Commenters are defending the Tintin movie, writing that creator Herge’s sexism was simply a product of his times.
Margot, you are aware that Hergé wrote most of his comic books (including the three on which the film is based) before WWII, at a time when women in his home country of Belgium as in many others didn’t even have the right to vote? Of course his work reflects the prejudices of that era, not only towards women but towards just about everyone who wasn’t a white Christian male (the most egregious example being Tintin in the Congo)!
Would Steven Spielberg adapt Herge’s racist views (“of his times”) expressed in Tintin in the Congo to make a movie in 2012 and market that movie to kids?
Of course not. No one would see it. People would be horrified. Herge’s racist views are universally recognized as the aberration that they are. Why is Herge’s “dated” sexism celebrated in a loyal adaptation from one of our most acclaimed directors?
There are two answers, both are true. The first one is that in 2012 sexism is, in many ways, just as accepted and “normal” as it was in 1932. Women are humiliated and degraded all the time, but while racism is seen as a political issue, sexism is still seen as a “cultural” one.
The second, less controversial explanation is that in Herge’s comics, he directly degrades and humiliates Africans whereas his sexism mostly manifests as an omission. His racism is worse. Herge believes women have no place in his imaginary world. Is that offensive? Is it even sexist?
It’s an annihilation.
What is remarkable about this annihilation, and what I was writing about, is that it’s consistent with the casts of most animated movies made today. A story originally created by an artist who spoke openly of how he didn’t think females should be included in his imaginary world is almost indistinguishable from the majority of filmsmade for kids right now. Steven Spielberg probably didn’t even notice.
What does that say about how important we think girls are?