I’m exhausted by responding to endless images and narratives that normalize rape and the oppression of women. But I guess that’s the point, right? You just run out of energy. We can’t let that happen so I did some research. Turns out the shirt is made by a company called Iron Horse Helmets. Though it can be difficult in these instances to figure out who created the thing you’re trying to protest, a quote on the Iron Horse site makes it pretty clear:
Not afraid to express yourself? Good, our Tees got attitude and something to say. Make a statement or make ’em laugh with T-shirts from Iron Horse Helmets. Got a great idea for the next Iron Horse Helmet T-shirt, send it to us – we won’t give ya nothing for it, but we might use it and will be sure to take all the credit for it.
Please contact Iron Horse Helmets and tell them you’re #NotBuyingIt. Let them know promoting rape isn’t funny, it’s dangerous. I can’t believe that statement is the radical one.
When my 9 year old daughter, Alice, and her best friend Jenna took Aaron Southerland’s cartooning class, he inspired them to get passionate about creating their own cartoons. Aaron teaches boys and girls, but it was these two students who pushed him take their ideas further as you’ll see when you read his post. Alice and Jenna are so proud to publish their first book and are already brainstorming the next one. With more experiences like this one, the next generation of girls may take us leaps and bounds closer to achieving equality in the comic world. At the end of the blog, there’s a link to buy Alice and Jenna’s creation, The Muji Story (only $2.99!) Here’s how it all went down. This blog is by Aaron Southerland and first appeared on Blue Aura Oasis.
There are many times in which the Winds of Fate will pull you in a direction that doesn’t quite meet your game plan. Usually, it’s by nature that we all will plan against reality since we believe it’s ALL in the palm of our hands.
Thankfully, that’s not the case!
Once my two Cartooning classes were underway in autumn of 2015, I dipped my bare cold feet into rather warm water. Both classes were composed of deeply impressionable elementary school students, all of which had either an inkling or fine reasoning as to why they wanted to learn the ways of the Cartoonist. Take it from this slim fit jazz buff; I was impressed.
While my K- 2nd grade group took a few weeks to warm up to my existence, my 4th- 6th grade group couldn’t help but peek at my book projects -especially SolForce– at least once a class for inspiration. Midway though the semester, I noticed that I was slowly but surely giving the students revised character designs, story ideas and even comic titles! Of the ten students, only a few of them produced concrete ideas to take them a step further.
Allow me to introduce you to two of my Cartooning proteges: Jenna and Alice!!
Starting out as close friends since the 1st grade -their words, not mine-, Alice and Jenna joined my first Cartooning class already in love with three things: animals, magic, and comedy. When asked on the first day of class what were their favorite comic or cartoon characters, both replied Calvin & Hobbes; I almost teared up. Oddly enough, talking with them both together made me consider how much in common they have with my 5th grade- self. In the olden days of my youth, Pokemon, Harry Potter, and SpongeBob SquarePants were my pop culture obsessions. They ended up having a huge pull on my art style and storytelling, just as much as the Looney Tunes, Pink Panther and Garfield comics had on me since I picked up the Crayola crayons in pre- K.
Working alone for the first seven weeks of class, Jenna created an assortment of animal characters for a household setting that included a trouble-making beagle, a wildly sweet cockatoo and a shy kitten. Me and her often debated on names; the cockatoo’s name being Snowy was fitting, but Spot for the beagle I thought was too… common! So, I suggested a name with more weight on it like Magnus! Jenna brings that incident up every chance she gets. Oh, the hilarity.
Alice created characters more for the forest. Her first was a rascally rabbit named Flora. The others were a wildcat, a bluejay bird and a fish that I redesigned as a mud-skipper. Look; when I meet anyone of any age with a genuine love for animals, I try to expand to expand their vocabulary even if the next sentence is ‘I DON’T WANT HER TO BE A DOG. SHE’S A PUPPY!’
Fast forward to week eight of the class, the duo told me that they wanted to make a comic together. I assumed that they wanted to make new characters, so I let them roam free for 30 minutes. And this is what they came up with:
Yes. Within 40 minutes, this character concept and story summary were drawn and written by them! What I managed to get out of them was this: there’s a school of monsters that all look and act similar, but out of the blue an evil sorceress casts a spell on them all which causes the monsters to mutate with differing animal body parts. Now, they embark on a quest to find that sorceress to reverse the spell!
Huh!…. The idea hooked me, especially for a comic that can have continuing stories. So, I told the girls that I’m taking home their summary and character for some editing. -they hate that word, by the way- Later that Thursday night, this ended up being the revised summary and character design.
At first, I thought I took too many liberties with the character design. “How can two 4th graders draw something like this?!” I thought in the WAY back of my cynical adult brain… But after witnessing the passion Alice and Jenna had for creating something original content and telling a story, all of those doubts were dropped that night. And I even helped give the monster species a name: the Muji. The main character I thought should have a name that youthful and connecting like its creators, so I named him Kee! His circular spiked body type and bat wing- crab arm fusion served as the basis for the Muji designs.
Next week, I presented them the revisions… and their excitement flew sky high. Within minutes, we were drawing out comic thumbnails! As a parting gift for the semester, I drew them a visual concept of the Muji comic:
This, of course, led Jenna to asking a very peculiar question when all of the other students left the room: “Can we, like, make this into a book like your stuff?!”
I looked at her mom with a big smirk and asked ‘When can we start?’
Folks, this is what led to Alice and Jenna being my “first clients” in comic creating. After a few weekend classes thanks to their mothers, Margot and Noelle, and another full ten week semester, I’m happy to present their first book, The Muji Story!
Donned with 24 black and white pages, the three- chapter book follows the band of parasite- like creatures that after exposed to a hex casted by Ali- Tabada, an evil sorceress-in-training, mutate as combinations of animals, and now must find a remedy to reverse the hex!
The Muji Story, according to the duo, was only the beginning. Over their summer break, not only do we plan to work further on “Book 2” of the Muji series, but they’re also joining me at my first book expo in the Bay Area: the Bay Area Book Festival!! We’ll be located in Teen Town, since our projects are all- ages graphic novels. I’m beyond excited to see what the future has in store for my students and I.
Or… just call us “AJA” if we’re all spotted together.
Buy a copy of Alice and Jenna’s book! To purchase The Muji Story click here.
Feeding into his undying love for cartooning and animation since pre- K, Aaron Southerland is a helpless cartoonist and writer from Brooklyn, NY. Over the past few years, Aaron has been reaching into the untapped potential of creativity he saw within elementary school children through various volunteer work as an art teacher and it even led to many of his students creating their own cartoon characters! Currently, Aaron lives in Emeryville, CA and completed a bachelor’s degree in Fine Arts with a concentration in Computer Graphics from the New York Institute of Technology. After attending the Academy of Art University as a Visual Development and Screenwriting major for a brief period, he decided to finally put his passion into gear by going into book publishing between his travels. Aaron is the sole owner and artist behind his blog, Blue Aura Oasis.
I miss you guys! I know I’ve been blogging for a couple years that I’m almost done with my book, but I’m REALLY almost done now. Finishing a book (finishing anything?) is so challenging, tying up all the loose ends, letting it go, but I could not be more excited about what I’m writing so that’s pushing me to the end. I haven’t had any time to blog, and I don’t just mean the time it takes me to write these words, but once I pound it out, I get engaged with the whole Internet world and I can get lost for hours on line, it’s a shift of energy and brain cells I can’t afford. I think I’ve written this before but being a mom has truly made me realize how carefully I have to choose where to put my energy. I get how Obama says he wear the same thing every day because his decision making reservoirs are used up. I wish more women could get away with not putting so much time and money and brain cells into how we look without getting mocked or put down, but I’m going off on a tangent here. There is one blog I’m dying to write about Roald Dahl’s BFG which I’m reading with my 7 year old daughter, so stay tuned. In the meantime, I got this amazing comment that I have to repost. The commenter encapsulates why I started my blog, the Minority Feisty, and the issue I have with most stories for kids featuring ” a strong female character” or two or three. Her comment is in response to my blog: If we can imagine talking bunnies as police in ‘Zootopia,’ why can’t we imagine gender equality? Here it is, from sellmaeth:
“Realism? You mean, like lionesses doing all the hunting (lead by a lioness) while the lazy males just eat what the lionesses bring home and murder the cubs fathered by other males?
Or male bees and ants only existing for breeding, and only being about, l don’t know, five animals in the whole hive?
Or … the daddy clownfish in “Finding Nemo” changing to mommy clownfish because that’s what that kind of fish does …
Oh, or anglerfish … tiny males have their mouths fused to the big female.
Haha. You’ll never see that in a movie.
I can imagine equality of the sexes. But I am not paid to write movie plots, I just write fanfic.
You are right, this “lone woman fights bad sexism” is getting old, and an excuse to feature sexism in the first place.
Once played pen&paper roleplay game with a dude who wanted to force me into the “token female who has to fight sexism all the time” role … in a setting that’s explicitly not sexist. (He changed the original game to suit his tastes)
He was a sexist in more ways than that. You are definitely on to something there.”
Yesterday, I saw “Zootopia” with my three daughters (ages 6, 9, and 12) and we laughed through the whole movie. The animation is spectacular. Zootopia is a city populated by all types of animals and the details of every single species, from the curved horns of the buffalo long noses of the moles are exquisite to watch. This movie is art.
The protagonist is Judy Hopps, a rabbit who longs to leave the boonies of her farm, go to the big city, and make the world a better place. She’s forced to encounter prejudice, being labeled “a dumb bunny.” Not a predator, she’s considered too weak for the police force. Assigned meter maid duty, Judy longs for more challenging work. She overcomes her own biases to pal up with a fox and solve the mystery of a slew of animals gone missing.
Not only did I love this movie because of Judy’s actions but also her looks. We know she is female mainly because of her voice. She doesn’t have long, curly eyelashes or a hot pink bullet proof vest. Her upper uniform is truncated in a way I think they were trying to feminize it, but even so, her physical self is unusually ambiguous for an animated character in contemporary media.
Judy becomes best friends with a male fox. These two come no love each other. No romance involved. No romance in the entire movie. “Zootopia” is literally a poster for cross-gender friendships, something rarely seen in children’s media.
Judy Hopps, the protagonist, is missing from this ad campaign. WTF? I suppose she’s left out since she’s not gazellegant or always stylish. The good news is that Gazelle’s actual part in the movie is tiny, her scenes are minimal and she’s also inconsequential in the plot. If she were the only female, I’d be pissed.
Grown-ups, you’ll love the scene in the DMV office populated by sloths. I’ve rarely seen a moment so hilarious and true-to-life in animated film. Everyone, proceed to your local Metereon. I’d be surprised if there’s a kid out there of any age who doesn’t adore this movie.
The report states that a St. George’s campus security officer, Christopher Simanski, called 911 when he saw a male climb out the window of an all girls dorm and run towards the road with no shoes on. When Middletown police officer David Hurst arrived on the scene, Simanski told him he’d chased the male but couldn’t catch him. Simanski returned to the dorm, went to the room with the window, and saw a girl sitting on her bed crying, another girl sitting next to her. He wrote that she was upset, visibly shaken, and “indicated there had been a male in her room and on her bed.”
While Simanski was recounting the events to Hurst, the dean of students, Katie Titus, came out of the dorm and approached them. What do you think happened next? She helped them investigate a possible crime, right?
Here’s how Hurst tells it:
I asked Titus where the alleged victim was and Titus ignored my question and only replied by telling me that the girl was upset. I asked Titus again where the alleged victim was and again she did not answer me. I reiterated to Titus that I was there to investigate a possible assault or sexual assault and that I would need to speak to the victim to determine the nature of the incident and obtain crucial information for any possible suspects.
Titus still refused to let Hurst investigate, insisting that she would speak for the victim. She would speak for the victim? Hurst continued to press her, letting her know that he needed vital information. Titus gave him some information of her own. She said she knew the male who ran from the window. He was student who had just graduated. But then, she refused to give the officer his name or any other facts about him.
When 911 is called and there’s a report that a girl may have been sexually assaulted, how the adults around her respond makes a world of difference. They can ensure that she gets immediate professional treatment and care, optimally provided by a team that includes a medical provider, a sexual assault examiner, and a rape crisis counselor. They can facilitate police evidence collection, which depending on the jurisdiction, needs to happen within days following the incident. This kind of rapid response leads to better health outcomes for victims and an increased chance that associated criminal charges are filed.
So what happened next?
According to the report, Titus told Hurst that she’d reached the recent graduate on her cell phone. (She had his number on her cell? Maybe that’s totally normal for a dean’s contact list in these digital days?) The nameless male assured Titus that he hadn’t been on campus. Hurst writes in his report: “Titus apparently accepted the alibi at face value.” Again, she refused to give Hurst any more information about him. I haven’t read many police reports but this seems like an odd order of events. Was Titus trying to pacify the officer at first, saying she knew the male, thinking he’d leave it all alone, let her take this mess over? Then, when Hurst asked for more information, did Titus regret telling him she knew his identity? We’ll never know because just at that moment, Titus was called away for a family emergency.
Assistant dean, Lucy Goldstein, arrived on the scene to take over. More police officers also arrived, including a lieutenant who insisted on speaking to the girl to confirm the chain of events. At that point, Goldstein went and talked to the girl for 20 minutes before allowing the lieutenant to speak with her. The girl told him that she let the male into her room, they started kissing and he wanted it to become more intimate. She “declined” and he “agreed not to press the issue and left through the window.”
The report ends with:
Having no further evidence of a crime or witnesses to come forward to contradict the series of events, all units cleared from the scene. School safety supervisor Lombardi advised that he would follow up in the morning regarding how the school staff handled the initial investigation and its cooperation or lack there of in the investigation conducted by this department.
I don’t see any information that a follow up actually happened.
SGS for Healing writes that the report raises a number of questions including: Why didn’t the SGS Dean Katie Titus immediately allow the officer to see the female student? Why did the Middletown police call Ms. Titus uncooperative? Why did Ms. Titus call the adult male? Why didn’t she help the officer talk with him and why did she refuse to give the adult male student’s name and telephone number? Sometime after the Middletown Police were on the scene, a female sexual assault officer from Newport arrived. Why did the school continue to refuse to allow her access to the alleged victim? How did the school help the student get professional treatment and care? How were the police aided in gathering physical evidence?
Last night, I saw “Spotlight,” the movie about the sexual abuse and the Catholic church that just won the Best Picture Oscar. There’s a great line: “If it takes a village to raise a child, it takes a village to abuse them.” This story is so much bigger than St. George’s. It’s about how when institutions (whether its the church, the government, businesses, or schools) are put before individuals, children suffer. Ultimately, we all do because this pattern of abuse happens far too often and isn’t symptomatic of the kind of world healthy people have the great potential to create.
Reel Girl’s posts about St. George’s are below. If you read them, you will see that as an alumna of the school, I started to write about the institutionalized sexism I witnessed there long before I learned about the rapes and cover-ups.
In a disappointing opening monologue at the Academy Awards, Chris Rock claimed there was no need for male and female categories and mocked #AskHerMore.
For the first time in possibly 20 years, I’m watching the Oscars at home and not at a party. Last year, I was at a viewing event, Tweeting about #AskHerMore and people around me either didn’t get it or made fun of me. It was such a frustrating and uninspiring experience for me that I decided not to venture out tonight. This year, while lying in pajamas on my couch, I was thrilled to see Ryan Seacrest actually ask women about their roles and give actresses an opportunity to discuss their craft. His questions about clothing were limited and always came at the end of the interview so it was impossible to go on and on about jewelry and shoes. Progress, I thought.
Then Chris Rock came on. He addressed racism in Hollywood, which is hugely important for the whole world to see him do. He opened with a great point: racism has been going on since the Oscars began, so why is everyone upset now? When people asked me about racism at the Oscars this year, I replied I’m happy that, at least, people are finally discussing this bigotry in mainstream media. Racism in Hollywood has become part of a national conversation. The first step in changing something is recognizing that it exists. That’s why I’m pissed about Rock’s monologue. Fury about sexism at the Oscars has not garnered much media attention. #OscarsSoWhite is taken seriously. It is a political act. #AskHerMore, on the other hand, is mocked. Rock referred to the latter in his monologue:
Another big thing tonight is you’re not allowed to ask women what they’re wearing anymore. It’s a whole thing: “Ask her more.” You have to ask her more.” Well, you know, you ask the men more. Hey, everything’s not sexism. Everything’s not racism. They ask the men more because the men are all wearing the same outfits, OK? Every guy in here is wearing the exact same thing. If George Clooney showed up with a lime green tux on and a swan coming out his …, someone would go, “What you wearing George?”
A Reel Girl fan comments:
Chris Rock basically said “She was asking for it because of what she was wearing.” Good job.
Categories for female and male actors create an illusion of equality. Never mind that the roles for women are far more limited as far how old the actresses are allowed to be, how complex the characters they play are, and what kind of heroes are depicted in the narratives. Behind the scenes awards including producing, directing, screenplay writing, adaptations (I could go on, see chart below) the male nominees, and of course winners, far outnumber women. Instead of recognizing this inequality, again Rock acts as if sexism doesn’t exist.
Hey, if you want black nominees every year, you need to just have black categories. That’s what you need. You need to have black categories. You already do it with men and women. Think about it. There’s no real reason for there to be a man and a woman category in acting. There’s no reason. It’s not track and field. You don’t have to separate them. Robert De Niro has never said, I better slow this acting down so Meryl Streep can catch up.
I didn’t expect Rock to deal with sexism, but I was surprised he made fun if it. His reaction put me in a weird space. He calling attention to racism, basically saying it’s not “bring me lemonade” racism; it’s subtle, but its pernicious. For example, he said Leonardo DiCaprio gets a great role every hear. Jamie Foxx is a stellar actor, but great roles for him are rare. Does Rock not get the same situation exists for women?
Today, we had Lucky Charms for breakfast. Not the healthiest choice, I know, but that’s how it went down. My six year old daughter counted 8 different charms on the back of the box, each with a portrait and storyline. Out of those, just 2 are female. I’m not even talking about Lucky, the leprechaun, I’m talking about the charms.
My daughter read the box to me:
Hourglass is a smarty pants scientist whose inventions don’t always turn out the way he planned. He’s bringing his toolbox to the party.
In the photo above, you can see Hourglass on the left with the hat, a lock of brown hair, and a mustache.
That one she’s pointing to is Shooting Star
a seriously silly dude. He’s bringing juggling balls to the party…even though he doesn’t know how to juggle.
Guess what one of two girls (or as I call them Minority Feisty) is named? Rainbow. She is…
“the most magical charm of all. She wants to add some sparkle to the party with a disco ball.”
Good to know her interior decorating skills are strong. What’s a girl who doesn’t want to add sparkle to her shoes, her dress, her soccer ball? Is she a girl at all?
My husband jokes that cereal boxes are like morning newspapers for kids. My three daughters fight about who gets to put the box in front of their bowl. Those boxes are seriously valuable real estate in kidworld and yet, there is a not a single female mascot on a children’s cereal box. Not a single one. I’ve written about this blatant sexism on Reel Girl for years but it was only when Raj from the hit show “The Big Bang Theory” made the same observation, that the issue got some traction. Things are going to change now, I thought. Raj has taken this issue on.
I was wrong. That episode aired three years ago. More stories keep coming and almost all of them are about males.
Reel Girls posts about sexism and children’s food packaging, girls get stereotyped or go missing:
When I saw the cover of the new issue of Us Weekly, my mouth dropped open. I consider myself kind of an expert of celebrity media and this headline was not what I was expecting at all.
Big news in the entertainment world happened this week when a New York judge denied Kesha’s injunction to record music without her alleged rapist Dr. Luke. After the ruling, musicians like Kelly Clarkson and Lady Gaga voiced support for Kesha. Taylor Swift donated $250,000 to support her financial leads. Us decided to sideline the event to a sidebar of its cover, reducing an important story about the intersection of misogyny and capitalism to the headline: ‘Demi vs Taylor Inside their angry feud.’
I realize Us Weekly is not a publication known for its history of Pulitzer prizes in journalism, but the story of Kesha vs Sony is made for the tabloids. It’s got celebrities, it’s got art– photos of Kesha crying in court like the one I used on my own blog. There are famous people to picture supporting the star. There is, actually, an angry fight to feature, though not between two women but Kesha vs Dr. Luke. All that intrigue is enough to sell a magazine making Us‘s choice to highlight a Taylor vs Demi narrative an act of breathtaking misogyny.
So let’s dive into this angry feud.
Inside the magazine, two pages are dedicated to Kesha’s story. Here you can see the photo of Kesha crying in court. About one third of the spread is dedicated to the details of Demi “blasting” Taylor. Apparently, Demi feels that $250,000 isn’t much to give away for a woman who made $80 million last year and that political action would make more of an impact. The first point is pretty much bullshit. Taylor’s donation shows she supports Kesha against Dr. Luke, a man who is hugely powerful in the music industry. To me, that public statement is the true value of her gift. But also, shouldn’t the usefulness of the amount be evaluated on how it can help Kesha? Furthermore, how do we know Taylor won’t give more later? And why, why, why am I even blogging about all this? Since I’ve started blogging, I’ve realized a major block to women moving forward in the world is how the powers that be control the conversation and set up the argument. I’m constantly pulled down a rabbit hole of trying to prove some minor point and missing the forest from the trees. That kind of mind fuck is one reason I’ve become very careful about who I engage with in a debate. I’m fascinated by how sides are set up and played against each other and how this happens to women all the time.
One more thing about Demi. Us reports Demi tweeted:
There’s no “rivalry” I just give more f—s than other people and would rather start a dialogue ABOUT WOMEN COMING FORWARD ABOUT BEING RAPED than throw money at one person.”
Agreed. Let’s start talking about rape and how to stop it. Meanwhile, let’s help women access the funds they need to get justice, because certainly, money and power are part of the conversation. And if Us Weekly really wants to highlight the Demi/ Taylor story on its cover, how about this headline? “Demi and Taylor start a dialogue Inside their debate on how to stop rape.”
If you haven’t heard, a New York judge has refused to issue a court injunction to allow Kesha get out of her contract to record music exclusively with Sony under the input of Dr. Luke, a producer who she says sexually abused her.
The New York judge says that letting Kesha out of her contract would hurt Sony financially. If Kesha is going to sing, she must sing for her rapist.
How more clearly can we see misogyny and capitalism come together? Take a moment to think about Chris Brown, who beat Rhianna, and his career flourishes, or R. Kelly who sexually abused underage girls or Woody Allen or Roman Polanski? Kesha’s career in being destroyed. Think about how scared she was to speak out. Think about the choices she had to make: tell the truth and be ostracized or stay quiet. Think about how many women who are raped and abused are staying quiet right now. Think about how, again and again, the legal system fails women.
I read about Kesha’s story in People Magazine at least a year ago. I didn’t understand why no one was picking it up. The good news is that women with power and money are responding to the injustice facing Kesha. First, Arianna Grande, Demi Lovato, and Lady Gaga publicly supported her. Now Taylow Swift is donating $250,000 towards Kesha’s legal bills.
Women telling the truth, even when people say their experiences didn’t happen or don’t matter, is the first step. Money and power behind those stories are two more ingredients women need to change the world.