After Woody Allen received the Cecil B. DeMille award, the debate in mainstream media went like this: Can you honor a man’s art when you don’t like the man?
What the fuck? Giving Woody Allen a lifetime achievement award, having Diane Keaton accept it for him in a speech where she talks about how great he’s been for women is like being in an insane hall of mirrors. Her inane song. “Make new friends but keep the old,” implying we should be loyal to Allen literally makes me sick. This is exactly what abuse survivors go though. Kids (and this includes adult survivors) are told: Your experience isn’t real, never happened, and doesn’t matter. The award/ ceremony goes way beyond the man vs his art, confirming that in Hollywood, women’s experiences just don’t matter. Women’s stories are not worth telling. In fact, they didn’t happen. Women’s lives are invisible.
How does Hollywood promote that lie, make it seem real, confirm that women’s narratives don’t exist? Women, who are half of the population, except for a rare exception, get to be on the sidelines in the film industry, shoved to the margins, in sexualized and supporting roles, if they get to exist at all.
The Celluloid report just released these stats (from Women and Hollywood)
- Women accounted for 16% of all directors, executive producers, producers, writers, cinematographers, and editors. This represents a decrease of two percentage points since 2012 and a decrease of one percentage point from 1998.
- Women comprised 6% of all directors working on the top 250 films of 2013. This represents a decrease of 3 percentage points from 2012 and 1998.
- Women accounted for 10% of writers working on the top 250 films of 2013. This represents a decrease of 5 percentage points from 2012 and a decrease of 3 percentage points from 1998.
- Women comprised 15% of all executive producers working on the top 250 films of 2013. This represents a decrease of 2 percentage points from 2012 and three percentage points from 1998.
- Women accounted for 25% of all producers working on the top 250 films of 2013. This figure is even with 2012 and represents an increase of 1 percentage point from 1998.
- Women comprised 17% of all editors working on the top 250 films of 2013. This represents a decrease of 3 percentage points from 2012 and 1998.
- Women accounted for 3% of all cinematographers working on the top 250 films of 2013. This represents an increase of one percentage point from 2012 and a decrease of one percentage point from 1998.
- Women comprised 2% of all composers working on the top 250 films of 2013.
- Women accounted for 23% of all production designers working on the top 250 films of 2013. This represents an increase of 3 percentage points from 2008.
- Women comprised 4% of all sound designers working on the top 250 films of 2013. This represents a decrease of 1 percentage point from 2008.
- Women accounted for 9% of all supervising sound editors working on the top 250 films of 2013. This represents an increase of 4 percentage points from 2008.
- Women comprised 2% of all special effects supervisors working on the top 250 films of 2013.
- Women accounted for 5% of all visual effects supervisors working on the top 250 films of 2013.
Director Lexi Alexander writes about sexism in the film industry. Before her post, Women and Hollywood founder Melissa Silverstein writes:
Editor’s Note: The post below is very important. This is a woman director standing up for herself and other women directors. She does this at great peril, but it is so important that women directors stand up and share their experiences because the more women that stand up the less chance there is for one women to be held responsible for speaking truth to power.
Alexander writes:
There is no lack of female directors. Repeat after me: THERE IS NO LACK OF FEMALE DIRECTORS. But there is a huge lack of people willing to give female directors opportunities. I swear, if anyone near me even so much as whispers the sentence “Women probably don’t want to direct,” my fist will fly as a reflex action…Women in Hollywood have no male allies. There are some who pretend to be on our side, but yeah, not really. They may say the right thing because, after all, they’re liberals and that’s a public image they’d like to keep up. Others may actually believe in gender equality, but are not willing to put up a fight for it that could sacrifice their own status or relationships.
Whether you are a female director who has experienced sexism or a survivor of abuse, a woman writer or artist or filmmaker, in spite of what the world tells you, your experiences matter. Keep telling your story. Tell it publicly. The world needs to hear women’s voices.
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