Send a girl to Camp Reel Stories!

As of this posting, Camp Reel Stories, a summer camp in the Bay Area that teaches girls to create media, has raised $17,350 of their $20,000 goal. They have 59 hours to raise the rest of the funds. Please help. I donated money and I hope you, too, take this opportunity to help a girl tell her story.

From the IndieGoGo campaign:

WHAT IS CAMP REEL STORIES?

Camp Reel Stories believes that when women are better represented behind the scenes in the media, they will be better reflected on the screen. Camp Reel Stories is a non-profit summer program designed to empower 13-18 year old women with the skills to create their own media, to view current media critically and thoughtfully, and to aspire to leadership in their field. 

Here’s a repost of my interview with Camp Reel Stories founder, Esther Pearl.

Bay Area’s Camp Reel Stories teaches girls to make movies

Posted on February 14, 2014

Last year, Esther Pearl and Zoe Boxer founded Camp Reel Stories, a media camp in the Bay Area for girls ages 13 – 18. Excited by the concept and curious about how the camp helps girls turn big dreams into practical action, I interviewed Pearl. Her responses are below. I cannot wait until my kids are old enough to experience this magical place.

What inspired you to found Camp Reel Stories?

 

I have worked in film and media production for 15 years, and though I really loved my work I was often disappointed in the lack of female characters on the projects I worked on and how few female colleagues I had.  When I became a parent to a little girl I dug deeper into this inequity and what I found was astonishing.

 

From 2006 to 2009, not one female character was depicted in G-rated family films in the field of medical science, law, politics, or as a business leader. In these films, 80.5% of all working characters are male and 19.5% are female, which is a contrast to real world statistics, where women comprise 50% of the workforce[1]. Even more staggering is the fact that this ratio, as seen in family films, is the same as it was in 1946. These statistics are enormously detrimental to young women’s impressions of themselves and their perceived value in the world. While this is disheartening, this also means there is a vast untapped market for both talent and products that represent the diversity of our society.

 

I look at this as a great opportunity to create change in not only the lack of equity in the industry, but a creative opportunity to create new filmmakers and producers that are excited about creating characters and storylines that interest them.

My partner and I created Camp Reel Stories (CRS) as a fun way to connect young women with professional mentors, give them story telling and production skills to tell stories that reflect their unique point of view, while incorporating media literacy and leadership workshops. CRS believes that when women and girls are better reflected behind the scenes they will be better reflected on the screen.

What do you teach the girls during the sessions? What do you think they get out of their time at the camp?

 

Our campers get a lot!  They learn filmmaking and production from leaders in the field, they take media literacy and leadership workshops. The girls work in small teams and have an adult producer that guides them the process and in just one week they write, shoot and edit a short film.  Last year we had six films completed and this year we will have even more! They also have the collaboration and creative skill building process mirrored for them as they see they professional mentors work together to create not only great short films, but a fun camp experience.

How many campers attend?

In 2013 we held our inaugural camp and we had 32 campers.  This year we will have 2 summer camps and can take up to 90 girls, and those spaces are filling fast.  You can apply at http://campreelstories.com/apply

What do the alumni go on to do?

Thus far we have 50% of of campers signed up again this year.  We have elected 2 student board members from our first cohort to the CRS board to help grow our organization.  Two of CRS films were accepted into a local film festival and were screened for a huge audience just this past Friday night and other festivals have asked me to submit their work.  100% of attendees surveyed from the CRS pilot camp said through CRS they learned how gender equity in the media affects the way women are perceived in the media, 85% now view the media more critically and 92% felt more comfortable in their leadership ability, felt their skills as filmmakers improved and plan to continue making films. 20% of our campers have made changes or created an educational plan for a career in the media.

 

Also many of our campers have used what they learned in camp to speak to their classes and schools about gender inequity in the media, sharing knowledge about the Bechdel test and to organize screenings of films with strong female characters.

What are some examples of media that you think promotes positive images or girls and women?

This is a tough one, because as an adult and a parent of young children I have a different lens than our campers about what a positive image is.  The media has made it harder and harder to decipher between a celebrity and a role model.  This is something I talk about a lot with my own kids and with our campers.  There is a difference between a Kardashian and an actress, it’s important to acknowledge that.

Personally I have seen a lot of films that have really interesting characters and relationships that wouldn’t always be appropriate for a younger audience and I like complicated characters.  Recently I saw and loved, Enough Said, Short Term 12, The Bling Ring, Philomena and Frances Ha.

With my daughter and son I find it so hard to find interesting characters in films that we all can enjoy.  We all really like the Miyazaki films and we are introducing films from awhile ago since the pickings are slim currently.  Some of those are Bend it like Beckham, Black Stallion, Mary Poppins. And everyone loved Brave and Despicable Me.

The campers also seem to be able to access to Netflix, Hulu and other online resources to search out media that they can relate to.  I was surprised that so many teenagers were familiar with some 80 and 90s classics, such as Breakfast Club, Harold and Maude, Amelie since they can’t find a lot of current media they can relate to.

What do you do during the rest of the year? Do you plan to expand? What are your goals for the camp?

The rest of the year is spent planning the future of Camp Reel Stories.  This year we will triple in size, we will offer 2 summer camps and an afterschool program in the fall. 40% of our campers are on financial aid so I am always fundraising to make sure that anyone that wants to attend can. The films from last year have been entered in several film festivals and now are being selected and screened.  I also try to collaborate with as many like minded organizations as possible.

We hope to offer camps in other locations the just the Bay Area in 2015 and we are researching those opportunities now.

What is a typical day at camp like?

Each day is a little different, but we incorporate icebreaking and leadership activities into every morning.  The girls are on an accelerated schedule, so they have to get to know one another AND learn filmmaking quickly so that they can get to creating their films.  Everyday they learn about some part of the creative process and immediately get hands on experience in that area.  On Monday morning 30-40 girls who don’t know one another walk into a room, but the end of the day the have formed a small team and have an idea of what they want to make. That process is impressive and we are amazed at how quickly the girls can set aside their differences to get on to the creative process.

Tuesday they learn storyboarding, audio and video and work with their team to finalize their story.  They also take a media literacy workshop so that they can see the direct correlation to the lack of representation both behind and in front of the camera. Wednesday they shoot, Thursday they learn to edit, and they edit a rough cut of their project and then at the end of the day show it to their fellow campers and get creative feedback.  Friday they fix, by either reshooting or reediting, anything that they want and on Saturday they screen it at a Camp Reel Stories film festival which 250 people attend.

It is amazing to see these young women come out of their shell in the course of the week and I can’t wait to see what this year brings.  We are restructuring a bit since we got requests for both more time to shoot and more media literacy.

It sounds like a lot of work, but we also have a lot of fun. In the end we are so proud of the work that the campers have done and the community created, not only with the campers, but with our volunteers, professional mentors and families.  It’s quite exciting to see everyone fired up to create media that is more interesting and reflects the diverse fabric of our lives.

 

Visit Camp Reel Stories here.

Donate here.

 

 

List of 55 colleges under federal investigation for mishandling sexual assault

Here’s the list of the 55 colleges under federal investigation for mishandling sexual assault. Is your college on the list? My alma mater, University of Colorado at Boulder is here. If you are also an alumna, tell the institution you will donate no funds until they take action to protect the human rights of their students. If you are a student or if your child is a student, or if you know or care about a student at one of these institutions, contact the school and make your voice heard. Do something to end the epidemic of violence against women and girls in the USA.

•Arizona State University

•Butte-Glen Community College District

•Occidental College

•University of California-Berkeley

•University of Southern California

•Regis University

•University of Colorado at Boulder

•University of Colorado at Denver

•University of Denver

•University of Connecticut

•Catholic University of America

•Florida State University

•Emory University

•University of Hawaii at Manoa

•University of Idaho

•Knox College

•University of Chicago

•Indiana University-Bloomington

•Vincennes University

•Amherst College

•Boston University

•Emerson College

•Harvard College

•Harvard University – Law School

•University of Massachusetts-Amherst

•Frostberg State University

•Michigan State University

•University of Michigan-Ann Arbor

•Guilford College

•University of North Carolina at Chapel Hill

•Minot State University

•Dartmouth College

•Princeton University

•Cuny Hunter College

•Hobar and William Smith Colleges

•Sarah Lawrence College

•Suny at Binghamton

•Denison University

•Ohio State University

•Wittenberg University

•Oklahoma State University

•Carnegie Mellon University

•Franklin and Marshall College

•Pennsylvania State University

•Swarthmore College

•Temple University

•Vanderbilt University

•Southern Methodist University

•The University of Texas Pan-American

•College of William and Mary

•University of Virginia

•Washington State University

•University of Wisconsin-Whitewater

•Bethany College

•West Virginia School of Osteopathic Medicine

Start your summer reading early: Pick up ‘Redefining Girly’

UPDATED POST: REDEFINING GIRLY BLOG TOUR!

The Internet spreads all kinds of social ills, from cyberbullying to mainstreaming hardcore pornography, but for me, the good far outweighs the bad, because I’ve “met” people like the excellent and amazing author of Redefining Girly, Melissa Wardy. Melissa’s blog and online community are a truly invaluable resource that support protecting childhood and raising healthy kids. Now, lucky you– she’s written a book.

From author Melissa Wardy: Hi Margot and hello to all of your Reel Girl readers. I’m so thrilled to be making a stop on the Redefining Girly Blog Tour at one of the blogs that I personally really love. I hope all of you enjoy reading Margot’s thoughts on my new book Redefining Girly: How Parents Can Fight the Stereotyping and Sexualizing of Girlhood, Birth to Tween and at the end of the post find out how you can win one of two Redefine Girly t-shirt gift packs.

copy-redefininggirly_cover2

Melissa started her children’s clothing company, Pigtail Pals and Ballcap Buddies, not long after her daughter was born, because she couldn’t find a single onesie that showed a girl with an airplane. Really not cool, especially when she named her child after Amelia Earhart. On her site, Melissa writes:

Pigtail Pals was born in May 2009 with the mission to Redefine Girly! I believe girls need to see messages in early childhood that show females being smart, daring, and adventurous. As the saying goes, “You can’t be what you can’t see.”

 

What I love about Melissa is that she walks her talk. A mom can tell her daughters all day long that pretty isn’t the most important thing about them, but if she’s obsessed with her appearance and dieting, what is she showing her kids about her values? The sad truth of parenting is that actions matter more than words, and kids learn from what they experience, not from what they hear you talk at them. That, in my opinion, is the hardest thing about being a mom: trying not to be a hypocrite. Notice I write trying, which brings me to why I value Melissa’s book and believe it’s essential reading for every parent. She helps me to not be a hypocrite and– this is super important–  to be kind as well. I know how to be reactive, to tell the truth and be angry about it (as Gloria Steinem famously said, “The truth will set you free, but first it will piss you off.)” I’m not always sure how to effectively handle a sweet teacher who tells my daughter every morning how pretty she is, a “princess party” birthday invitation sent by a best friend, or a proposed “playdate” to the mall.

In 2014, the world our children live in is horribly sexist, a place where teachers, doctors, and family, often the people your children love and respect, indoctrinate them to expect and accept all kinds of gender stereotypes. But thanks to Melissa, you don’t have to cave in or isolate. You actually have choices in how you respond and act. Knowing this is liberating and calming. Melissa helps families transition from victims of gender stereotyping to creative heroes who are redefining a nd restoring childhood for our kids. For example, Melissa teaches you how to redefine girly in your own home, again by showing kids a new way with, for example, a hands on dad in the family who does laundry, by encouraging her son to play with dolls, by being a mom who uses tools and fixes things (along with cooking and cleaning), by eating desert with her kids and enjoying it. She gives advice on what to do if a friend or family member gives you hand me down clothes or toys that don’t fit with your ideal:

We’ll say “Thank you so much for thinking of us” and then politely decline or donate away items that carry messages that don’t fit with our family morals.

 

Simple, right? Yet, so many of us get tongue tied. Melissa’s book is full of useable, practical advice. With her signature combination of compassion and unflinching directness, Melissa gives tips for how to get friends and family on board. First, she reminds you: what you are doing is important. You are not insane. If you care about redefining girly, have no doubt that people will tell you the sexism that you see hurting children is trivial or doesn’t exist at all. Melissa writes:

Remember that you are not alone or crazy for seeing problems with the emotionally toxic ways our culture treats girls. The Resources section at the end of this book is full of alternatives, information, and the names of experts who can help. Our daughters deserve a girlhood free of harm and limitations.

 

Melissa lists specific tips on how to deal with criticism of your views:

Have a prepared team response you and your parenting partner will use that lets family know this is an issue you take seriously and that you want to have your wishes respected. My husband and I use “We want Amelia to be healthy and happy and we feel this is the best path to achieve that.” (We use the same message for our son.)

 

Have fun alternatives ready to suggest to family and friends who bring media into your home that you feel are unhealthy. This way you are not just saying no to their media, you are saying yes to healthier choices.

 

Have a secret signal for your kids to use so they can communicate to you that they need to ask you a question or talk to you about something later (like a baseball coach signal– helpful when a gift is given or a comment is made that your kids know goes against what you teach in your home.)

 

Melissa also has great one-liners that come in handy including: colors are for everyone, pretty’s got nothing to do with it, toys are made for kids not genders, there are many ways to be a boy/ girl.

Excellent sections in the book include: Encouraging kids at play– the Diverse Toy Box, Around the Kitchen Table– Fat Talk and Body Image, Using Your Voice and Consumer Power To Fight the Companies Making Major Missteps, and my favorite– Becoming the Media You Want to See.

I can’t recommend this book more. Not only will it help you redefine girly, but it shows you how to have fun and be happy while you’re changing the world. I’ve been trying to blog about this book since it came out in January and I tore through it, but it was too damn hard because I wanted to quote the entire thing. Today, I set myself a time limit and my time is up. (I only got through my notes on the first couple chapters.) So I’ll end with THANK YOU MELISSA. I think you’re about 10 years younger than me, but you’re my role model. I can’t wait to see what you do next.

Reel Girl rates Redefining Girly ***HHH***

From author Melissa Wardy: Thank you Margot for those wonderful words about my book. It is an honor to receive accolades from such a well-versed writer in this area but also from a woman and mom whom I highly respect. I would love to hear from your audience now and have them share either something they have learned from Redefining Girly if they have already read it, or have them describe an issue/concern they have currently with their daughter that they are hoping to learn more about when they do read the book. I’ll pick two winners to receive a Redefining Girly t-shirt gift pack (two tees + shipping). Winners will be chosen Friday May 30 at 8pm PST so make sure to get a comment in before then! Okay Reel Girl readers, what are your thoughts on Redefining Girly?”

 

‘Children learn most from what they see going on around them’

You’ve got to read the entire, excellent post about John Abbott, the director of the 21st Learning Initiative. Abbot basically is saying that we’ve got to turn education on its head. Right now, schools are training kids to be dependent on authority figures.

Research has confirmed what most parents of young children can already see for themselves — that children are born to learn, rather than to be taught, as Abbott puts it. Driven by an inborn desire to make sense of the world and find purpose in life, they naturally observe, deconstruct, piece together and create their own knowledge. They learn best when this intrinsic motivation is harnessed in what he calls “highly challenging but low-threat environments.”…

Children learn most from what they see going on around them,” he explains. “We become who we are based on things around us that we admire or not. Children don’t just turn their brains on when they go to school.”

 

Ok, now, really, back to writing…

Bay Area’s Camp Reel Stories teaches girls to make movies

Last year, Esther Pearl and Zoe Boxer founded Camp Reel Stories, a media camp in the Bay Area for girls ages 13 – 18. Excited by the concept and curious about how the camp helps girls turn big dreams into practical action, I interviewed Pearl. Her responses are below. I cannot wait until my kids are old enough to experience this magical place.

What inspired you to found Camp Reel Stories?

 

I have worked in film and media production for 15 years, and though I really loved my work I was often disappointed in the lack of female characters on the projects I worked on and how few female colleagues I had.  When I became a parent to a little girl I dug deeper into this inequity and what I found was astonishing.

 

From 2006 to 2009, not one female character was depicted in G-rated family films in the field of medical science, law, politics, or as a business leader. In these films, 80.5% of all working characters are male and 19.5% are female, which is a contrast to real world statistics, where women comprise 50% of the workforce[1]. Even more staggering is the fact that this ratio, as seen in family films, is the same as it was in 1946. These statistics are enormously detrimental to young women’s impressions of themselves and their perceived value in the world. While this is disheartening, this also means there is a vast untapped market for both talent and products that represent the diversity of our society.

 

I look at this as a great opportunity to create change in not only the lack of equity in the industry, but a creative opportunity to create new filmmakers and producers that are excited about creating characters and storylines that interest them.

My partner and I created Camp Reel Stories (CRS) as a fun way to connect young women with professional mentors, give them story telling and production skills to tell stories that reflect their unique point of view, while incorporating media literacy and leadership workshops. CRS believes that when women and girls are better reflected behind the scenes they will be better reflected on the screen. 

What do you teach the girls during the sessions? What do you think they get out of their time at the camp?

 

Our campers get a lot!  They learn filmmaking and production from leaders in the field, they take media literacy and leadership workshops. The girls work in small teams and have an adult producer that guides them the process and in just one week they write, shoot and edit a short film.  Last year we had six films completed and this year we will have even more! They also have the collaboration and creative skill building process mirrored for them as they see they professional mentors work together to create not only great short films, but a fun camp experience.

How many campers attend?

In 2013 we held our inaugural camp and we had 32 campers.  This year we will have 2 summer camps and can take up to 90 girls, and those spaces are filling fast.  You can apply at http://campreelstories.com/apply

What do the alumni go on to do?

Thus far we have 50% of of campers signed up again this year.  We have elected 2 student board members from our first cohort to the CRS board to help grow our organization.  Two of CRS films were accepted into a local film festival and were screened for a huge audience just this past Friday night and other festivals have asked me to submit their work.  100% of attendees surveyed from the CRS pilot camp said through CRS they learned how gender equity in the media affects the way women are perceived in the media, 85% now view the media more critically and 92% felt more comfortable in their leadership ability, felt their skills as filmmakers improved and plan to continue making films. 20% of our campers have made changes or created an educational plan for a career in the media.

 

Also many of our campers have used what they learned in camp to speak to their classes and schools about gender inequity in the media, sharing knowledge about the Bechdel test and to organize screenings of films with strong female characters.

What are some examples of media that you think promotes positive images or girls and women?

This is a tough one, because as an adult and a parent of young children I have a different lens than our campers about what a positive image is.  The media has made it harder and harder to decipher between a celebrity and a role model.  This is something I talk about a lot with my own kids and with our campers.  There is a difference between a Kardashian and an actress, it’s important to acknowledge that.

Personally I have seen a lot of films that have really interesting characters and relationships that wouldn’t always be appropriate for a younger audience and I like complicated characters.  Recently I saw and loved, Enough Said, Short Term 12, The Bling Ring, Philomena and Frances Ha.

With my daughter and son I find it so hard to find interesting characters in films that we all can enjoy.  We all really like the Miyazaki films and we are introducing films from awhile ago since the pickings are slim currently.  Some of those are Bend it like Beckham, Black Stallion, Mary Poppins. And everyone loved Brave and Despicable Me.

The campers also seem to be able to access to Netflix, Hulu and other online resources to search out media that they can relate to.  I was surprised that so many teenagers were familiar with some 80 and 90s classics, such as Breakfast Club, Harold and Maude, Amelie since they can’t find a lot of current media they can relate to.

What do you do during the rest of the year? Do you plan to expand? What are your goals for the camp?

The rest of the year is spent planning the future of Camp Reel Stories.  This year we will triple in size, we will offer 2 summer camps and an afterschool program in the fall. 40% of our campers are on financial aid so I am always fundraising to make sure that anyone that wants to attend can. The films from last year have been entered in several film festivals and now are being selected and screened.  I also try to collaborate with as many like minded organizations as possible.

We hope to offer camps in other locations the just the Bay Area in 2015 and we are researching those opportunities now.

What is a typical day at camp like?

Each day is a little different, but we incorporate icebreaking and leadership activities into every morning.  The girls are on an accelerated schedule, so they have to get to know one another AND learn filmmaking quickly so that they can get to creating their films.  Everyday they learn about some part of the creative process and immediately get hands on experience in that area.  On Monday morning 30-40 girls who don’t know one another walk into a room, but the end of the day the have formed a small team and have an idea of what they want to make. That process is impressive and we are amazed at how quickly the girls can set aside their differences to get on to the creative process.

Tuesday they learn storyboarding, audio and video and work with their team to finalize their story.  They also take a media literacy workshop so that they can see the direct correlation to the lack of representation both behind and in front of the camera. Wednesday they shoot, Thursday they learn to edit, and they edit a rough cut of their project and then at the end of the day show it to their fellow campers and get creative feedback.  Friday they fix, by either reshooting or reediting, anything that they want and on Saturday they screen it at a Camp Reel Stories film festival which 250 people attend.

It is amazing to see these young women come out of their shell in the course of the week and I can’t wait to see what this year brings.  We are restructuring a bit since we got requests for both more time to shoot and more media literacy.

It sounds like a lot of work, but we also have a lot of fun. In the end we are so proud of the work that the campers have done and the community created, not only with the campers, but with our volunteers, professional mentors and families.  It’s quite exciting to see everyone fired up to create media that is more interesting and reflects the diverse fabric of our lives.

 

Visit Camp Reel Stories here.

 

[1] http://www.seejane.org/research

All facts are supported by research conducted by Dr. Stacy Smith, Ph.D. at the USC Annenberg School for Communication & Journalism

WWII’s ‘nasty and aggressive campaign by male pilots’ carried on by Disney’s ‘Planes’ in 2013

Yesterday, I posted about the upcoming documentary on the forgotten female pilots from WW2: “We Served Too: The Story of Women Air Force Pilots of World War II.” From the film:

These women flew over 60 million miles within a 2 year period…However, after a nasty and aggressive campaign by male pilots who wanted the WASPs’ jobs, they were the only wartime unit that was denied military status by congress…For many years the WASPs kept their achievements quiet. Their service in World War II would only be known by a few. They are not mentioned in our history books, nor is their story taught in schools.Their accomplishments of being the first women to fly in the military would even be forgotten.

 

I haven’t seen the documentary yet, so I don’t know the details of the “nasty and aggressive campaign by male pilots” which successfully erased the stories of these female heroes from our history books. But I am somewhat of an expert on current kid culture, and I can tell you that stories about female heroes continue to go missing right now.

In a recent post about Disney’s transformation of the story of “The Snow Queen” to “Frozen” I wrote:

Thousands of years ago, conquering armies smashed the idols of their victims and stole their stories, an extremely effective tactic to destroy a community and steal its power. Christians did this to pagans, but of course, this act is all over history. Just like the goddess morphed into the Virgin, girls are going missing under the guise of celebration. Right now, in 2013, Disney is stealing and sanitizing stories. It’s an annihilation. How long before we all forget the original story? Will our children ever hear it?

 

I am reeling from this WW2 story, not because of the sexism of the past, but because of the sexism today. Want to see some sexist male pilots? Check out this preview from Disney’s recent hit, “Planes.”

Plane One: What’s taking this guy so long? Is he really as good as he says he is?

Plane Two: No, better.

Plane One: Whoa! Who was that?

Plane Three: (Descending fast on top of the other two) Well, hello ladies! Ready to lose?

 

Plane Three goes on to leave the “ladies” in the dust.

 

 

When I saw that preview with my three young daughters, I thought the plane who mocks the slow flyers by calling them “ladies,” was having a moment of arrogance. The movie would redeem him when he went through his transition. But when I actually saw the movie, I learned that I couldn’t have been more wrong. The sexist joke is his fantasy, the fantasy of a humble crop duster with a fear of heights who wishes he were a racer. It’s the dream sequence of a “likeable” character. Can you imagine a hero making a racist joke and being likeable? In a movie for little kids? Yet, that’s how much sexism we have to wade through before a female flyer is allowed to win a race in animation.

Yesterday, I posted about a three year old girl in my daughter’s preschool who told a teacher she can’t be a pilot, but she can be a pilot’s wife. You can tell your kids, until you’re blue in the face, that they can be anything they want to be, but if you don’t show them, through images and stories, they won’t believe you. They won’t believe in themselves. Little girls are obsessed with princesses and ballerinas, and later, supermodels, because those are the few times females are allowed to be the star in the show. Everyone wants to be the star in their own movie, their own life, but girls, again and again, are literally, pushed to the sidelines.

If you look at the erasure of these female pilots from World War II, the government obviously participated in the sexism. Allowed it to happen and sanctioned it. This is not an isolated event of the past. How can we, literally, sit back and watch it happen again and again?

On my recent post about WW2 pilots, I got this comment from Abnoba

Lots of women in war have been missing and rarely mentioned in history books, and especially in movies.
There were women fighting in the USA Civil War
http://www.smithsonianmag.com/history-archaeology/The-Women-Who-Fought-in-the-Civil-War.html
http://www.dailymail.co.uk/news/article-2285841/The-women-fought-men-Rare-Civil-War-pictures-female-soldiers-dressed-males-fight.html
There were samurai women
http://en.wikipedia.org/wiki/Onna-bugeisha
The most powerful pirate of all the times was a woman
http://en.wikipedia.org/wiki/Ching_Shih
and there were female pirates
http://en.wikipedia.org/wiki/Women_in_piracy
Even if they have to dress as a man, take the arms of a fallen soldier in a battle or work as a spy, there were women fighting in every war, because they have to defend themselves, their families and their homes, of course that they are not going to stay at home, just waiting and being killed, but you rarely see that in historical movies.

 

This from Mecano:

WASPs were great but the women pilots of WWII who were truly baptised in battle were those of the Soviet Air Forces.True warriors .I have many books about them.
Check
http://en.wikipedia.org/wiki/Lydia_Litvyak
http://en.wikipedia.org/wiki/Night_Witches

http://www.amazon.com/Dance-Death-Soviet-Airwomen-World/dp/1585441775/ref=la_B001KJ2H9M_1_1?s=books&ie=UTF8&qid=1383833768&sr=1-1

http://www.amazon.com/Red-Sky-Black-Death-Eastern/dp/0893573558/ref=pd_sim_b_3
http://www.amazon.com/Wings-Women-War-Airwomen-Studies/dp/0700615547/ref=pd_sim_b_2

British women also flew.Check for “Spitfire women”
http://www.bbc.co.uk/programmes/b00tw1m1
http://www.amazon.co.uk/Spitfire-Women-World-War-II/dp/0007235364

 

And here’s a comment from my post on “Planes.”

“The actual race in Planes is totally dominated by male competitors.” How shocking! You mean in real life the actual race is not dominated by male competitors?… This stuff is silly nonsense.
This feminist whine that animated movies for kids should reflect “progressive feminist” values is the kind of thing that gives feminism a bad name. Why? Because it’s silly overreach as usual.
The idea that animators see machines that race (airplanes, cars, dunebuggies, drag racers, etc.) as a male world isn’t an irrational sexist bias – it’s simply reality. Males – and especially boys – are by nature gung ho about machines to a degree that girls are not is obvious to anyone not wearing feminist blinders. That it’s necessary to point this out these days is a comment on the nuttiness of the feminist whiners who are constantly arguing that these natural differences are not natural but socially imposed. It’s B.S. Boys and girls are different from head to toe and always have been and always will be.

Please show this picture to your kids. It’s likely they won’t see it anywhere else.

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Art creates reality: Imagining gender equality in the fantasy world

Some good quotes here. Let me know what you think

Bono on Jay-Z in November’s Vanity Fair:

In music, we love the idea of the screwed-up, shooting-up. fucked-up artist. The one bleeding in the garret having cut his own ear off. Jay-Z is a new kind of 21st-century artist where the canvas is not just the 12 notes, the wicked beats, and a rhyming dictionary in his head. It’s commerce, it’s politics, the fabric of the real as well as the imagined life.

 

Stephen Mitchell in Can Love Last, the Fate of Romance Over Time

It is the hallmark of the shift in basic psychoanalytic sensibility that the prototype of mental health for many contemporary psychoanalyitc authors is not the scientist but the artist. A continual objective take on reality is regarded as neither possible nor valuable in contrast to the ability to develop and move in and out of different perspectives of reality.

 

New York Times, October:

Public narratives about a career make a difference. The most common career aspiration named on Girls Who Code applications is forensic science. Like Allen, few if any of the girls have ever met anyone in that field, but they’ve all watched “CSI,” “Bones” or some other show in which a cool chick with great hair in a lab coat gets to use her scientific know-how to solve a crime. This so-called “CSI” effect has been credited for helping turn forensic science from a primarily male occupation into a primarily female one.

Jezebel reacting to New York Times piece:

The New York Times today would like to suggest that storytelling is powerful, that, in the whole art/life dynamic, it’s life that imitates art, not the other way around, at least not when it comes to kids imagining viable career paths for themselves.

 

Whoopi Goldberg:

Well, when I was nine years old Star Trek came on. I looked at it and I went screaming through the house, ‘Come here, mum, everybody, come quick, come quick, there’s a black lady on television and she ain’t no maid!’ I knew right then and there I could be anything I wanted to be.

 

In the fantasy world, anything is possible, so why do little kids see so few female heroes and female protagonists on TV and in the movies? While boy “buddy stories” are everywhere you look, why is it so hard to see two females working together to save the world? Why are females, half of the kid population, presented as a minority in fantasy world? Why are TV shows, movies, and books about boys “for everyone” while shows and movies about girls “just for girls?” When we pass on stories to our kids, what are we teaching them about gender, about who they are right now and who they will become?

One more quote for you from neuroscientist, Lise Eliot:

“Babies are born ready to absorb the sounds, grammar, and intonation of any language, but then the brain wires it up only to perceive and produce a specific language. After puberty, its possible to learn another language but far more difficult. I think of gender differences similarly. The ones that exist become amplified by the two different cultures that boys and girls are immersed in from birth. This contributes to the way their emotional and cognitive circuits get wired.”

Eliot believes: “Simply put, your brain is what you do with it.”So let’s all use our brains to imagine gender equality in the fantasy world, take actions to manifest that vision, and see what happens next. I bet it’ll be amazing.

Mom writes teacher about gender bias in homework

Ever noticed your children’s homework shows boys playing sports while girls bake cookies? It drives me bats. I’m so happy that mom, Elizabeth Mandel, wrote a letter to her child’s teacher about gender bias in homework. All of us should do this. Here’s part of her letter:


My daughter is absolutely thriving in your classroom. As you know, she has a particular affinity for math, and she adores doing math homework (I hope she feels like this about homework forever).


While sitting with her while she was doing her math homework tonight, I noticed that in the examples, Shawn and Mike have robots and baseballs, while Lucy makes sandwiches for her friends. As I mentioned when we met last month, I am very invested in keeping my daughters, and all girls, interested in STEM subjects, and in diminishing the subtle cues that contribute to the gender gap in all areas. I strongly feel, and I am supported by research that shows, that subtle cues that assign boys certain interests and girls certain interests are absorbed by young children and impact how they see their roles in the classroom and in society at large.

Thank you, Elizabeth, for this letter. Thank you to Pigtail Pals for posting it. You can read the rest of the letter and information about the teacher’s reply on Pigtail Pals Facebook page.

Art teacher for kids says ‘almost without fail, girls create male characters’

Lori comments on Reel Gir’s post Speaking of art as derivative:

I teach clay classes for kids, and we often do character sculptures. I encourage the kids to create characters and make up stories about them, and almost without fail, the girls will create male characters. If they do make female characters, they always have long hair, a dress, and big eyelashes, and are defined by how pretty they are, or some romantic plot point. Any monsters or animals were male by default. I actually ended up running a couple of workshops specifically aimed at girls to encourage them to create stories about female protagonists, and to talk about gender stereotypes in storytelling because of this. It’s so pervasive, they don’t even realize they’re doing it, or that they are free to create anything different.

 

This makes me so sad about the limits gender bias in our culture is putting on children’s imaginations. Lino DiSalvo and co, do you see the problem now? What are you going to do about it?

Malala asks: ‘Why should I wait for someone else? Why don’t I raise my voice?

Jon Stewart asks Malala Yousafzai, the 16 yr old activist for girls education who was shot in the head by the Taliban, how she found the courage to speak out. She replies:

Why should I wait for someone else? Why should I be looking to the government, to the army, that they would help us. Why don’t I raise my voice? Why don’t we speak up for our rights? The girls of Swat, they spoke up for their rights. I started writing daily. I spoke out on every media channel that I could, and I raised my voice on every platform that I could. I said I need to tell the world what is happening in Swat.

 

Malala didn’t wait around for someone to else to tell her story for her. She rescued herself through the act of writing and speaking. She risked telling the truth about her life and telling it publicly, and in doing so, she is changing the world. Please show this video to your children and teach them to do the same. I can’t wait to get Malala’s book and show it to my daughters as well.

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