Funny, my wife, daughters, son and parents didn’t notice this absence. They saw a film they enjoyed. As a reader of the original series I can tell that you’ll be disheartened to learn that this absence continues. Stop badgering Spielberg about this. You should be congratulating Kathleen Kennedy who is one of the producers and a long time collaborator of Spielbergs.
If Neal went to a film where the three main characters were female, all the heroes and all the villains were also female, do you think he might notice?
Sexism is so ingrained, people use it to defend sexism. Wow.
After my rant on Herge, the author of Tintin, a commenter sent me a link to a post by New York Times opinion writer Nicholas Kristof called “Misogyny Vs. Sexism.” As you may know, Kristof is a huge feminist. With his wife, Sheryl WuDunn, he wrote the excellent book Half the Sky which argues that establishing equal rights and equal status for women worldwide is the central struggle of the our time.
In his NYT column, Kristof writes that he used to think misogyny was the force holding women back. Now he wonders if its sexism. Here’s an excerpt from his column about what the difference may be:
Then in the reporting for this column, I spoke to evolutionary psychologists who emphasized the distinct origins of racism and misogyny/sexism. Racism seems based in a hard-wired tendency of ancient humans to divide into groups to improve odds of survival, and it was an evolutionary advantage to be able to identify strongly with your own tribe and to fear or kill members of other tribes. That may be why even very small children — even infants — draw racial distinctions or other in-group/out-group distinctions.
In contrast, the evolutionary origins of attitudes toward women were based presumably less on hatred and more on desire to control them and impregnate them, so as to pass on one’s genes. Acquiring and enforcing a harem, so as to improve the odds of one’s own genes being passed on, might involve ruthlessness, enslavement and brutal beatings, but there was no evolutionary incentive for gender hatred as there was for hatred of different tribes. And of course much of the anti-women behavior around the world, from genital cutting to bride burnings to sex trafficking, is typically overseen by women themselves, and it’s easier to see their behavior as opportunism or deeply-embedded sexism than as hatred of fellow women. So that’s why I wonder if sexism, in the sense of discriminatory attitudes toward males and females, isn’t a better way of thinking about the issue than misogyny, in the sense of hatred toward women.
Other anthropologists I spoke to also noted that the most discriminatory restrictions against women tend to come not from those who profess to hate women, but from those who profess to honor and protect them. Think of Afghan society, for example. After interviewing many men who beat and lock up women and threaten to kill them if they take a false step, I’d say that their attitudes for females are a mix of bizarre honor and contempt, but not usually hatred.
I can’t say I’m fully convinced of the argument I’m making. There are still the acid attacks and similar behavior, which I find hard to explain short of misogyny…”
It’s fascinating to think about, but I guess I’m wondering how much it matters. It all comes down to this: women need power– political and financial, in order to change the world.
How do we get it?
As far as the issues I write about in this blog (and back to Herge) for me, it comes down to this: women need to write more stories. Women need to grow their financial resources so that they can amplify their voices, opinions, and views to influence the world. Women need to create books, films, television series, and products.
This is not the fastest way to influence people. Of course, a law against burning women would be much better.
Obviously, people need to be working hard simultaneously in politics, finance, and all professions as well. The resistance to change is enormous. I was in the nonprofit world for a long time, but it’s hard to help women get power when you don’t have much yourself.
So I’m kind of tired asking why. I understand it’s important to figure it out: knowing how situations got to be the way they are helps to change them. But I only have so many brain cells and so much time. Sometimes when I focus on why things are so fucked up, I get stuck there. I will say that, as I’ve written many times, I don’t think that men are evil or have some conspiracy going on. I think men are self-centered like all humans are. They’re telling stories from their point of view. Because they dominate the narratives, women live in the warped experience of existing through other peoples eyes. But we can’t expect men to tell our stories, not even Steven Spielberg. We have to tell our own.
Of course, that would be much easier to do if there were Sandra Spielbergs out there. Many of them. It would help if Steven committed to helping women directors. It would help a lot if we had thousands of years of narratives written by women to draw from including something like the Bible.
But I guess we have blogging. I am working on a Middle Grade book, and I think its going to be really good. I hope all the women reading this blog are writing as well.
Meanwhile, please give money to support nonprofits that are working worldwide to change the status of women. Please support politicians who are committed to this as well.
Steven Spielberg’s “Adventures of Tintin” may have the best animation style I’ve ever seen in a kids’ film. It’s almost as if you can’t tell if the characters are real people or art. It’s spectacular.
But I guess Spielberg was so focused on the animation, he forgot about half of the kid population. There are so many males and so few females in this movie that I– even me– was blown away. If a Martian came to Earth and saw this film, she would think our species was the type that clones itself to reproduce. The movie even has two twin mustachioed investigators that would seem to support that hypothesis.
Like most kids movies, this is a buddy movie (can I say “friendship” movie?) The three buddies, the main characters in the film– Tintin, Captain Haddock, and Snowy the dog– are male.
All the villains are also male, the gangs of them. The good guys are male as well, almost to caricature as mentioned with the clone investigators.
For female roles, there is a housekeeper, an old lady that hits someone with her bag, and a third who my daughter spotted when I went to the women’s room. My daughter said she was a singer.
I know, I know: Tintin was a book before it was a movie. What’s Spielberg supposed to do about that? He’s just one director trying to be faithful to his inspiration.
Tintin was actually many books, and “Adventures” ended with a teaser that practically announced the next film.
Reel Girl gives “The Adventures of Tintin” an SS rating. In spite of its almost total lack of females, Tintin escapes the dreaded Triple S. The females in the movie don’t do anything terribly, stereotypically offensive such as talk about their hair or their boyfriends, though they don’t interact with each other at all and one is a housekeeper.
Update:
After I posted about the lack of females in the new Tintin movie, a commenter wrote in this quote from Herge: “For me, women have nothing to do in a world like Tintin’s, which is the realm of male friendship.”
I googled the quote and all kinds of references came up, this one from Wikipedia:
Hergé has also been accused of sexism, due to the almost complete lack of female characters in his books. The only woman character of importance is Bianca Castafiore, who is potrayed to be foolish and nearly oblivious to all negative reactions to her behaviour — though she does show loyalty, presence of mind and quick wit when hiding Tintin and Haddock from Colonel Sponsz in The Calculus Affair.
Hergé himself denied being a misogynist, saying that “for me, women have nothing to do in a world like Tintin’s, which is the realm of male friendship”.[10]
Other reasons were because he believed that sentimentality had little to do in Tintin’s stories, which are mainly about men getting into all sorts of “misadventures rather than adventures”, and wherein “mocking women would not be nice”. He also felt that a man slipping on a banana skin, providing he does not break a leg, is much funnier than if it happened to a woman. As a female interviewer put it, “It has nothing to do with the misogynist world of the boy scout,”[11] referring to the fact that Hergé was a scout in his youth.
OK, Herge denied being a misogynist and then says “women have no place in a world like Tintin’s.” Um, that is misogyny.
Wikipedia tells us: “Tintin’s stories, which are mainly about men getting into all sorts of ‘misadventures rather than adventures’, and wherein ‘mocking women would not be nice.’ ”
Maybe that isn’t the full quote. Maybe it’s not in right context, but as it stands, Herge implies that the only reason to include women would be to mock them? Is there no other reason to include female characters in a story?
“Other reasons were because he believed that sentimentality had little to do in Tintin’s stories…”
So including women requires sentimentality?
And slipping on a banana peel is funny if you’re a man but not a woman? What?
I don’t get it. All the ways the Wikipedia writers and Herge attempt to explain away his sexism are sexist. What do they think sexism is? Maybe they excuse Herge for similar reasons that Reel Girl rated “Tintin” with two SSs for gender stereotyping instead of three; there weren’t blatant offensive acts in the movie, so the movie didn’t get the worst rating. Females aren’t “mocked” because of their gender, they’re just not there.
The sick thing is that when you see “Tintin,” when it comes to women, you can tell there’s something off in the mind of the creator. The lack of females is glaring and weird and disturbing. And this is a movie for kids! Doesn’t Stephen Spielberg care? Don’t parents? When Spielberg shopped this film around to studios (maybe Spielberg doesn’t do that) did anyone say, “Interesting story, but there are no females in the entire series. That might be a problem for us. Half of kids, after all, are girls.”
I guess no one said that. Sadly, Tintin” is actually not disturbing to audiences, because most of the movies made for kids today have casts pretty much identical to this one, a series created by an artist who believes women have no place in his imaginary world.
Update:
I got this comment on my Tintin post from Neal:
Funny, my wife, daughters, son and parents didn’t notice this absence. They saw a film they enjoyed. As a reader of the original series I can tell that you’ll be disheartened to learn that this absence continues. Stop badgering Spielberg about this. You should be congratulating Kathleen Kennedy who is one of the producers and a long time collaborator of Spielbergs.
If Neal went to a film where the three main characters were female, all the heroes and all the villains were also female, do you think he might notice?
Sexism is so ingrained, people use it to defend sexism. Wow.
Update:
Commenters are defending the Tintin movie, writing that creator Herge’s sexism was simply a product of his times.
Margot, you are aware that Hergé wrote most of his comic books (including the three on which the film is based) before WWII, at a time when women in his home country of Belgium as in many others didn’t even have the right to vote? Of course his work reflects the prejudices of that era, not only towards women but towards just about everyone who wasn’t a white Christian male (the most egregious example being Tintin in the Congo)!
Would Steven Spielberg adapt Herge’s racist views (“of his times”) expressed in Tintin in the Congoto make a movie in 2012 and market that movie to kids?
Of course not. No one would see it. People would be horrified. Herge’s racist views are universally recognized as the aberration that they are. Why is Herge’s “dated” sexism celebrated in a loyal adaptation from one of our most acclaimed directors?
There are two answers, both are true. The first one is that in 2012 sexism is, in many ways, just as accepted and “normal” as it was in 1932. Women are humiliated and degraded all the time, but while racism is seen as a political issue, sexism is still seen as a “cultural” one.
The second, less controversial explanation is that in Herge’s comics, he directly degrades and humiliates Africans whereas his sexism mostly manifests as an omission. His racism is worse. Herge believes women have no place in his imaginary world. Is that offensive? Is it even sexist?
It’s an annihilation.
What is remarkable about this annihilation, and what I was writing about, is that it’s consistent with the casts of most animated movies made today.A story originally created by an artist who spoke openly of how he didn’t think females should be included in his imaginary world is almost indistinguishable from the majority of films made for kids right now. Steven Spielberg probably didn’t even notice.
What does that say about how important we think girls are?
Steven Spielberg’s “Adventures of Tintin” may have the best animation style I’ve ever seen in a kids’ film. It’s almost as if you can’t tell if the characters are real people or art. It’s spectacular.
But I guess Spielberg was so focused on the animation, he forgot about half of the kid population. There are so many males and so few females in this movie that I– even me– was blown away. If a Martian came to Earth and saw this film, she would think our species was the type that clones itself to reproduce. The movie even has two twin mustachioed investigators that would seem to support that hypothesis.
Like most kids movies, this is a buddy movie (can I say “friendship” movie?) The three buddies, the main characters in the film– Tintin, Captain Haddock, and Snowy the dog– are male.
All the villains are also male, the gangs of them. The good guys are male as well, almost to caricature as mentioned with the clone investigators.
For female roles, there is a housekeeper, an old lady that hits someone with her bag, and a third who my daughter spotted when I went to the women’s room. My daughter said she was a singer.
I know, I know: Tintin was a book before it was a movie. What’s Spielberg supposed to do about that? He’s just one director trying to be faithful to his inspiration.
Tintin was actually many books, and “Adventures” ended with a teaser that practically announced the next film.
Reel Girl gives “The Adventures of Tintin” an SS rating. In spite of its almost total lack of females, Tintin escapes the dreaded Triple S. The females in the movie don’t do anything terribly, stereotypically offensive such as talk about their hair or their boyfriends, though they don’t interact with each other at all and one is a housekeeper.
The New York Times is reporting on it! It must be a serious issue, right?
From Cinderella Ate My Daughter’s awesome author Peggy Orenstein:
Every experience, every interaction, every activity — when they laugh, cry, learn, play — strengthens some neural circuits at the expense of others, and the younger the child the greater the effect. Consider: boys from more egalitarian homes are more nurturing toward babies. Meanwhile, in a study of more than 5,000 3-year-olds, girls with older brothers had stronger spatial skills than both girls and boys with older sisters.
At issue, then, is not nature or nurture but how nurture becomes nature: the environment in which children play and grow can encourage a range of aptitudes or foreclose them. So blithely indulging — let alone exploiting — stereotypically gendered play patterns may have a more negative long-term impact on kids’ potential than parents imagine. And promoting, without forcing, cross-sex friendships as well as a breadth of play styles may be more beneficial. There is even evidence that children who have opposite-sex friendships during their early years have healthier romantic relationships as teenagers.
You’ve probably heard about Lego’s sexist new Friends sets just for girls that hits stores next week. But do you know about the other new Legos coming out in 2012? The Journal Inquirer reports: “The Lego Group has inked a deal with Warner Bros. Consumer Products to create building sets based on ‘The Lord of the Rings’ movie trilogy and two new films based on ‘The Hobbit,’ scheduled for release in 2012.”
Check out this link to the Journal Inquirer that pictures Lego’s new toy. It won’t let me copy the photo, but the Lego figs pictured look so much cooler than the Friends for girls and guess what: they’re all male.
Of course they are. That makes sense right? Think about “Lord of the Rings.” How many females were in that high grossing, Academy Award-winning series?
Other best-selling Lego sets are based on the “Indiana Jones” and “Star Wars” movie series.
Do you see the sexism chain reaction here? (Serial reaction?) When girl characters are excluded from movies, they’re left out of the toys and branding on all kinds of kids clothing and products as well. Please take a look at Reel Girl’s Gallery of Girls Gone Missing from Kids’ Movies in 2011. These movies predominantly star males, feature multiple males in the cast, and often highlight the names of males in their titles. This kind of blatant sexism repeatedly teaches kids that males are more important than females, and that’s a horrible lesson for both genders to learn.
Of course The Hobbit was a book long before it was a movie. J.R.R. Tolkien’s classic came out in 1937. But it’s Hollywood’s appropriation of the story that makes it massively popular with a new generation, grounding it in pop culture and inciting the creation of a slew of toys timed to hit stores around the same time the movie hits theaters.
Hollywood shows our kids animals who talk, rats who cook, toys who come to life, and singing lions who befriend warthogs. Is it too much to ask to see imaginary worlds where girls and boys get equal representation? How long do we have to wait?
Anyone see “Arthur Christmas” this year?
As long as Hollywood restricts female characters to a tiny minority in its films, it’s going to be challenging to convince toy companies to represent heroic females in their toys. It’s asking them to use a lot more imagination.
Of course, toy companies should be imaginative. Lego markets itself as a learning toy, one that is good for “fostering creative play.” It’s unfortunate that Lego chose to spend its time (4 years) and money “researching” the best way to copy Disney, finally coming out with a product that turns its once special toy into princess clones. Maybe Lego should do some real research on how to encourage girls to “foster creative play.” How?
Here’s a suggestion, Lego: Take the Here’s some video of them winning the N.A. competition. All this, and a little , show how easy it is to encourage girls to do creative problem-solving with Legos – inspiration, pure and simple.
This winning team of girls should lead development of Lego’s next set for girls. I’m more than glad to help Lego learn how to share power with girls in developing great products for them without reducing to lowest-common-denominator stereotypes. It can be done and sustained, as we’ve done at New Moon Girls for nearly 20 years now.
What do you think, Lego?
PBG has started a petition against the Lego for girls sets that has over 2,000 signatures. Go to Change.org to sign.
People upset about the sexist sets are also going to Lego’s Facebook page and posting the 1981 pic shown below, asking Lego to bring beautiful back.
By now, you’ve probably seen the video that’s gone viral of four year old Riley complaining about the genderfication of toys.
Commenters all over the internet and Facebook are crying foul, protesting that Riley is brainwashed and being coached as she’s filmed by her father. Here’s one comment I got on SFGate:
Riley’s video would be alot more moving if her Dad wasn’t audibly coaching her from behind the lense. She’s parroting what he’s been pushing on her.
Even alternative sites like this one suspiciously speculate on the behind the scenes, manipulative influence of Riley’s father.
So often, if people witness a parent stray from social norms, buying her daughter a superhero costume or her son a toy stroller, they conclude that parent is “brainwashing,” “programming,” or “coaching” her kid away from “natural” behavior.
I won’t repeat it here, but if you think the color pink or baby dolls are “natural” for girls, please see this post.
This Christmas, my two-year-old daughter was devastated when her slightly younger two-year-old cousin received a super cool, light up, noisy truck. Oh, how she wanted that truck. What two-year-old wouldn’t? Do you think any one gave her one for Christmas? No, that would be “brainwashing.” It would be making some kind of statement.
Guess what? Parents are supposed to “brainwash” their kids. It’s called parenting. It’s our job to instill values and beliefs in our children and give our kids positive reinforcement when they show behavior we want them to practice. Obviously, kids rebel and figure out their own way, but it’s our role to give them a structure to work with. I don’t know why when it comes to toys or movies, people think we’re supposed to suddenly abdicate that responsibility. Kids learn through play. Doesn’t everyone know that by now? Everything they watch on the screen is “programming” them. That’s what a program is.
If Riley’s father is brainwashing her, if he is giving her attention, filming her for the camera, letting her be a star as she goes along on her diatribe, he’s being a good dad; he’s “brainwashing” his daughter to be open, consciously encouraging her to allow more experiences to come into her world, not less. Isn’t that the best kind of brainwashing? Isn’t it preferable to the limiting, reflex, “positive” reinforcement my daughters, and daughters all over the world, get everyday when people beam at them and say: “I love your dress, shirt, shoes, pretty girl/ princess!”
When people argue that Riley’s father, the one who is supposed to bringing her up, is manipulating her, but that standing in a chain store’s pink aisle full of dolls created and marketed by multinational companies is somehow “natural,” it shows just how backward and twisted kidworld has become.
What I said to my 5yo was that Monster High dolls were dressed in a way that I felt was inappropriate for children, that their faces looked mean not nice, and that their bodies sent our hearts unhealthy messages. We talked about different colors of hair and skin being really cool, but that these dolls made little girls focus too much on being pretty for other people and being too grown-up and that is not what kids need to do.
A few months down the road when she asked for more info, I told her that Monster High dolls have the kind of bodies that can make girls sick, because a real person could never have a body like that, and that I loved my little girl’s healthy body so much I would never want her to have something that would make her think her body wasn’t amazing.
And when she kept pushing about the clothing, I told her that girls who dress like that often don’t have full and happy hearts, and they use clothing like that to get attention and make themselves feel full. Then I took it a step further, and had her come upstairs to her dress up drawer, and picked out clothing I knew was way too small and tight for her. She put it on, and I told her to go play. Amelia said she couldn’t move because of her clothes. I then asked if she thought Monster High was silly, because how could those girls move and be teenagers who do fun things and play sports. She said she thought maybe they just stood around and looked pretty.
I told her she was absolutely right. And then we talked about other toys she had, how different they looked, and what kinds of things those dolls could do instead. I hope to grow the idea of full and happy hearts as Amelia (and Benny) age, to help her make good and healthy decisions about all kinds of things: healthy eating and exercise, drugs and alcohol, sex and relationships, good behavior in school, etc. If that is our baseline, I think the things that fall so far outside of that, whether it is Monster High or music lyrics or friends who are a bad influence, my kids will see it for what it is and be that much more equipped to make good choices for themselves.
I want to teach them to use their intuition and common sense when it comes to hard decisions. It is what I do when I tell myself there is no way in hell that dolls like Monster High or Bratz or hooker Barbies will end up in my home. I respect my children far too much to feed them a diet of garbage like that.
I love the idea of asking her daughter dress up in too small, uncomfortable clothing and asking her to try playing. Talk about showing not telling. Brilliant. Read Melissa’s blogposte here.
I started Reel Girl on December 27, 2009 in a post Christmas pink haze. It was my first holiday season with three daughters, my youngest child was nine months old. I was amazed by how gendered all their Christmas presents were. Truly amazed. Even the little one had a stack of all pink toys and clothing. But it was Polly Pocket who drove me to blog. Those teeny-weeny clothes. I can’t even deal with organizing all the clothing for my own kids, not to mention Polly’s ugly, shiny outfits. It wasn’t just Polly, of course. So many toys given to my kids had to do with getting dressed: magnetic dress dolls, paper doll cut out coloring books, Barbie dolls, on and on and on. Talk about training your daughters to be obsessed with clothing and appearance.
In the two years that I’ve been blogging and paying a lot of attention to this issue, have we made progress limiting the ‘genderfication’ of childhood? (I’m using ‘genderfication’ instead of ‘gendering’ to highlight the mass-market, artificial drive to segregate kids)
Movies and TV seem worse than ever. Girls are half our kid population but show up only as a tiny minority on the big and small screens. In 2010, Disney switched the title of “Rapunzel” to “Tangled” and announced it would make no more princess movies. Who cares, right? Princesses suck. But the complex problem is, tragically, if a girl character gets top billing in a film at all, chances are she’s a princess. It’s kind of like if you want to win a Miss America college scholarship, first you’ve got to parade around in your bathing suit. By saying no more princesses, what Disney was really saying was: coming soon, even fewer girl stars! At that time, in response to Disney’s blatant sexism of switching a title to hide a girl and publicly announcing that decision, hardly a parent made a peep.
And toys? Also, only worse. To me, the new Legos for girls that just went on the market hit an all time low in the genderfication of childhood.
But on the positive side, parents are getting pissed off. Hundreds (can I say thousands yet?) are going to Lego’s Facebook page and complaining.
There’s other evidence parents have had enough. Early this year, Peggy Orenstein’s Cinderella Ate My Daughter came out and became a best-seller. Melissa Wardy’s Pigtail Pals, a company aimed at creating empowering clothing for girls, grew enormously, in part when posts Wardy wrote about JCPenney’s sexist T shirt “I’m too pretty to do my homework so my brother did it for me” went viral. JCPenney pulled the shirt.
In two years, Reel Girl has grown as well. Reel Girl posts have been featured, written about, or linked to major sites around the web including The Week (best opinion a couple times), Jezebel, Blogher (Spotlight Blogger), Forbes.com, Wall Street Journal, Adweek, Ms., Common Sense Media, and many more. Reel Girl is also cross posted on SFGate.
This summer Pixar is coming out with Brave, the animation studio’s first film ever to star a female protagonist. It’s kind of unbelievable that we’ve had to wait this long for one girl, but I’m excited to see her. I hope people go in droves and take their sons as well. This whole issue is really about the parents, and I’m happy they’re taking more action.
But there is a kid who is really pissed off and telling the world about it herself. Her name is Riley and the youtube video showing her smart observations on the gendered aisles, toys, and colors forced on kids is going viral as I post this. If you haven’t seen it yet, you can watch it here. It’s awesome.
And finally some exciting news around here: my husband and I are writing a Middle Grade book inspired by a story he started telling our daughters. It’s a fantasy adventure. Here’s one sentence about it: “Legend of Emery: TheBattle for the Sather Stone is the story of how Nessa, a Frake, and Posey, a Fairy, overcome a history of mutual prejudice to become great friends, working together to stop a war by recovering the stolen Sather stone, the source of all magic, and returning it to its rightful owner, the Fairy Queen Arabel.”
Here’s to hoping we take many more giant steps forward in 2012.