instead of shaming them into silence?

The “shame” of rape

By Margot Magowan

When 7-year-old Erica Pratt was abducted on July 22 and tied up in a basement by her kidnapper, she chewed through the duct tape that covered her mouth, freed her hands and feet, and broke through a door to escape. Electrified by the young girl’s feat, the media celebrated Pratt with a prolonged blitz of coverage. She smiled luminously for cameras as awed police officers praised her bravery. Her photo graced the front pages of newspapers across the nation, and she was named Time magazine’s “Person of the Week.”

When Tamara Brooks and Jacqueline Marris were abducted at gunpoint nine days later from a remote teenage trysting spot in Lancaster, Calif., they devised a plan to break free by stabbing their abductor in the neck. When one girl had the chance to escape, she didn’t take it for fear that the other girl — whom she hadn’t met before that night — would be killed if she abandoned her. These were brave and loyal girls — heroines who endured mind-numbing terror before police found them and killed their captor, who authorities believe was preparing to murder them and dump their bodies.

But Brooks and Marris were not honored by Time magazine or identified as heroes in other media outlets. Why not? What made their story so different?

Just as newspapers and the networks were scrambling to cover the story, they learned that the girls had been sexually assaulted during their ordeal. Because most mainstream media observes a self-imposed policy of withholding the names and faces of sexual assault victims, the coverage abruptly, and somewhat awkwardly, ground to a halt.

Newspapers and TV broadcasters explained the shift as a matter of courtesy. But in concealing the identities of the young women on the grounds that rape is so intimate and horrendous that they should be spared undue attention, the media helped to promote the unspoken societal belief that somehow, when sexual assault is involved, the victim is partly — or wholly — to blame, and should be hidden from view.

TV stations began digitally obscuring the girls’ faces. Newspapers like the New York Times rushed to delete the names and photos of the girls from the next day’s paper. Some publications, like USA Today, had already gone to press, and printed the story with photos and names on the front page.

The lopsided coverage was especially disorienting because early in the story, the girls’ identities were broadcast everywhere — constantly — as a means of saving their lives. The idea was to familiarize as many Americans as possible with the girls’ names and faces so that average citizens might assist in tracking them, and their kidnapper, down. And it worked. But once the teens went from being kidnapped youths to rescued rape survivors, their status changed. They were branded with the Scarlet R. They had been raped. It was suddenly better for them, and us, to contemplate this shame without fanfare.

In effect, the girls disappeared twice — once when abducted, and again when the media erased them.

The policy of hiding the rape survivor makes the media complicit in shaming and stigmatizing her. It reinforces the myth that women are too weak, traumatized and tainted to decide whether they want to tell their own stories — of victory, not victimhood. And this assumption becomes a self-fulfilling prophecy. If raped women were granted the same status as Erica Pratt, there would be no reflex to make them disappear. Their survival would be cause for public honor and respect. Their rescues would be complete; their recovery would begin with heartfelt acceptance by everyone who prayed for their return.

Silence and shame protected the Catholic Church and one of its dirtiest secrets for years. And church officials made the right assumption: If you can’t see it, no one will believe it is happening and, more importantly, victims who are shamed and controlled will be quiet, silenced by a sense of complicity and sin. What if all those alleged male sexual assault survivors who went on “60 Minutes” and “20/20″ had their faces covered with a gray dot? What if no newspapers or magazines had been willing to publish their names? How much credibility or validity or power can you have when you have no face and no name? Would the public have believed these things had happened if faces had not been attached to the charges?

You can’t put a faceless woman on the cover of Time magazine.

Not all rape survivors take the media’s cue and withdraw. Many have told their stories as part of their recovery, most famously authors like Maya Angelou in “I Know Why the Caged Bird Sings” and Dorothy Allison (“Bastard Out of Carolina”), and singers including Fiona Apple and Tori Amos. Current bestselling author Alice Sebold has said repeatedly in interviews that she could not have written “The Lovely Bones” until she wrote the story of her rape in her first book, “Lucky.”

With each of these acts of bravery has come further acknowledgment that rape is a horrible event and that everyone abhors it, yet hypocrisy — public and institutional — still exists. Rapists are rarely successfully prosecuted. For every 100 rapes reported in this country, only five rapists end up in prison. Sentences are relatively light, averaging just 10.5 years, and the usual time served is approximately five years.

U.S. Attorney General John Ashcroft doesn’t support the notion that a raped woman should have the right to an abortion. And U.S. foreign policy does not include sanctions, even strongly stated warnings, against countries like Saudi Arabia where men are allowed to rape their wives, and married women raped by men other than their spouses are punished for adultery. In Pakistan, when a young woman was ordered raped by a tribal council as punishment when her brother was seen in public with a woman not in his family, the U.S. State Department took no action.

At the same time that it is no longer socially acceptable to blame or stigmatize a rape survivor for what has happened to her, it appears to be socially unacceptable to recognize her as a hero and honor her for survival. But that may be about to change, thanks, in large part, to Marris and Brooks, two rape survivors who demanded to be seen.

A day after she was rescued and her identity had been quickly masked in the media, Marris appeared on KABC, the local Los Angeles news station, to talk frankly, without embarrassment, about her ordeal. She revealed, among other details, the fact that she and Brooks had tried to escape by stabbing their abductor in the neck.

A few days later, Brooks and Marris both appeared on the “Today” show to tell the story of their capture and captivity, a gripping account in which they described being threatened with a loaded gun, smashing their abductor in the face with a whiskey bottle, and later watching him die.

When asked why they chose to talk about their experience, Brooks said that she wanted to do it, and came forward with the support of her parents, who braved some criticism about the decision. She and Marris, Brooks said, “want to get the message across to everybody to never give up on anything. If you ever give up, you’ve lost. Whatever obstacles you have, you’ve got to fight your way through it.”