On 10.20.15, students and alumni of the Mills College Book Art program got word that within 30 days the program might be completely cut. The program has existed for over 35 years, benefiting hundreds of students in the fields of book arts, bookbinding, and printmaking, and letterpress. My mother, Jill Tarlau, is a bookbinder and a graduate of the Book Art program at Mills. She wrote the blog below in response to the threat to end the program. Known for her work with needlepoint, the photos are of books she’s bound. At the end of the post, there’s a link to a petition to save the program. As of this posting, over 2,500 have signed. Please consider adding your name.
In 1983 my teenager daughters advised me to get a life.
It was the first year of the Book Art Masters program at Mills College, where I had been as an undergraduate from 1961-1965. As an English major I had been, of course, into books.
At that time my focus was on content, but I already cared about design, preferring to read Moby Dick in an attractive, hard cover edition for a little more money rather than struggle through yellow paper, gray type, and a spine that disassembled after the first 100 pages. Almost twenty years later, it was time to discover what contributed to book design.
Mills had unique advantages, already gifted the Florence Walter bindery, already famous examples of beautiful books in the Bender room, already its own type fonts and press. Also the Bay Area had for decades been a center for some of the greatest American fine presses, (The Allen, Tuscany Alley and Arion) several still functioning. Commercial publishers such as North Point employed experts willing to discuss with our class cover design, layout. What a lucky spot for me.
My degree took three years to complete. That final printing project is a story written my youngest daughter, illustrated by my oldest, with notes on the author set in type letter by letter on the back cover by my middle child.
Out of the many disciplines learned, I chose to pursue bookbinding, moving to Paris to concentrate on my career. I am proud to say that my embroidered bindings are in the collections of many French libraries, including the Bibliotheque Nationale, libraries of several other countries, Morocco, Luxembourg, Belgium, universities in the United States, Princeton, Harvard, and private collections.
The seriousness of the Book Art program at Mills, and the difficulties I had in fulfilling its requirements, got me to take my own possibilities more seriously. All I wanted was to be the best.
Mills College can’t afford a medical school, or a law school. It can and does have the very best book arts program in the country. Don’t give up that honor!
My fiftieth reunion was in September. I was so proud of my college, but today, with this devastating news, I am so ashamed.
Please sign the petition to save the Mills College Book Art program.