My four year old daughter loves Cheerios, and last night, my husband brought home a new box. Excited for breakfast this morning, we got it out. Here’s what we saw on the front: Shrek, Puss In Boots, and Donkey, 3 male characters from “Shrek.”
Besides “Shrek,” there are 3 other Cheerios collectible DVDs where we can “catch up with all our favorite DreamWorks characters.”
Unlike other cereal brands that have their own mascots, a cast of no less than 100% male characters, Cheerios borrows its crew from DreamWorks. But, apparently, these favorites don’t privilege females either, to say the least. “How to Train Your Dragon” pictures a boy and his male dragon, the two stars. We do see a girl riding bitch. Then, there’s “Kung Fu Panda” starring…Kung Fu Panda! And finally, Madagascar showing 6 male characters: the zebra, lion, and 4 penguins. Where is the hippo, the Minority Feisty in that movie?
Hippo does show up in the “fame game” on the reverse side of the box.
See, there she is down on the left. There are 8 characters and she is the only female. The game your kids play is “match each character to what they are famous for.” While characters are known for “Training the Furious Five” or “Being the Dragon Warrior,” what’s the hippo known for? “Loving a Giraffe.” No joke. Incidentally, my six year old daughter told me that hippo’s feelings are not reciprocated; giraffe never wants to dance with her.
See that little box to the right with the Croods character? He’s one the males from that movie too.
I write this a lot, but if this Cheerios box were one of many images kids see, it would not be a big deal. But again and again, kids see females go missing. It’s totally normal in their world. They don’t think anything of it and neither do we. But females are half of the population, so why are they presented as a tiny minority in kidworld practically everywhere outside of the Pink Ghetto? It’s an annihilation that acclimates a whole new generation to expect and accept a world where females go missing. Hey, Cheerios, can you make at least half of the characters on your box female? There’s no reason for the imaginary world to be sexist.
There is a lot to love and admire about “Wreck-It Ralph.” In many ways, both conspicuously and more subversively, the movie challenges gender stereotypes. That said, the gender matrix– a sexist framework that dominates animated films made for children– remains intact. Watching “Wreck-It Ralph,” for me, is like reading the Greek Myths; there are strong, complex females to admire but they are only permitted to demonstrate their power within a firmly established patriarchy.
Vanellope von Schweetz is such a cool Minority Feisty. She is smart, funny, daring, talented, compassionate, and vulnerable. She kicks ass but also has a huge heart. Vanellope is voiced by one of my favorite comedians, Sarah Silverman, and let’s just say, those two have a lot in common. Icing on the cake: Vanellope saves Ralph’s life with her speed and smarts. The cross-gender friendship between Vanellope and Ralph is the heart of the movie.
Vanellope is not the only Minority Feisty to love in “Ralph.” Sargeant Calhoun, voiced by Jane Lynch, also plays a complex and cool role. She is a fierce military woman but also passionate with a strong moral fiber.
A third Minority Feisty is Moppet Girl who hangs out at the arcade. Though her gender is a minority in the arcade crowd (I know, I know, that’s how it is is the “real world”) she is there and delivers the key line in the plot. Moppet Girl tells the arcade owner that the Fix-It Felix game is broken. She is also the character who provides the plot bookend, giving a fist bump to Vanellope at the end of the movie when she returns to her rightful position as ruler. It is a rare scene in animation to see two females interacting with each other, expressing power and victory. To put that scene in perspective, the awesome Minority Feisty of “Puss in Boots,” Kitty Softpaws, never meets any of the other 4 females in the movie.
More coolness: One of the crowd scenes– in Vanellope’s game, Sugar Rush– is female dominated. The trio of girls who actually get to speak in that crowd are a stereotype, the trifecta, of mean girls: one bitchy leader flanked by a pair of followers (as seen in “Mean Girls,” “Heathers” “Never Been Kissed,” and many more “chick flicks”.)
But still, females dominating a crowd scene– a crowd scene of race car drivers, no less– is nothing to sneeze at. Those cars may be made out of cookies and candy, the drivers may have names like Taffyta, reminiscent of “My Little Pony” but, still, progress noted.
There are still more depictions of female power in “Ralph.” A few weeks ago, I posted about “riding bitch:” how whether a female in kidworld is on a magic carpet (“Aladdin”) a dragon (“How to Train Your Dragon”) or a hippogriff (Harry Potter), she’s is almost always found behind the male. The message is: the boy leads, the girl is along for the ride. Not in this movie. In “Wreck-It Ralph” Sargeant Calhoun piloted some kind of motorized, flying surfboard and a space ship while Fix-it Felix rode shotgun. Not only was Felix in the passenger seat, but he gazed, admiringly at Calhoun as he watched her do her stuff. Calhoun was shown as attractive and powerful simultaneously. That, my friend, is almost never depicted. Vanellope, herself, becomes a race car driver. She is also shown in the driver’s seat with Ralph behind her. Ralph does teach her how to drive (when he doesn’t know how either) but her skills surpass his and he is shown admiring her for her talent. (I cannot find images on the web of Calhoun piloting with Fix-It Felix by her side or Vanellope driving with Ralph in the back. If you do, please send me the link.)
But here’s the gender matrix. Even breaking all these sexist barriers, Ralph is clearly the protagonist. The movie is named for him. He’s the hero. Fix-It Felix is the “good guy” to Ralph’s “bad guy.” The real bad guy, the villain of the movie, Turbo, is also male. Turbo masquerades as King Candy but when Vanellope is restored to her rightful role as ruler, she is “princess,” not “queen.” In an often used cliche in children’s movies trying to straddle the princess-empowerment image, Vanellope tears off her puffy, pink dress. Later, in the movie, when she has to wear the dress to attend a wedding, she is uncomfortable and scratches her neck. (I actually appreciated that detail much more than the overused “rip off your princess-dress/ corset” cliche. Another awesome factor: the toys from the movie. As far as I can see, the Vanellope figure is shown in her regular clothes or driving her car, not wearing the princess outfit she hates in the movie, which is, unfortunately, how Disney sells Mulan.)
The Bad Guy Anon meetings were hilarious and creative. I was cracking up watching them but these scenes fortify the sexist matrix.
The whole thesis of the movie is about being a bad “guy.” There was only one female in the bad “guy” group and she didn’t get a single line. It is mostly that cast of characters that made the poster that is all over San Francisco.
The bad female is not on this poster, nor is Vanellope, Calhoun, and Moppet Girl. When I posted earlier about the sexist poster, “Wreck-It Ralph” fans responded with hundreds of angry comments on Reel Girl and all over the web. Their first complaint was that the movie features strong female characters. It does. But the male is still the lead. That is what this poster clearly shows. That is why the poster was created to look this way and why the film is titled for Ralph.
Also, the poster is its own media. Even if you don’t see the movie, your kids see the poster on buses and looming over them on the sides of buildings. And again, if 50% of posters around town featured females, there would be no problem with “Wreck-It Ralph.” But, “Wreck it Ralph” fits a pattern, echoed and repeated, where males star and females are sidelined or missing.
Commenters on that blog post also told me the movie is called “Sugar Rush” in Japan. I think that’s pretty cool, but it’s still not called “The Racer, Vanellope” and it’s the U.S. version that sets the cultural standards here. Also, once again, Ralph narrates, the movie is Ralph’s story. Vanellope is his friend.
Why is the gender of the protagonist so crucial? We are all the heroes in our own lives. Again and again, with these films, girls see that there is a limit, a ceiling, to their potential, and it is marked with a male. No matter how important they are or how big a role they get to play, there is a guy who gets more.
Reel Girl rates “Wreck-It Ralph ***HH*** Take your kids to see this movie!
Update: A commenter tells me one of the 3 mean girls is, in fact, a boy. The one on the left. Beggars can’t be choosers, and I claimed claimed RF in spite of evil ways, but she is a he.